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Fairy tales of the Viennese wood
WATCH THE FILM FORTY SHADES OF BLUE IN EXCELLENT QUALITY ONLINE The world is somehow connected.The brilliant sound engineer, teacher and theorist, but also a poet, James Haron wrote that "neither in life, nor even in art there is no such division radi173 locally to the ideas and emotions, the thoughts and feelings ...Our thoughts and feelings are interrelated and interdependent, which can not but have an effect in their terms, especially by means of music, "one is so much talk about the meaningfulness of the music on-screen work is necessary only because of TV people who imagine themselves to be professionals and filmmakers like music popular opinion than emotionalcharge did not bring to the screen. The classic refutation of erroneous views, as always, is history.According to the English film theorists Manvell, music composed for the film "Battleship Potemkin" composer Meisel, especially emotional impression on viewers with German musical culture in Austria, Germany, part of Hungary and Czechoslovakia."The emotional effect of music Meisel was so large that its performance has been banned in some countries, where the demonstration of the film was resolved," - wrote Manvell.As explained by the witness, the reason the audience burst of emotion was that sitting in the hall heard in a movie musical reminder of the events of 1905, modern and in tune with their moods and current call to revolution in 1926.Maisel consciously used in his work for the film tone and turns the music and songs of revolutionary Germany at the time. Here you have a vivid manifestation of the content in a musical composition in the absence of words.Try not to agree with James Charon, who denies the allegations of such theorists as Chernyshevsky and Lunacharsky that "the destiny of music - alone feeling."Understanding the substantive content of music written for the screen, and its meaning as a very, very fundamentally, because of its quality, it lies one of the important methods of use in screen works.Music can be not only the background, not just a form element, the sound shell movie or program, but also to participate in the creation of the core content of the work. With the ability to easily link the audience as separate distinct sounds and music from the 1 X n and po. Music Documentary Film ggalyyugo. -: Izdvo Film Institute, with 14? 2 Manvell.Film and the audience. -: Ed. Foreign. Lit., C40 174 specific actions or content of the image, we have the right to assert its role in the construction of dramaturgical work. And now the download the film Forty Shades of Blue and uncontested, the obvious role of music on the screen. No doubt - the music always brings an emotional product.It can be very diverse: from feeling weightless flight experiences of burning love to hatred. Have taught us a century of experience of cinema and half a century of uninterrupted trial and error on TV?In the roughly weight uses of music can be decomposed into three "shelf" into three functional tasks. First - exemplary. Second - moody. Third - dramaturgical. Commonly referred to as illustrative music, which, in its nature, the rhythm and content of repeats iconic series.Say, a download the film Forty Shades of Blue and train rushes by the screen.