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Jean Renuar7, son of a painter Auguste Renoir, in his films, such as "Grand Illusion", "Chelovekzver", created scenes that go down in history as a classic movie.Where else can you find such a skill to recreate the environment in which every thing is so conducive to the identification of the characters of the drama: its impartiality and create graphic elements and elements caused by internal motives disclosed acting.There is such a sense as if Renoir tells us that a person can not express, and to be able to transfer them, you need to use all that surrounds it. So, the way that are doing from one region to the other German French prisoners in the "grand illusion", given the gradual change of scenery, taking place in front of the prisoners themselves;and the quarrel between two hungry, download the film Hindustan Ki Kasam
and exhausted fugitives, almost to the Swiss border, amid wretched, desolate winter landscape becomes even more dire.In "Chelovekzver" isolated critical state, which came to Jacques Lanta when he tries to strangle the girl on the side of the railway, is the sudden whistle of a train, flying against a stormy sky. And then go dilapidated, download the film Hindustan Ki Kasam
and deserted stations northwestern France;willow lined up like olive trees, in the alley along the elegant way in which to train. It is no coincidence mode of expression here are the following verses: "When I sit and admire the endless, remote open space, immersed in an unknown mortal rest, I am looking for salvation in their thoughts, and the heart even for a moment forget about the fear."At the beginning of the conversation about the Renoir we download the film Hindustan Ki Kasam
and mentioned about his father, not arguing, however, that to be the son of a great artist and the most mean inherit his genius. Yet the painting, of course, played a major role in the education of the director, opening his eyes to the essence of the world, many others unknown.Is it possible that our directors have never noticed how important it is to their craft close study of painting? And did not we have had the great painters and more than Renoir? And, maybe, Italy poor "landscape"? Is not this the land, with its beauty, envy? And what do our directors and those who claim to be directors to better show it?What is the use rejoice that possess a lovely, if not proved, that you deserve it and you know how to love! With few exceptions, lets talk about our cinema really were "Steel" 8, "1860", "The Old Guard," 9 which, for all its imperfections, it would seem, should provide the basis for the expression of our true spirit?Why it did not continue? Whose fault here? Returns us hope "old little world" Mario Soldata10, which brought us to these thoughts. About him, and will now finally it.For the first time we've seen this movie landscape is not washed out, thin and not alyapovatozhivopisny and nakonetsto associated with human nature characters - and as an element of emotional impact and as an artistic means of transmitting their feelings. I recall leaving Franco at dawn in Milan.Louise is accompanied him on shore, and when it begins to fade from view, landscape swaying to the beat of the boat on which Franco swims in the lake.