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Fairy tales of the Viennese wood
film Sexy Werewolf in London Such places include the most difficult speech of Vladimir Ilyich at a meeting of the Central Committee;In this episode, the actor had to express themselves in a very short period of time a true leader and a very short period of time to play a huge range of emotions - from anger to limit high pathos.Since this piece is nothing but a stationary and a person speaking, no, because no help from the staging, by mounting the actor could not wait, this piece seemed to us one of the most difficult to implement.A second, equally difficult moment seemed episode where Vladimir Ilyich indignation fulminates against Zinoviev and Kamenev read in the newspapers of their traitorous statement. Among the very difficult and treated episode, when Lenin comes to the podium at the Smolny, because here it was necessary to find a very concise, complete and perfect movement.Finally, it is extremely difficult in the apartment was the scene of Basil, we also postponed the end. This scene is difficult because it is very intimate and in humble circumstances it was necessary, without going beyond the material, to show the leader, find someone who has just decided the fate of the proletarian revolution.These four episodes we shot the least, considering them as it peaks in the cast performed the role.When taking pictures of each episode, we also broke the usual cinematic order in which the light is removed by first staging an overall plan, and then placed in the same direction as the light of consolidation, and then - the opposite point, and so on. D.This makes the split episode illogical, unconnected pieces, alternating with an actor in a completely random order. Shchukin episodes we shot mostly in the order of their installation sequence, sacrificing time on the transposition of light, but for an actor to create a sense of continuity of behavior in this episode.Thus the lack of rehearsal time, we partially offset the specific, regular sequence in the shooting and also how they could use the benefits of working on a short piece.The principle of a short piece of trim in place we spent so consistent, that did not work exactly on the final text until the shooting. We have only done the whole pre-draft work, that is marked out staging, movement, thought through incentives and behavior of their external expression, analyzed and rough dialogue practiced it;final trim piece was left up to the shooting, the actor to take the most recent and direct execution. This does not mean that I am trying to deny the rehearsal period. Rehearsal period in the film, of course, highly desirable and useful, but it must be different from the rehearsal period in the theater.From my point of view, the rehearsals do not need to squeeze until the end of the execution of the role of the actor, the more that at a rehearsal in the movies when the continuous performance of the episode can never achieve complete accuracy of the game.
film Sexy Werewolf in London mounting, kadrovka breakdown scenes work on separate pieces inevitably make their own adjustments later.