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Regarding remarks must note the following: the actor is not important to accurately perform the author's remark in all its details, but it is important to reveal the mood, causing the remark. Example: "I jumped angry."You can not jump, but The Chronicles ridika watch online in excellent quality
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and angry, but to jump. The actor must always strive for the first combination.Remarks are optional for the director, not only for the same reasons, but also because the remarks are always dependent on the stage machinery of the time, when the play was written.What can give a contemporary directors, say, the publishers of Shakespeare remarks his time is now director owns more diverse means of images, more sophisticated equipment.Copyright remarks that always arise depending on the stage technique, it is not significant in terms of technical and very important in so far as they help to get into the spirit of the work."Snow," "Comedy of Love," "Ghosts," "Cain", "Cry of life", "Edda Gabler," "The City", "The Tragedy of Love", "Doll's House", "Guilty - not guilty?" And " At the king's gate "- was staged in receiving one of principle, with the only difference that each of these individual characteristics inherent productions mounted its artist.Those who did not see these performances and other specified in the list of director's works, so that they can form a clear idea of the methods of performances, I consider it necessary to offer a "reflective" analysis of some productions, rather, description, sometimes detailed, sometimes having the character of considering only individual moments productions.From the group of these plays, staged in one of the principle techniques are given descriptions of the following productions as the most typical: "Edda Gabler," "Guilty - not guilty?", "Ghosts" and "Cry of life." Yartsev described the performance of "Edda Gabler":"Petersburg Theatre preferred to give a background for scenic pictures - beautiful or just colorful.In the suit, instead of consumer reliability - colorful background and according to some component between the era of the medium, the subjectivity of the artist, to paint suit, simplification and external expression of inner essence of the character.For example, a suit Tesmana does not correspond to a certain fashion, and if there is in him something of the twenties of the last century, and that is something of our time. But then it suit the artist saw something "oproschennotesmanovskoe" and the director emphasized this in motion Tesmana and positions in the overall picture.In accordance with the beautiful colors of the background, which is to "Edda Gabler" wrote Sapunoff, Milioti makes the costume Tesmana leaden color.
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In the background was the blue wall paint, drapes, sky, looking at the vast covered with ivy window and zolotosolomennye colors of autumn on the tapestry, occupying the entire wall, and in the open wings who descended on the sides. Color suits all actors were among them, and consonant with the background color gamut:green, brown, pink, dark gray. The table in the middle of, footstools and a long, narrow divanskamya a tapestry on the wall was covered with blue cloth with gold-colored highlights, which gave it the character of brocade.