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I like the faces of young people. As if these here - with a picture with me. I remember all that he changed his mind for several years, while preparing for the exam. These were the years of soul-and especially the revision of all that I have done myself.I went to the cinema with the belief that art should be considered the most critical person, "slomnye" moments of his existence;with the belief that the strongest features of art - it is a clash of the tragic and the ridiculous or funny about that every person is unique strange that in life you can find such a period of time when he will reveal all to the bottom, in all its awesomeness.Maybe that's why I started my work with the director's adaptation of Guy de Maupassant, the 70-ies of the last century, with the silent picture, when there has been the sound. It seemed to me that you do not know France era. I'm not going to strictly follow Maupassant. I'm interested in all-human conflict on the severity "Pyshki."I did not picture of the French early 70's, and of the bourgeoisie in general. But I saw the picture only as an introductory exercise to the profession that has decided to devote themselves to, not more. And this exercise in a strange, unfamiliar to me the material seemed to me not only easier, but even, I would say, more cleanly.It was scary to begin their experiments on the material of my contemporaries - people who have been to me and the road, and close, and yet not always clear. My second job was to be a picture of "Commander." I found a sharp dramatic situation:Civil War hero, a major warlord suffered a crushing collapse - standard and professional. I loved the script. It was rejected, and I agreed to put a picture of "Thirteen" - Red Detachment of the adventure in the desert, which had until then never been.I wrote a script without leaving Moscow, never having seen what the desert sand, and felt himself to her scorching heat. It was also a speculative exercise, this time at a closer to me the material. I continued to dream of a "commander", but suddenly download the film Павел Кадочников
and received an honorable and difficult task:My third picture was a picture of download the film Павел Кадочников
and Lenin. Since that time, the beginning of my existence in the film as a wizard. And then there malokartine, and implement the intent with which I went to the cinema, the intention to speak of my contemporaries, it was nearly impossible in those years.Especially not for me, because all my artistic beliefs protested painting, against the notorious lack of conflict, against departmental canons of the time.
I did not, and still can not, be bytopisatelem.But even in my dreams could not raise skolkonibud sharp, tragic theme of modernity in the years of the cult of personality. Everyone understands. And started to walk away. Sometimes I was lucky and managed to find a topic such as "Dream".I was in the Western Ukraine, and saw those furnished rooms, restaurants, people - it was a rare occasion when you can talk about what I saw and heard tell that close and hurt and pain hit me.In other cases, had to look sharp scrapped characters and the clash of passions in life abroad, had to tell the people that I know only from books.