FILM THE GIRL NEXT DOOR
Question. Do you have a common position with the theater Tairov through conditionality? 281 Answer. We believe that differ sharply from each other. Although many techniques it takes us, but the whole thrust of the Chamber Theatre is on the line aestheticism.We, too, is a sin, but in performances Tairov very often happens admiration, external mush, a pretty, sugary techniques, and in-game artists to notice. If you will go behind the scenes at the theater, you say - that matrosnya, and they have behind the scenes - it's refinement, solid rumnevschina walks.This is the nature of the theater, but it does not mean it's bad theater. It's good theater, which at this stage is trying to improve, switching itself on a repertoire. With "Salome", "Adrienne Lecouvreur," with operettas and switches to the new repertoire and wants to improve himself in this new repertoire. We started this repertoire.We do not have started with a review of the classics, we started with the revolutionary repertoire, then consciously went for the classics, as revolutionaries. Therefore Milonov in "Forest" is transformed in our Father Eugene.We took the seventies, when I was a restructuring of economic forms, and as a result our Vosmibratov not a simple merchant, and the person who is involved in this case. Aksyusha we argue with Gurmyzhskoy. We have made it a Protestant, who rebelled against Gurmyzhskoy.We became friendly with Peter Aksyusha to show that he is no longer Vosmibratovym. We all - the development of economic forms in the seventies of the XIX century - took a textbook Pokrovsky. In this work we have moved, because we've learned the audience, and because we have learned a revolutionary repertoire - it became easier to go for the classics.We did not take the classics the way they took the Vakhtangov Theater, as he picked up "Hamlet." It was an unprincipled approach. In this performance, there are some good moments, but overall the show leaves the viewer cold because the garden pile up, not to talk about Hamlet that could tell.It is good that the Chamber Theatre moved to the new repertoire. We wish him a successful recovery, and it's good that he was turning away from estetskih approaches from rumnevschiny. Question. Whether it is necessary to start with re-cast? Answer. If this is done only on the stage, it is not enough.It is necessary that the actor was a new man, he must buy new, revolutionary skills. It is a big process that needs to be download the film The Girl Next Door
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Question. Actor in his work on the role should go from movement to thought or the thought of the movement? Answer. So it is impossible to say. It is too primitive postanovnovka issue.Of course, always, no matter what was done on the stage, always thinking ahead. I understand your question is this: when practicing a role, we must first delve into the psychological substance or to have 282 this psychological substance to come by examining the movement? Thought should always be in front. Here it is possible to refer to James.He tells an amazing event for which caught and held in practice.