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However, Orson Welles was able to revive them by breaking a dense verbal texture of the dialogue.He is in this scene aside time, the need to fully innuendo Iago Othello reach consciousness, and when he finally responds, Iago continues to say only carefully weighing its response to victims. Thus, the dialogue is download the film Losing it
and interrupted by long intervals of silence, broken only by the rhythmic sound of their steps.But these sounds do not return our attention to the verbal duel heroes of the tragedy, but instead they make us sensitize the physical character of its participants. Therefore, the footage of their figures, combined with the sea and sky take on significance and tell us about many unsaid words. We not only hear the sound of steps.we know the hidden processes that word soon. conceal than reveal. With an interval of 3 Wells dialogue can take his rule and fill frames contrapuntal content. Asynchrony. Type III. Parallelism.We need not dwell on this type of synchronization, as it coincides with the type I in all respects. When the screen shows snow- covered mountain peaks and we hear the remark as yet unseen tourist or a speaker that he sees mountains covered with snow, the words, duplicating the image may seem superfluous;but if they are pronounced with the natural carelessness, they certainly did not distract our attention from the landscape.In any case, the actual sound of a nenarochity parallelism sometimes even necessary, for example, to further characterize talkative character, supporting dramatic tension scenes or save speech rhythm. Type IV. Counterpoint.But as soon as the main means of expression are the plastic film, this type of synchronization is becoming cinematic virtues download the film Losing it
and attributed to him 170 in film studies literature. In cases where the actual sound of the source often remains invisible for the entire scene.For various reasons dictated by the film composition, speaking character appears either later that we heard his voice, or at the time when he begins to speak, and then the pictures replace each frame, voiced his own voice.The first possibility is realized, for example, in an episode of Jean download the film Losing it
and Epstein's "The Tempest," in which we see the raging ocean mime the song, it could be rightly download the film Losing it
and classified as commenting on the sound if it continued to sound and then, when we are shown singing girl.For a second, more opportunities obschepriyatnoy typical reaction shots, which are especially expressive when it ceases to dominate. The originality of the effects of each of the options does not matter here, it is only important that in both cases the viewer is invited to explore the world of cinematic in nature.Remember the episode with his mother Elsie of Fritz Lang's film "M", showing how anxious she was waiting for little girl who did not return in time from school.
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She looks out the window and yells in despair of her name. The air is filled with screaming women. Then she disappears, and. Instead we see under incessant cry of "Elsie!"Empty stairwell and an empty attic.