Speech act neobho1 On the criticism of the myth of evolution and creativity Roche СЃСЂ.: Amengual Barthelemy.В«Le cinema novo bresihen. Etudes anematographiques В», II. 2 В«Ecritures de Pierre PerraultВ»: the real characters and the speech act as a game of considerations, "a fiction in the act ', cf. Allo Rene conversation with Pierre Perrault (about "Radiant beast" Perry said: "I recently download the film Agricultural History
and discovered region, the existence of which no one even suspects.... He seems to be speechless nym, but everything becomes a legend as soon as people guess Xia talk about it. " 546 Gilles Deleuze Dimo вЂ‹вЂ‹become a foreign language within the dominant language just to express the impossibility of living under foreign rule.And it was a real character leaves his private and director - abstract state, in order to form a double expression of Quebec, the Quebec, about America, about Brittany and Paris.But with Jean Rouch, in Africa, the trans characters in the film "Crazy gentlemen" continues in the double formation, through which real characters change, indulging in fiction, but the changes and the author, ask yourself the real characters.We would argue that Jean Rouch can hardly find a director of the Third World - but in fact no one did more than him to get away from the West, and of himself, to break with the ethnological films and say "I am a black man," and this though negros today convincingly play the role of Native Americans or the Parisians.Speech act - as if a multi- headed creature, receiving and conveying a certain part of the future of the people, for example, in the shape of Africa nesobstvennopryamoy speech about myself, about America or about Paris. The purpose of the cinema of the Third World is usually:by trance or crisis to form pattern of interaction by which to integrate already existing parts capable of collective expression - and this is the anticipation of the people, which is not yet.Chapter IX The components of the one analyzing the huge difference between the sound and silent films, often referred to the emergence of resistance to the sound. But no less convincingly argued and that silent films are eagerly awaited the arrival of sound, and it is download the film Agricultural History
and anticipated the:silent film was not dumb, but only a "silent" as he called it Mitri, or even "blind," wrote Michel Shon. Argued that the talkies lost a universal language and omnipotence installation - whether it acquired, according to Mitri, the continuity in the transition from moment to moment, from place to place.But if we compare the components of the "dumb" image and sound, we note another distinction.
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Dumb image is composed of the visible image and caption that read. Among other elements, titles include speech acts.Last recorded in writing in the form of indirect speech (for example, the phrase "Now I'm going to kill you," was passed in the form of "He says that now he will kill him," endowed with an abstract universality and expressed a certain order. But the visible image to maintain and develop something natural, Expressing the natural direction of objects and people.Analyzing the "Taboo" Murnau, Louis Odiber concludes that this silent film, made after the advent of sound film, can be considered evidence of the primacy of silent film: misrepresented the case that because of the depth of their original visual image refers to the physical nature of the innocent, to life itself, which has no need for language, whereas in the credits or inscriptions appear law bans the traditional order, and they blow this innocence, as in works of Rousseau The objection that this distribution is closelyassociated with exotic plot "Taboo." But this can not be stated with certainty.