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and interested in what lies behind the fact: "It is enough to dig a little deeper, and every little fact turns into a scattering of ... Every moment infinitely rich. Banal not exist. "In other words, the world is not trivial, banal is a point of view. Everyone sees the way he understands. And if the artist has a gift to rediscover the world around us, then the solution lies precisely in the nature of his interest in the sharpness of vision, in the breadth of outlook. Dzavattini no secret of his position: "I am a screenwriter ...It is clear that the basis of my creative work can not be based on the idea of вЂ‹вЂ‹moral and social order. " The thing is that these ideas are polar in that confession of a man download the film My Fuhrer
and gripped by "a sense of drift and directions without horizon":for them - not the philosophy of disunity, the lost sense of wholeness and outgoing, but rather the desire to "give all your confidence, all instill the knowledge that they are human." It is not difficult to imagine that each of the approaches described here may actually be download the film My Fuhrer
and preceded by an epigraph, "Life As We Know It."However, the real meaning, which is embedded in this definition, is in the reported cases in the strongest terms. How do these two things combined - a unique feature of the lens to bring us life "original" and the author's presence - in the documentary screen work?An attempt to answer this question has led to a download the film My Fuhrer
and proposed book reader. Such was this line in the first edition in 1976. Today should have put 110 years. Bazin, What is Cinema? : Art, Nature Krakauer film. : Art, See id. Ibid. Dzavattini zhizniSovremenny Diary movie and documentary ": Sat. :Art, p. by: Aristarko history film theory. : Art, Umberto Dzavattini: Art, Ibid. Ibid. Ibid. With Anatomy surveillance camera in the hands of the documentary quotes surrounding reality. We can say that the screen is the real life forever doomed to download the film My Fuhrer
and remain in the quoted condition.Certainly, the choice of these "quotations" depends on the documentary, and in view of this we have to see the reality as it eyes, in whose hands is the camera. "The mere presence of rectangular picture frame presupposes a comment - says Stanford University professor Nicholas.- Through the interpretation of the object is not so much the camera actually records the truth of life, how it opens.
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" "The screen is a kind of phenomenon of reality enters the frame - says close Sappak idea - cut off from the rest, giving him a" big plan ". Into an object of observation.The reality is, the dropped to the screens, turns out to be aesthetically organized. Is this alone does not predetermine much of our attitude to show? '. Camera "opens" ... Screen "turns" the phenomena of life into an object of observation ... In fact, it is, of course, is not the quality of the camera or the display properties.Interpretation of the world begins with the simple act of perception. Newborn sees the world upside down. And personal experience corrects our vision throughout childhood. Thus, the Euclidean space, we are able to discover only a devyatidesyati years.