Now, comes the most terrible moment duel aims at Dolokhov Pierre. What follows this frame? Gun? Pierre's face? Dolokhov face? Shot? No! It should be this:"- Sideways, close the gun - said Nesvitski." "- Close! - Unable to stand, even Denisov cried to his opponent. " "Pierre, with a gentle smile of regret and remorse, helpless legs apart and arms straight by his broad chest and stood in front of Dolokhov looked at him sadly." I personally believe that this image is taken through Dolokhov Pierre.In the foreground we see the back of his hand and Dolokhov with a gun barrel which is aimed directly at him. This frame can be download the film разведчицы
and divided into two, and that is to make enlargement Pierre. For symmetry follows: "Denisov, Rostov, and Nesvitski screwed up." Continues: "At the same time, they heard a shot and a wicked cry Dolohov." Next Frame "- by!- Shouted Dolokhov and helplessly lay face down in the snow. " So, the shot was not in the shot, the shot was only in the sound. What do you think, why Tolstoy did it that way? I think that he would not give himself Dolokhov tives. Romm. He showed it tries to target.When a shot Dolokhov Tolstoy did not want to, apparently believing that the reflected method is more expressive. Romm. Why is more expressive than the basic idea in the episode? Tolstoy unpleasant show it kills people. I think there is more important than Pierre, so Tolstoy so little about Dolokhov. Romm.Dolokhov paid the same amount of space as Pierre, but the shot Dolokhov not shown, and a shot of Pierre indicated. Why? Thought the episode - in full meaninglessness of it all. Therefore, when the shoots Pierre, Tolstoy shows it, thus emphasizing a completely pointless that is.Show how the killer shoots duelist Dolohov, he was not interested, and Pierre, awaiting death, did not understand - it's scary, so Tolstoy captures the attention on him. Romm. Swill, truly explained the idea of вЂ‹вЂ‹the episode. This deeply Tolstoyan idea futility duel as general futility of violence and murder.Man has the right to life of another person - that's the idea of вЂ‹вЂ‹the episode. Therefore meaningless duel download the film разведчицы
and highlighted by the fact that a man who can not shoot and do not want to kill, - falls, and a man who knows how to shoot and eager to kill - do not get.In order to more clearly reveal the incompetence of this thought-man to kill his own kind - Tolstoy Pierre brings forward, put his chest in front of a man who wants to kill him, with all my heart wants.Essentially, Tolstoy describes not an event, it is not interested in how a murder, how to shoot a man, he is interested depth relationship between two people: one to kill the other.And it's so scary that even accustomed to all officers - Nesvitski, Denisov - at a time when a man stands with an open chest, not thinking about my life, and reflects on the merits of the case, "Well shoot me if you want" - even they shout to him "Close," and zazhmurivayutsya.This episode - a vivid example of how, working the stage, on the basis of their ideological solutions, Tolstoy uses what we call in film editing, for installation - do not gluing frame assembly - a method of disclosure of the episode, the disclosure of the fact that in the main it that it important.What is most important to Tolstoy was when a shot Dolokhov?