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Only this condition makes it possible to merge the two "techniques", which Arnheim seemed doubtful. His mistake is obvious:he thought the sound only "improvement" of the visual element approximation to reality and moving picture is regarded as a weakening of "forming tools" that Spottiswoode later called "differentiating factor". In a similar misunderstanding and denial based color film.It is obvious that the problem can not be solved by a mechanical, even though the most perfect, the color reproduction. In this case, as rightly argues Paul Roth, would not be possible to achieve better results than existing masterpieces created by the black and white images.Of course, it is impossible to solve this problem and with the help of a constant catalog "tsvetovsimvolov."The same Eisenstein ko-, tory in the "old and new" identifies with the black all reactionary and outmoded and uses the white color to represent happiness, life, new forms of social relations - in the film "Alexander Nevsky", on the contrary, with the help of White depicts the cruelty, oppression, death, and with the help of the black wants to expresspositive themes of heroism and patriotism. Spottiswoode rightly points out that the conclusions to S. Eisenstein, The Film Sense, Harcourt, Brace and Company, New York, 1942; Faber and Faber, London, 1943; torym he comes in his "grammar" regarding color, should be considered highly experimental.The color image is compared with a single color, he said, he carries a tendency to slow down the protrusion, and the effect of each frame.However, this obstacle can be overcome, Spottiswoode continued if the director will be given full freedom is not film Sexy Werewolf in London watch online
and use more color, as soon as it begins to slow down the pace of installation .In the painting "Send it to hell," mediocre, but in some ways a curious film, John became, filmed in 'Technicolor', the heroine catches the flight of stairs.In this scene, the installation used short pieces, which consequently can not be adequately film Sexy Werewolf in London watch online
and to assess in terms of their content and form.However, this fact does not diminish the overall emotional impact resulting from the combination of each frame with the previous and subsequent. But in addition to that freedom, which says Spottiswoode, the director may instead switch from color to belochernoy scale, restrict the independent value of short frame.
film Sexy Werewolf in London
By doing so, he is free not Watch Online
and to sacrifice a "very short shots that It contributes substantially to the rhythm and creation of special effects, from which depends almost entirely on the success of the film. "Thus, we return to the old theory Pudovkina, attach little importance to the frame itself. On the other hand, as we have emphasized, short shots do not constitute a cinematic language, rather, they are its form, style or manner of a director.From a theoretical point of view, this issue was addressed in the works of some authors, who are now ready to movie download Sexy Werewolf in London
and to abandon theorizing with regard to him.