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And when all of this documentary material is assembled, the novel will be written by itself.Novelist will only have to place the events in a logical sequence. His attention will not be absorbed by the invention of the original plot, on the contrary, the more banal and common it is, the more typically will. "These very different to the reality of the style and attitude so revealing, to a greater or lesser extent, they can be directly download the film The first desire
and correlated with the styles and attitudes of our best post-war films. Lukacs notes that the description does all short-term:describe what they see, and space availability makes people and things on hand and temporary, because of what you learn about what is happening just as, but not why, not determined its cause - notice the "done", what happened phenomenon, but not why it happened.The social problems arising from the observations, and therefore, from the description offered in the form of conclusions: the director of the theater in "Anna" in Zola continually repeats:"Do not tell - the theater, they say - the public house", while Balzac, that does not describe, but said, depicts the process of prostitution theater, points to his reasons and motives, linking the present with the past. Zola observes and describes. Balzac sympathizes and tells.Not that Visconti in "La Terra Trema", as well as in the "feeling", refuses to describe as it is impossible, however, to say that De Sica or Dzavattini gdenibud only describe, but do not tell, from Visconti, as well as in Zola - and especially in the Visconti in his several theater productions - found hypertrophy naturalistic detailsfocused viewing pleasure full of one part, the desire for such a saturation of the subject, what did you meet in the inventory. In "pure" narrative or description does not exist, as there is no common thread. There is a more or less pronounced tendency to narrative or description.In opposition to participation and observation, narrative and description of the Visconti to a greater extent than others, perceives description Balzacian sense, that is one of the elements in a series of others;he feels that his side even greater importance are the narrative and dramatic elements potomuto image environment and characters he does not dwell on the description - a conscious dialectic allows him to transfer and the environment and the characters in action.Hence the need to intrigue, and, if the example in this respect is the classical prose, it's not that important. In cinematography is also quite dangerous down to judge about the affair, which Gorky considered necessary to strike the image of "Mother."Availability of intrigue, and, hence, the hero, and in the movies can show people more deeply and humanely, allows rezhisserutvortsu give a download the film The first desire
and concentrated expression of the relationship that unites and connects life with social phenomena.Luigi Kyarini in a dispute with Salinari with "Chinema nuovo" argues that the problems of literature, other than in the movies, "we have yet to tell - he says - that wonderful novel Pratolino, perhaps, bears the imprint of the influence of neo-realism and cinematic ".Leaving aside the more or less obvious contradiction, we still think that the problem of realism in art is one big problem, common to the literature, fine arts, theater and film, that the issues raised by the literature as to their proposed solutions may even need to listen, how to listenVisconti, when he made "Sense" and "earth shaking." Of these questions and making great use would take for itself and criticism, for example, to understand why some of our masterpieces neorealism emerged sketchy and, conversely, why Visconti can meet characters let truncated, incomplete, not sketchy figures.Description, description of the prevalence of the narrative always degenerates into a sketchy inherent descriptive method.