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film Sexy Werewolf in London Stanislavski believed that the central problem of the history of the Moscow Art Theatre is a struggle for the enrichment and development of the realistic method.Here, as well as in a number of his subsequent statements, Stanislavski unequivocally raises the question of tradition, which in those years is particularly acute. On this issue faced by different ideological odds with each other currents."Moscow Art Theatre did not come in order to destroy the good old, but in order to feasibly continue it," insisted Stanislavski in 1908, feeling the organic connection between art and the continuity of the Moscow Art Theatre with the best democratic traditions of Russian artistic culture of the XIX century.He believed that "more beautiful than in the Russian art covenant left us Shchepkin", the basic meaning of which he identified the brief formula: "Take samples of life and nature."This principle, which became the motto of the Stanislavsky and the Moscow Art Theatre, armed them to fight "with all the false in art", gave an inexhaustible material for the free creation of the artist.He called for the ongoing monitoring and study of reality, to the ability to find the source of creativity in life itself, and not in the dusty world scenes and worn scenic images.Stanislavski fought for genuine traditions that enrich the work of the actor, help to penetrate into the inner essence, the most "caches" of art, to discover the objective laws of creation, to avoid many mistakes and errors.However, he called for the overthrow of the antiquated "museum" and conservative traditions, "the theater department of life, from nature, simplicity and truth", traditions, pushed the actors to borrowing ready-made patterns and techniques taken "out of the hands of others," to repeat "old already found."But movie download Sexy Werewolf in London and to safeguard the tradition is to give them development, as that genius requires movement, rather than academic immobility. Brilliant primarily viable "Stanislavski formulated his understanding of the traditions in the manuscript" search "relating to 19121913 years.The value of these policy statements Stanislavsky, their effective meaning can not be properly understood and appreciated, if you do not take into account the concrete historical situation of the first decades of the XX century, under which the battle took place for realism.During the public reaction when Stanislavski urged to develop advanced democratic traditions of realism of the XIX century, was consolidating all forces opposing currents theatrical realism initiating ideological offensive under the slogan of "theatricality of theater" and "theater traditionalism."They were not only attempts to discredit art Art Theatre, which saw the main stronghold of stage realism, but also attempts to belittle and discredit the very principles of realistic art, the nature of the alleged contra theater and causing a deadlock and wingless naturalism.