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Fairy tales of the Viennese wood
The Last Revolution The new Italian cinema and contemporary literature have something more than just a common ground: the new filmmakers and new writers - it's mostly the young people of the same formation, with shared tastes , education, the general literary training.That movie was a wonderful thing, we know there is no point in repeating it again and again; but I notice that the preview of the film in many respects lost its delightful character - Today the people making movies, are among our friends.Cinema is no longer the strange flower, blossomed on the sick and mind-numbing stem, whose roots go back to the tradition of equestrian circus to the mysterious castle, oleograficheskim postcards kantastoriyam. It amuses me less - that's a fact. Maybe I'm getting old:I watch movies with the same feeling with which the line of duty in publishing the manuscript read. And how awful it is, if you think about it better: if a person who is reading while sitting in complete isolation. But here the end of the movie.Cinema - it's convenient to get on the ground among the other people who groan and wheeze, make fun, bite candies and annoy you, they come in and out, and probably read aloud the titles, as in the days of silent movies; movie - it's more people than a story that is unfolding on the screen.In our society, a feature film is a need to address this audience, which is undoubtedly broader and more diverse than literary: the audience is a million, and in it, like a drop of water in the sea, dissolves very worthy of thousands of readers of books, there are in Italy.And the audience with cinematic creativity is in a dialectical relationship: her head jammed film, but at the same time the movie inspires her to respect. It all depends on how the dialectic of this: almost always bad, but be that as it may, the gloss of the film is determined by poverty and there on the ground.Feature film - is a great thing, but it still remains an exceptional phenomenon: it is a film that we make ourselves, and then we go watch it, smacking his lips and winking.However, one of the most interesting challenges of the new Italian cinema is to understand whether the language of the Visconti, De Sica, Rossellini, Castellani bear fruit, whether their poetic style to become a language direction and lead to a series of folk drama and folk farces for mass consumption.Only in this case we were able to obtain proof that the movie was not only a cultural movement, but was in a dialectical relationship with the development of the needs and tastes of the audience. That is why for me the most interesting was the director Luigi Dzampa.And maybe the walls and Monicelli and Jeremy, but he always knows too well what he wants.
The Last Revolution But such films as "Deputatka Angelina" as "Cops and Robbers", which in fact would be useful and policies, and writer, and all those viewers who want to see themselves;such films that would reflect not an intellectual movement, and to a certain extent - the mass movement, with its inherent anarchism and kualyunkuizmom, rebellious and traditional conformism, we had a little bit, and now has developed a system idiotic censorship stifle all.