Astounding!Antarovoy she said, returning her to her manuscript records. When reading them, and after I had such a condition, if indeed, here today, I heard him and attended his classes. I even remember where, when, after rehearsing what he would say you recorded ... ".In concluding his letter Sokolova confirms that these records partly fulfill what so like Stanislavsky himself, but what he did not have time to do personally. Love Gurevich January 1939 order. Pp.15 Preface to the Second Edition In 1939, the All-Russian Theatrical Society has published for the first time I have recorded conversations with artists Stanislavsky Bolshoi. As mentioned in the nerve publication these conversations are years 19181922.Transformation of the whole life of the people download the film Gojitmal
and fired up even stronger and brighter than the great energy of the great teachers of the Russian stage. He wanted to put his hand to the Opera House, inspire creative ideas singers and awaken in them a desire to seek new ways to opera. I add music to the first edition of the book a few more conversations Stanislavski.Some of them belong to the period immediately work on the opera Massne "Werther." The remaining six interviews - about the elements of creativity - Stanislavski had with us, finding excuses to them in the ordinary course of rehearsals.These discussions are valuable in particular because they are already expressed thoughts that were cataloged and then deployed in the book Stanislavsky "An Actor over it."Russian Theatrical Society was the first organization to publish "Conversations With Stanislavsky" shortly after his death, when still no publisher has not released about Stanislavsky single book. This edition - the first monument to the great man. Pp.16 WTO takes second edition of "Conversations Stanislavsky" in a moment of modern theatrical life when the "system" Stanislavsky became one of the central problems of the Soviet theater. As to the "system" are carried out in a theatrical environment heated debate.The more important to remind actors and directors think about Stanislavsky theater work, he expressed during zachinaniya Soviet theater. Sure, living words of Konstantin Sergeyevich, spoken to them in a uniquely bright and colorful tone, lose much in my notes.But, judging by the letters I received and the response, "Conversations" does awaken in performers desire to understand the art of something that great explorer of nature called creative feelings in a person.WTO bringing my personal gratitude for both editions "Conversations", I can not but mention the sensitive attention and care of the young actors who takes this public organization.
By publishing a second "Conversations Stanislavsky", WTO takes care artistic forces living outside of Moscow and are unable to use the advice of masters of the theater.But not only for providing the creative help and attention to the artist I say my heartfelt thanks to the WTO.A special thanks to my Russian Theatrical Society, especially its Chairman, People's Artist of the USSR Alexandra Yablochkina for a fact that by giving the opportunity to experience creative ideas Stanislavsky mass of artists, it promotes the expansion of their creative consciousness than does one of the mainTestaments of the great theatrical figure, she always said: "The main thing in our work is constantly moving forward effective idea." Antarova.FIRST CONVERSATION Life brings people in art is not the random circumstances, but because one heart burning desire to share their experiences, while others want to move forward and can not remain in its original condition, because their internal forces are growing stronger, evolve and are looking new ways to shed This is creativity in actionit brings us together and now I want to share my experience and try to apply it to the opera, and the burning desire in you to move forward.