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Fairy tales of the Viennese wood
WATCH THE FILM EROT?C ONLINE Second, when the objects and place their actions in these shots are totally different. In the first video frame joints can be a situation in which even in the same scene shot different characters and objects, existing and operating in the same space.In screenwriting, the term "scene" usually refers to a part of the story, or, in other words, the continuous development of the piece, which occurs in one place with no apparent break in time. In the old days of theatrical drama "Nedorosl" it was called the "three unities":unity of action, unity of place and unity of time steps. Lev Kuleshov in his experiments and writings addressed and that, and other options for joint staff, Sergei Eisenstein in his famous article "Assembly 1938" - only the second option, but did it brilliantly. The reader may ask:What 60 years so nothing has changed, Movies and must be download the film erot?c and mounted in the same way as it did their grandparents? Is mounting the French film "Between an angel and a devil," is made in the same way as in the film "Battleship Potemkin" or "The Cranes Are Flying"? Something had to change after more than half a century!download the film erot?c and Indeed, the change has been immense. Painting "between angel and a demon" is pronounced the so- called form of video clip editing. And from this point of view, over the past decades was replaced by a large number of different styles in the assembly building pictures.Subject variability that part presentation, the content of the screen works, which is directly related to, on the one hand, the development of culture of perception, and the other - with the fashion for the preferential use of any reception in the arts, which are the most modern.Only remain unshakable principles associated with the peculiarities of perception and thought. And they called the French film followed accurately. We will review some of the principles mounting frames.They should stick to shooting and connecting adjacent frames within a continuously evolving by the action scenes, if the director aims to provide stealth joints and comfort perception of the scene the audience. They bear to understanding the logic of the action scenes, its content.Terminology and graphic "language" of film, television, video, animation, music videos and TV commercials - it all comes together the concept of "on-screen creativity." The authors of any of these types of products they want to enter into communion with the audience through the screen. Because the terminology for all should be the same.Today, the director creates a film, tomorrow he was invited to do the transfer, a month later he was entrusted to make a video a famous singer.
WATCH THE FILM EROT?C ONLINE Yesterday he worked with a team, he will have to work tomorrow at all with others. Common language - the concept is not only figurative.Director must understand the operator, the operator - leading, leading - screenwriter, writer - artist, painter - editor, editor - assistant, etc.Director, as the main figure of the creative process of creating on-screen work, must possess special terminology to perfection, to be able to explain technical language clearly and accurately, eliminating the possibility of an incorrect interpretation of the meaning of their jobs, plans and ideas.Size of the plan is determined by what the viewer sees on the screen, which image is limited by the framework which part of an object or area displayed on the film in relation to a single scale size.Lev Kuleshov proposed to distinguish six basic plans, size, allowing him to draw some general patterns of the image on the screen when you change frames, depending on their size.