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Fairy tales of the Viennese wood
XX century.not only and not so much to trigger a conflict between technology and culture, how to intensify interaction between them, as modern forms of culture associated with the technique, grow out of equipment. Hardly hostile technology characterized the younger generation as much as 40 years.The essence of the problem is that traditional approaches are no longer adapted to the new artistic material. Meanwhile, the emerging culture has its own specific guidelines and criteria. A study back in the 1980s.questionnaire regarding videorepertuara which then spread primarily through the exchange, showed that about half of the students know the names of most of the main unit of video, that is, or have seen these works, or heard of them.A similar survey among people over thirty years has revealed that only 10% know and have heard these names. On the basis of these data, adolescents have as much reason to conclude that adults are much less educated than young people, how many respected scientists to the conclusion that "spirituality" of the younger generation.Thus, the controversy generated by the largely theoretical misconceptions about the cultural processes involved today, more than ever before, with the change of the priorities of cultural development, including significant losses.It is no accident in the age of television and computing often recall the judgment of Socrates, that the development of writing - the evil, as the person ceases to train your memory. It would be wrong to deprive artists and critics, the audience of art right biased judgments.Conversely, relying on their own sense of your choice is absolutely necessary, because by its nature a subjective factor of perception - not external and internal critical part of the artistic process. However, when faced with different tastes and opinions, hardly productive on the move dismiss them as false or " undeveloped."We must strive to understand its nature and essence, to find out what the real facts - objective and subjective, individual and social, artistic and extra-artistic - brought them back to life, and how they are built to last.We can say that the most important quality of modern party of the artistic process, and its researchers and managers in particular - the ability to reconstruct the real picture of tastes and preferences obschestvaklassov, layers, groups, both in historical terms, and especially in the modern state, and that on this basis to judge trends itchanges and the ability to influence in order to achieve the desired goals. However, the pre-election campaign shows the progressive movement in this direction.We must not forget that people's tastes, including art, defy legal and administrative regulation, their formation is a natural and largely spontaneous. In a paper devoted to sociological problems of cinema, Brecht wrote:"In all circumstances such a thing as the taste of the public, to explore, and just as that in which he expresses the public interest that the public seeks to meet with the film.Of course, this goal should be approached experimentally, in cooperation with the special cinemas, having a range of visitors - specifically petit bourgeois, proletarian, and so on, showing certain films and special methods of studying the reaction of the audience ... So, the idea is not enough reviewers:"Audience tastes" can not change with the best films, but only by changing the conditions of existence.