In many conversations, had no direct relation to ethics, he continually tried to sow the seed in us kakoylibo thought of going near comrade and awaken love for him.Stanislavski had a tremendous sense of humor, but at the same time was so noble and simple in their thoughts and in dealing with us, that no one in the head and could not tell him to come kakoynibud anecdote, gossip, etc.Deeply serious and exciting atmosphere, thirst movie download scout
and learn and know something in his art reigned among us is what all of our full love and attention to our teachers. There is no possibility to transfer all that so generously gave us Stanislavski in his classes.He was not content with the fact that we know as the Studio, yet he found time to come to the Bolshoi Theatre to watch us in the performances. We would have to write a separate book about "Werther" - the first production of our studio, we showed at the Art Theatre.There are no words to describe the energy that was infused Stanislavski, his sister Zinaida S., his brother Vladimir Sergeyevich and all this work in the Studio. Hungry, cold, often two days did not have dinner, we did not know tired.We were then in the studio as poor so that they could not even invite the photographer to photograph all of our production of "Werther." P.10 And she was gone, as the first gift of Stanislavski, opera, even nowhere recorded.Decoration Stanislavski gathered at the Art Theater "with pine forest on" costumes I begged at the Bolshoi Theater of the old, no longer used clothes, picked them with Zinaida S. and Stanislavski approved them.As sample "burning" I can give Vladimir Sergeyevich, who was then living in the country, carrying a bag on his back, with all the necessary things for his studio and ate nearly one millet. Sometimes he said: "I think if I say now ktonibud word" wheat "or I'll shoot."Laughter, fun songs, when we have already moved to Leontief lane and the room was close though, but more than in the Coach series, were constantly in all corners. Never was despondency among us, and exit Stanislavski to our classes we always looked forward.Once, speaking about the value of minutes flying in the works, which should be (as a moment to appreciate the quest for more and new challenges, and with them new voice intonations and new physical actions, Stanislavski spoke about Othello.So he introduced us to two possibilities to enter Othello Desdemona's bedroom at night, so was formidable in one embodiment, and so gentle, naive and touching the other, that we are all numb and remained silent sit, though Othello was gone and stood in front of us again, our teacher .
What can I say now, when he is not with us? For him, art was not only a reflection of life on the stage, but also the way to education, unity of people.Let it be for all of us who studied "his covenant of honor and truthfulness, respect testament to everyone who strives for knowledge and excellence in our theater work. I have neither the strength nor the eloquence to convey in words the inspiration which ignited Stanislavski his students, his passion, no one could resist.