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But in fact, the reason was different, just the opposite is the opposite:Ibsen in we were not realistic in the internal life of the play. Symbolism, Impressionism, and all other refined isms of art belong to the superconscious and begin where ultranaturalnoe ends.But only when the spiritual and physical life of an artist on the scene develops natural, naturally, normal, according to the laws of nature, out of his superconscious caches. The slightest violence to nature, and superconscious hiding deep in the soul to escape the rough muscle anarchy.We could not then at will cause a natural, normal, natural state of the scene. We were not able to create in his mind a breeding ground for super-consciousness. We have too much philosophizing, get smart, to keep himself in the plane of consciousness. Our symbol was of the mind, not the senses, made, not natural. In short:We were not able to hone to a symbol of spiritual realism of the pieces is true that sometimes, by accident, for unknown reasons, to ourselves, and we got away to the inspiration of Apollo.I myself was lucky on a public rehearsal sincerely and deeply felt as Levborga tragic moment, when he lost the manuscript, is experiencing the last moments of despair before her suicide were such happy times as I have, and others artistovtovarischey from a simple case, which, of course, can servethe basis of art. But perhaps there was another reason, purely national character, which made Ibsen character difficult for us to understand.Perhaps never "white horses Rosmersholm" will not be for us what it is for a Russian belief at least the chariot of Elijah the Prophet in which he travels across the sky during a thunderstorm, in Elijah's day. Perhaps Chekhov was right that day, out of a clear sky, sunset download the film 4 luni
and prolonged laughter and surprise, as always, he download the film 4 luni
and exclaimed:"Listen, do not be a play by Ibsen Artem!" Indeed, the Norwegian Ibsen and rusopet Artem were incompatible. Does not profound exclamation Chekhov and to all of us, artists, souped simvolistamibsenistam then? Line of intuition and a sense of "The Seagull" Another series of our productions and the work went through intuition and feelings.For this series, I would have ranked all of Chekhov's plays, some of Hauptmann, in part, "Woe from Wit", a play by Turgenev, Dostoevsky and others staging first play of the series was the play Chekhov's "The Seagull" I am not going to describe the productions of Chekhov's plays, as this impossible.Their beauty is not transmitted by words, but hidden beneath or in the pauses, or in the views of the actors in the radiation of their inner feelings. 3 saptam?ni si 2 zile in excellent quality online
. While alive and dead things on the stage, and the sounds and scenery, and the images created by artists, and the mood of the play and most of the performance. The whole point here is creative intuition and artistic sense.Line of intuition and feelings suggested to me by Chekhov. For the opening of the inner essence of his work is necessary to make a kind of excavation depths of his soul.