In these cases, the noise to some degree substitute language. (However, sometimes for comedic effect commenting noise can be parallel verbal mention of them. For example, a character in the film speaks about the storm - and at the same time in a phonogram heard the roar of the sea.There noises perform approximately the same function are reduced to a picture "duplicate it; they illustrate the oral references 179 gale just as the Eiffel Tower illustrates frame word "Paris".) Consequently, the synchronism in respect of noise - precondition parallelism. We see and hear her dog barking.Advocating for stinginess artistic means, Claire opposes such parallelism, seeing it as a backup effect: "It does not matter whether we hear the noise of applause, if we see a hand clap" However, parallelism is not always the life and our perception of sounds.The range of individual acoustic impressions depends on the psychological state of the person. It is appropriate here, by the way, remember Pudovkin, who claimed that he heard a cry for help, we will not hear the traffic noise, passing before our eyes. And what if the street noise is still included in the soundtrack?Similar audio excesses characteristic of many films. Sometimes mechanical application of the method of parallelism leads to a distortion of reality in our usual perception. But in general parallel synchronous noise, as well as parallel synchronous speech, aesthetically acceptable in those films in which sets the tone image.Clair critical attitude to redundant parallelism is not entirely fair. On the one hand, he recognizes the sound film, but can not understand that duplicate the noise it is inevitable. In addition, their objections to them, he too scrupulous, at least judging by his own example:claps, perhaps, have no meaning, but of course they do not reduce the interest of spectators to the staff applauding hands. Noise can duplicate Watch Online
and perform almost the same function, which performs a good musical accompaniment - lead us to a deeper communion with visual images of the film.Counterpoint. Synchronicity. Synchronous noise in connection with the contrapuntal image sources reveal some aspects of the material world, enough expressed by the staff.In the scene of dialogue from "Othello" footsteps Iago and the Moor are not simply duplicates what we already see, and clearly contributes to the fact that we saw the really happening on screen. Likewise, in the final episode of the film 180 "Paisan" unfortunate child crying, hobbling on unsteady legs among the dead, chemto complements its image.
As a genuine expression of helpless fear and desperation crying this is one of those characterizing the noise that meant Flaherty, speaking of the wind whistling in the Northland.In addition, as a direct expression of this horrific nature of child crying throws a bright light on the appearance of the child. The image on the screen becomes deep, and the viewer is inclined to respond more strongly to it - crying so removes it from the peace of mind that he empathizes with his whole being child grief.