Tragedy Erotica Tragicomedy Anti-Utopia Scientifically popular Horror Fairy tales Military Fantastic Parody Crime History Adventures Karate Eastern Drama Fantasy Accident Mysticism Melodrama Black comedy Comedy Cyberpunk Thriller Action Musical Sports Biography Performance Animation Western Detective Extreme Documentary Family, children's Suspense
Fairy tales of the Viennese wood
WATCH THE FILM YE JING HUN ONLINE While I was working in the heat, I do not like it, I carried away, but after a while I do not like it begins abruptly. I now often even interesting to watch feature films, except for the extremely important and extremely interesting.It became for me the same things for me was the theater. Maybe this is temporary, I do not know. I do not have a working or professional needs to watch the play, it is not a part of my life, and the book is part of my life. And documentary film is now part of my life. Therefore, it is difficult to assess the "Nine Days of One Year."And yet, I can say that I have not met the actor's performance everywhere, and here's why - because of the well-known implications. They are not always necessary. The subtext is good when it passes the second point is simple replica. Man, for instance, says: "Hello, I'm glad." A thought: "May you drop dead." Then the implication is necessary.But sometimes the subtext is so complex that it is ineffable directorial simplest definitions. Lavrov asked me: "I love, I Kulikova or Gusev? '. I honestly replied, "I do not know. Not sure what you need to know, as soon as you know it, you will play worse, I am deeply convinced of it.Start playing the unhappy love, fatal love, a brief moment of happiness, in general, a melodrama. " On the implication is not simply a word, but the music. Its use in the film in order to create a sense of emotion - joy, sadness, etc.This sensual, emotional music usually comes down to desyatipyatnadtsati types of sensations. Complex associations evoked by the music. Violin sounds themselves, let's have a piano or full of sensual overtones. Take, for example, the conversation in the restaurant, which clarified the relationship Gusev, Lely, Kulikov.If you implement this music, all at once into a melodrama - from just some sounds of music. The lack of music, the sound of knives, forks around makes the situation more home and gives the viewer a limp. That's why I do this music thrown. - And do not you regret? - I do not regret.All of these "overtones" that actors without me, going gdenibud in the rehearsal room or at the hotel, which dealt with each other, leads to the question: likes, dislikes, is jealous, indifferent, I'm playing? I had to dry, remove the imaginary emotions, what helped me Khrabrovitskii.I just took and read the same dialogue, but without expression, quietly, just like that, as they say, "Do you remember me?" - "Remember, do not you?" - "No, I do not remember." The same, but with no subtext. It download the film Ye jing hun and turned out that the "dry" text touches the viewer's imagination.The problem in the film "Nine Days of One Year" was, inter alia, to leave more room for speculation.
LOOK ONLINE And the more the picture of a good place for ideas for treatments, the better. - This is one of the manifestations of the new characters in the decision contemporaries? - Absolutely.Here is a monologue about a fool, which is made in the "Nine Days", it is as if not mandatory, does not seem prepared, but it is relevant to the modern understanding of what science is today and what people today.And speaking of that, what I could blame the "Nine Days", so it is in a traditional core dramatic site that might not be as developed in detail and could generally only be mentioned.