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Fairy tales of the Viennese wood
WATCH THE FILM LA TRAICION 81 IN EXCELLENT QUALITY ONLINE Small limited orkestrik, but then floated such instruments, which in other bands play only an auxiliary role.In Weimar I had last year to hear new orchestra Stravinsky. His main - violin, and the rest: flutes, drums, trumpet. The orchestra sits semvosem people. It is so used, the drum and trumpet and flute in such combinations, such a change of pace, that when you look at the conductor, Meyerhold. 1922 - 1923 years. Golovin and Meyerhold.1923 Meyerhold. 20's movie "White Eagle". Directed Protazanov. 1928 Senator - Meyerhold, Governor - Katchalov Meyerhold and Garin. 1926 Study for the dumb show "Inspector" Meyerhold. 1924 - 1925 years. Meyerhold the first issue Gektemasa. 1926 Standing: Egorov, Saveliev, Kelberer, Fedorov, Reich, C, Kozik, sitting:Siberian, Meyerhold, Okhlopkov for your floor: Bengis. Garin Meyerhold. 1927 - 1928 he Meyerhold. 1925 81 thinking, "Perhaps it will be massaged as well as after boxing." In "Tristan and Isolde" is a very clever change bill in the last act.Not every conductor cope with frequently changing accounts very difficult, and only such a great master as Napravnik, managed to score so prepare for an orchestra that, although the child may conduct, he could easily take a break, so was able to turn the lever in time, which gave the release and that facilitated the conductor and director.However, we have to work in a very complex set of scenes, we should be able to do luftpauzy. When I say:"Come on, stop, now begins the scene in a new rhythm," and this new rhythm to do, then you're constantly bumping into insurmountable obstacles, so any clever twists and accents can be done in order to make the correct stop from one movement to the another.If these faithful do not stop, here comrade Zlobin can attest that either hand or foot, or you will break your neck. You must be able to do these faithful stop minute stations. Here we take these techniques starokitayskogo and Japanese theater, introducing music, or anything that creates a kind of melodic recitals, but here it is necessary to remark:we remembered the old Lyon and the Chinese theater, Wagner recalled, recall that such recitations to music. What is melodic recitals that she used? It is based on human-drawn to the music. If I just hear the lyrics, I was somehow more boring than if I had heard the text and at the time someone was playing the piano.And if the text is a certain sweetness, but this molasses to add a spoonful of honey, it will result in the syrup, then what no place to go. If, say, a dramatic scene on the rise, and at this time the piano accompaniment, it means, it turns melodic recitals. Usually for good melodic recitals selected accompanists, and there are those who say:"See how you like, and I'll catch up with you, and when you stop, and I'll stop," and so were selected masters like Vilbushevicha - Hodotov reads, and Vilbushevich improvises, and even a view of art and done, that the two men "marry" - Vilbushevich " married" to Hodotove - and conspiring, sygryvayutsya, one says:"You're going to read, and I will accompany you," and, as a composer has the ability to capture the nuances of the text - if the text is a note of sadness, and even if here the sad bit of melody in music, this is the most impressive.