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Fairy tales of the Viennese wood
WATCH THE FILM ПИТЕР УИР ONLINE Moving cameras here passes the physical movement, enters into the space of action.These types of shooting Martin and Plazhevsky called descriptive part of the function of moving cameras are not limited to a description of the physical space and movement, and are associated with a dramatic effect, with the development of the plot, the characters, with the penetration of their feelings and experiences.Typically, in this case violated the rhythm and pace of movement - it is either speeding up or slowing down. Jutkiewicz Counterpoint director. - In.: Mosfilm. , 1959, vol. 1, p. Martin Language Film, p. 45; J. s. Perspective, the details of the composition frame plastic highlight the strength of spirit of revolutionary sailors, their indomitable will and the ability to self-sacrifice."We are from Kronstadt" The most consistent use of moving cameras as a means of expression has led to the invention of the so- called subjective reception reception when the camera as it "looks" through the eyes of the hero."At the scene of the hero escape from captivity at the viewer quickly and randomly moving forest, flashed tree trunks, branches, download the film Питер Уир and lashed by the operator Monks took this shot simply run through the woods with a camera in his hands.If for a moment imagine that the frame in an episode not - there is no feeling strongly beating heart of the hero, his great excitement and tension of all the internal forces "with" subjective camera "simulates the evidences of man's inner world, it is insufficient to they are on their own, without the portrait of the hero couldtransmit its status. We can say that the "subjective camera" increases the impact of acting, staging sharpening, making it dynamic. Operator Urusevsky wrote that shooting methods with his movements associated with the need to remove the main theme of interesting scenes: love, hate, sorrow, joy, despair"In" The Cranes Are Flying ", for example, after the episode, when driven to despair Veronica runs out of the hospital, we got it to run on the street, past the houses along the railroad tracks. She runs beside himself, not realizing what he was doing is not knowing where to run. In her mind flashed the thought of suicide.To express that her condition, the camera was running with her, sometimes in the hands of Tatiana Samoilova that produced itself. Then the camera was running past the houses, the trees, all the quickening and quickening motion, and at the end of the episode, images become very "blurry", came to a complete abstraction.The rhythm of the scene, sometimes as continuous flashing on the screen, was, on the one hand, to convey the state of Veronica, with a draw the viewer into the action, forcing him to flee with the heroine and empathize with her "Urusevsky points to an important feature of the shot - using the influence of rhythm on the consciousness of the viewer, "inspire" his rhythmexperiences, in tune with the rhythm of the action, to engage him in an emotional atmosphere of the episode.