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Only on such a variety of students, I can check that for which I work.That is why the search for material I rush sometimes those who are not involved in the theater. Time is not prohibited others have private students, though this benefit applies to me.NOTES FROM THE DIRECTOR about theater arts director must always look forward and to live in that has not yet been reached, press forward to what it attracts. If it attracts present and he calms down, woe to him. This is the eternal desire and need each artist, but the director in particular, and that's why.When you set a play and going through his creativity in the bud, you begin to love and cherish their work, but the work of art for nothing. Work is not appreciated in the art. When, after much work something starts to take shape, the more expensive it is achieved, the harder it got. But the art is not always valuable that was given by labor.You begin to love, not by the deserts. You begin to exaggerate the value achieved. Mother loves her sick child. Having defended his life, she does not notice his ugliness and even likes it, it's ugly. This is a dangerous hobby for the director, as he ceases to see flaws and fresh people coming and once the viewer sees them.Director and actor should not have too appreciate your work and work, but only those results that, despite the work, do not cease to fascinate them. Director, reaching the nearest target must immediately make a dream and a new goal to reach. It is painful, but in the movement forward the whole element of life of the artist.I In fact, all mechanically repeated verbal formula Shchepkina great tradition, "take samples of life," but many people dare to go beyond the framework set by the actors, followed by opening the present artistic horizons?Freedom of the artist is not to choose at will worn conventions of acting like chains that fetter the nature of the artist. Our freedom to get rid of them for the free flight of imagination to the ends of the immense horizon. II Stamps, conventions shackles that enslave actors and deny them freedom.Cast on my system are constantly fighting for their freedom, killing a convention and stamps. The actors of the old school, however, develop a stamp, that is tighter and tighter fetters himself in chains.It's funny to listen to what all clad Ugine dies in captivity at conventions, to serve the audience teaches art and freedom of the actor, the actor talks about individuality. Ugine seeking freedom in slavery. Bird, who grew up in a golden cage, can not have a concept of freedom of broad horizons.It's funny, when he talks about his young prospects, recognizing the freedom of an atmosphere download the film Heavy Metal 2000
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. Ugine wants to be free in chains. He loves these shackles and wishes to reset them.Not seek freedom in constraint, as it is impossible to look for space in the crowded, light in darkness III The main task of the new art direction experience is to achieve the instinctive creativity at every performance, every time to be naive in the way of conveying messages and, most importantly, in the to free from the power of the poet and the audience,conventions and cliches.