Film erotıc to look online

And the contradictions do not allow us to compare just heard and seen - element by element, or one after the other, from a pedagogical purpose:their role is - to use a system of synchronization failures and weaves, in turn, by anticipating or going back, determining the present times are different, combining them in direct obrazevremeni - or will organize a series of progressive or reversible potentials under the sign of a false visual and verbal elements mayeach case include the difference between the real and the imaginary, representing one thing or another, as well as an alternative to the true and false, but the sequence of audiovisual images clearly vydelimoe is turning into an indistinct and making alternative insoluble.The first feature of this new image is that "Asynchronous" has ceased to mean what it meant in the Soviet manifesto and in particular in download the film erot?c and Pudovkin:it is not about to bring to the hearing and speech sounds whose source is in relative off-screen space, and, therefore, correlated with a visual image, but only to avoid duplication of data.Similarly, it is not a voice off, realized absolutely Voice-over space as a ratio to the whole, itself still belongs to the visual image.Voice off comes into competition with the visual images or becomes heterogeneous them, it had lost its superiority over the visual image is download the film erot?c and determined by the ratio to their limits: he lost omnipotence, one mass of contradictions between the visual and audio elements found in the | В«A man who lies":Show hosts, full of people, while a voice announces that it is empty, the voice of Boris says: "I do not know how long I'm Gut ..." while the image shows that it goes away. But this is not the contradictions that are essential:According to Gardesa, but rather the repetition and inversion based on a kind of "paradigmatics" mobilizing the visual and audio elements. Jost Chateau and use the concept of paradigm in a download the film erot?c and broad sense and carry it to the parameters, which have the function of anticipation and returns back:In this sense their discovery of "telestruktur" and dependent audiovisual code. characterized him in the first stage of sound film.He stopped to see everything, learned doubt become hesitant and ambivalent, as in "The man who lies" RobGriye or in the "Song of India" Marguerite Duras since severed ties with the visual image makes him omnipotence, which they do not. Voice off losing omnipotence but acquires autonomy.Just this transformation deeply analyzed Michelle Shon, and that it has led to the development of the concept Bonittsera В«voice off offВ», opposite В«voice offВ» Another innovation may lie in the fact that as Voice-over space, and voice off in every sense of the word no longer exist.On the one hand, the speech element and set the audio elements have gained autonomy: they escaped the curse Balash, they ceased to be a component of the visual image, as a first step - they become completely independent images. Born sound image, and he was born from his own break with the way the visual.It is not the two independent components of the same audiovisual images, as in the films of Rossellini, the two "geavtonomnyh" way, one eye, and the other - the sound, with desynchronization with a clearance, with the irrational denomination in the gap on the film "Woman of the Ganges," Marguerite Duras writes:"It's two films, one of which is shaped, and the other - the voice.

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Film erotıc
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