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and reached just obrazavremeni, get to that before he did not allow his own naturalistic and cyclic view.Even more instructive to compare RobGriye and Rene, author of the film "Last summer at Marienbad." In their collaboration unusual is the fact that the two filmmakers have created so devoid of contradictions 1 Daniel Roche, compared the " Marienbad" with a throw of the dice at Mallar IU, with the "fallen star number" and "emerging outcome":В« Alain Resnais et download the film Forty Shades of Blue
and Alain Robbe-Gnllet Etudes cmematographiquesВ». '1 Wed.: Bonnet Jean-Claude. L'innocence du reve В». В«CwematographeВ», no. 92, septembre 1983, p. 16,406 Gilles Deleuze KinoObrazvremya 407 product, although each of them was planning to completely wrong, as the other, and even almost in the opposite spirit.One might call it a proof of the fruitfulness of any true collaboration, where work is not only seen, but also in accordance with completely different principles of creativity, which are combined, enabling renewable, but each time the unique success. However, such a comparison is Renee.RobGriye and hold difficult, because they are highly friendly declaration only cloud the matter - and you can compare them on three different levels. First - the level of "modernist" movie, the main feature of which is the crisis obrazadeystviya. " Marienbad" even download the film Forty Shades of Blue
and marked the important point of this crisis:krahsensomotornyh scenes, characters walk, increasing the role of cliche and postcards - permanent features RobGriye creativity.Besides communication enslaved women in his works are not only erotic and sadistic value - it is also the simplest traffic stop judging other But Rene and walk, hold, fossilization and repeating constantly show an overall decay obrazadeystviya. He is the second level of the real and the imaginary:it was observed that in the works of Rene always survives the real, namely prostranstvennovremennye coordinates asserting its own reality, even if they are in conflict with the imaginary. That's why Renee, for example, argues that an event really download the film Forty Shades of Blue
and happened "last summer ..., "And in subsequent films establishes the topography and history even more stringent than the imaginary and the mental is happening in RobGriye But everything happens" in the heads "of characters or the audience themselves. But this difference is noticed by themselves RobGriye hardly too much.After all, in the minds of the audience can not take place that would not arise from the nature of the image. And we have seen that the image is always the difference between the real and the imaginary, the objective and subjective, physical and mental, actual and virtual - but the difference is it is reversible, and in this sense unextractable.Different and yet unextractable - are imaginary and the real in both authors. Consequently, the difference between them can be formulated only by other means. Watch the film Forty Shades of Blue online
. Rather, it can be expressed through the clarification made by Mireille Latil: a larger continuum of the real and imaginary RenГ© confront discrete units or "shocks" in RobGriye.But it appears that this new test is not able to work at the level of a pair of "Imagine - a real" and therefore must enter the third level, while Sam RobGriye indicates that it differs from Rene to be found in the long run at the time.Obrazadeystviya decay and the resulting indistinguishability carried out in favor of the "architecture of the" the "eternal present", cut off from its own temporality and all the same, and now we do not believe that the eternal present means "less" obrazavremeni than eternal past.Net present time belongs to no less than the pure past.