Ghost of Hamlet's father on the cheek is frozen tears of emotion. Another case, the Calderon. Also the case with the ghost. Field. Fight. Fernando, who had just been killed in action, there is a completely empty stage as a ghost and goes from one to the other scenes.He does not appear in the suit, in which it could pull out of the coffin, not in a shroud, not wrapped in a blanket, and as a warrior, as Fernando, and only a small detail in the scene threw Calderon: he put into his hand, Fernando candle wax candle. It burns. Ghost with this candle in his hand is on the one side of the stage to the other. Silently moving.The actor continues to play its role: he played Fernando alive, he plays Fernando dead.I mention these two examples to show what a mistake directors make "Queen of Spades", when they are trying to mobilize all the forces of the theatrical machinery in order to scare the audience the ghost of the Countess in the scene when it comes to Germany to his room in the barracks.Countess of these directors nominated by kakihto sites, force her to appear in the suit, in which she lay in a coffin, especially adapting to the light, to show that here, they say, the real world, but - the world beyond, this is - real people but - the phenomenon from the world, it is - a ghost.In this way they distorted the Pushkin fabric that download the film хроники ридика
and worked so that fantasy in her artfully interwoven with reality. Need to give a clear answer to the question whether Tchaikovsky wrote his "Queen of Spades" from the libretto by Modest Tchaikovsky or he wrote his opera libretto by his brother. Tchaikovsky March 28, 1888 wrote to his brother Modest Ilyich:"Sorry, Modya, I do not regret that I will not write" The Queen of Spades. " After the failure of "Enchantress" I wanted revenge and was ready to throw on every story and then I was jealous that I was not writing. Now it's all over. I will certainly write a symphony, opera and going to write, if you happen story that can warm me deeply.Such plot as "The Queen of Spades", I was not affected. I could write it koekak. " Quote this should impress anyone who knows deeply thought-out, highly emotional Tchaikovsky's "The Queen of Spades 302." Think Tchaikovsky was a time when he did not want to write an opera based on a story as "The Queen of Spades" by Pushkin.But we will all know as soon as familiarize with the second quote from a letter from Peter Ilyich him from December 18, 1889: "I have decided to abandon the foreign and local invitations to leave for four months in Italy, to rest and work on future opera.
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I chose the story of the opera "Queen of Spades" by Pushkin. "We know from our theatrical practice, what are the best acting and directing masters of art generally, when they really like the thing and when they dream of this thing to give all the creative forces - they usually cringe into a ball and are afraid to start this exciting work, and this, safe to say, because they startflare creative fire. From Tchaikovsky's letters, we know that, and the last page the death of Herman, he wept and wept when the play ended, and every time you cried, when I played on the piano this page to your friends.