Of course, the ability to "feel" the effect of the junction of the screen frame natrenirovannosti requires some imagination.Over time, their own attempts to mount and test the impact of screen transitions from frame to frame leads to sustainable skills to the ability to correctly place the camera on an object in the first and in the second case, choose a scale or part of the object that you want to capture on film, imagine what impressed by jointpersonnel in the minds of the audience. The director must be able to foresee the result of their work, the result of the impact of moving and changing images of his work. Knowledge of installation greatly facilitates complex procedure prediction of the effect the joint staff.Everything that relates to the choice of scale shooting man in neighboring assembly plans, equally applies to the choice of size of adjacent frames when shooting any other objects.The transition from one frame to another will be planned and invisible only when their size and composition are significantly different, but not be forced to further strain the consciousness of the viewer and look for indirect evidence, to understand that in the neighboring frames shot one and the same object.Installation in the spatial orientation of this principle, perhaps one of the most important, if not the most important for the filming of scenes that involve interacting people. How to get this kind of scene? How to place the camera in the hall while shooting for the viewer to create a correct idea of вЂ‹вЂ‹what is happening?The only sure way to understand this complex pattern of shooting - to draw a storyboard. On it you can determine exactly which frames when shooting mistakes which points are chosen properly. Look closely and carefully analyze the results. The speaker on the platform frame looks into the hall. His gaze is download the film Night Woman
and directed from right to left.The audience watching him. Their eyes are turned from left to right. The speaker frame is on the podium in a half-turn to the camera. His view - right to left. A shot of the room with the audience. Their views were facing in the back of the speaker. This state of the audience sitting in the audience will not understand. Close-up of a frame listener. View facing right to left. Again inaccuracy. Another frame listener, but looking at the person above. Try to identify at this point - where the Bureau? Right or left of the listeners? Frame 6 Medium shot Bureau. They look in the same direction as the listeners. Understand that the screen presidium, only the edge of the table. The general plan of the frame of the hall.The reverse situation with respect to the first frame. Frame Close-up sitting in the hall. Not download the film Night Woman
and installed the previous frame. Close-up of a frame of the speaker. His gaze is directed into the back of the audience. Alas ... Also not mounted. Film Night Woman
. The general plan of the frame of the hall.