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The fact is that, getting to the dam, I dropped the machine, which, of course, shattered.If not the case, we would have long prosnimat since I had no idea how much to mounting material. I do not seem enough. During 1932 we rented halls and made scoring pattern. There was also a lot of fun.The film was completely insensitive to the yellow part of the spectrum, and shot at poluvattnom light, resulting in the actor sent many lamps that poor gentle Geyrot once smoked down on his bald head. Sound is not obtained. What did not make sound engineers:cover the microphone with gauze, surrounded by special nets, put on the rubber and so on, come spetsialistyakustiki, clapping, shouting "a" listening echo. Sound, however, it is better not to do. Soundman was then dictator and tyrant.Sometimes, after a rehearsal director anxiously awaited word sound engineer, and he download the film Night Woman
and leaned out of the cab and was saying flatly: "Comrades actors, I beg of you all" and "to speak much quieter, all the" s "is much louder, the letter" e "try a little lifted, not pushing up on the sizzling, tell them casually eleele.But the "b" and "p" to put it more clearly. " Imagine what was the situation of the poor actor! In the end it turned out that the unit is bad prostonaprosto otfokusirovana thread and must know how to focus. We took another sound engineer. He was very competent and honest person ... and the sound was better.Other groups were jealous of our sound and tried to solve the mystery Timartseva. The device was in a closed Timartseva mobile cabin, which at the end of shooting locked with a key, but from the side, at the bottom, there was a small hole for the battery.One day he came in overtime to the factory, I saw that the hole climbs fairly complete filmmaker Marjan. The whole group to push through from behind through the narrow opening. It turned out that a group of Marian secretly download the film Night Woman
and worked on our unit. With sound in general we produce incredible experiments. Do not forget that there was no dubbing.So they had to shoot simultaneously not only the actors, but the orchestra, and if joined by more and noise, work is incredibly difficult. Write complex score, divided into frames to clocks, mounted right on the metronome beat. Then had to mount these cut pieces of music, speech and noise together.It was the work unimaginable complexity. Filmed phrase with the music and noise, then the next sentence, and the music and the noise began with tact, where they stayed last night. All this had to be matched to the rhythm and tone.
FILM NIGHT WOMAN
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and worked for us noise symphony.Dozens shumovikov thundering, clanking, whistling, barking, buzzing and bryakali different piece of wood and iron things. They portrayed the noise of cranes, trains, wind, the sound of betonschits and thousands of other audio components large building. He wrote music Shebalin Vitachek young and someone else. Music was accompanied by noise and to be born of them.I remember a picture of the Symphonic Etudes, first girl sucking wooden mallets on mud, depicting the rhythmic clatter betonschits, knead concrete, this is added to the clang of chains, after then gradually download the film Night Woman
and joined the orchestra and symphony begins to sound concrete.