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Fairy tales of the Viennese wood
LOOK ONLINE Alternative Bazin, screen, playing the role of a picture frame or a mess, are never enough, because there is also in the spirit kadrzerkalo OphГјls and kadroboi in the style of Hitchcock.But when the screen acts as tablitsasvodka, table printing or information table, the image constantly exposed to the storyboard, turning to other images imprinted through a semblance of foundation glides over the surface of the other images in the "continuous flow of messages", but the plan itself now resembles not so much eye asoverloaded with information the brain are continuously absorb it: so couples and mozginformatsiya mozggorod displace glazPriroda couple in the same direction and was Godard, even 1 Burch Noel. В«Pourun observateur lointainВ», Cahiers du cinerna-Gallimard. 2 For Leo Steinberg S teinber g.В«Other criteriaВ», conference au Musee d'art moderne de New York, 1968) refused to give the definition of modern painting in B through the acquisition of a purely optical space, and insisted on the preservation, from his point of view, the mutually complementary features: the loss due to the vertical on zitsiey human interpretation of the picture as an information table;For example, this is the work of Mondrian, when he converts sea and sky into something reminding nayuschee signs, but especially common here Rauschenberg. "Picturesque a surface of no longer provides the natural analogies of experience, but is beginning to resemble operational processes. ...The plan is the equivalent of Rauschenberg's paintings of consciousness, brain steeped in the city. "In cases with a movie even Snow, have aimed to show the "fragment of nature in its original state," Nature and Machine "represent each other," so that the visual information are deterministic tion data " perceived in the operations of the machine and run it": "It film reminds concept, when the eye can not see. "600 Gilles Dele'z KinoObrazvremya 601 before starting to use the video resources. And in the film Straub, the Marguerite Duras and Ziberberga disjunction between sound and visual images by means of film or protozoa videopriborov - so no recourse to new technologies is not observed.And it is not just because of economic considerations. The point here is that the new machine and a new spiritual psychological machines depend on aesthetics first, and then the technology. Obrazvremya first refers to the original order of images and signs, and then spoil the electronics or, conversely, activates it.When ZhanLui Schaefer compares principle effects movie with a spiritual giant machine or mannequin hanging over our heads, and he rightly says that today the decisive factor here is the brain, which has a direct and preceding any of the mobility of the body was the perception of time.Straub, Marguerite Duras and Ziberberga certainly have in common is that their films, despite individual differences, a new audio-visual system In reality, Ziberberga we find two important properties, what we tried to highlight in other cases.First of all, the disjunction of sound and visual elements clearly appears in the film "The Royal Chef", and this - the disjunction between the flow of speech cook and abandoned spaces, castles, huts, sometimes - engravings.Or, in the film "Hitler" visual space Reichskanzlei empty, while lurking in the corner of the plate give birth to children with speech Hitler.