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Fairy tales of the Viennese wood
WATCH THE FILM MACHINE ONLINE I guess the point is that we proceed from different principles, guided by different settings and it makes it difficult - not for me to speak to you, and you - listen and respond.But, maybe, your very consistent with the principles that guide you, gives me doubts about its accuracy and consistency.Your whole Marxist point of view, you have to agree with it, acquires meaning for me, at least, the relative, if you compare your criticism with criticism from Marxists who in these days have seen my film in Paris.Did you not agree with me that the French communists can think whatever they want, and it does not concern you, but you have to admit this fact, in addition to what is particularly important, it also shows that your desire to impose the teachings and guidance, based on the from the point of view that guide you, and is subjected to serious competition,may be completely refuted by those who come from your same basic principles. You have to accept the fact that you can not pass or do not attach importance to the fact that such a poet, like Aragon, told me that the best film he kogdalibo seen, he said, "Gold Rush", 1 "Battleship" Potemkin "and "Road".And Jacques DoniolValkroz2, which, as you know, is the representative of the most orthodox left culture, writes in his article: "Filmmayak, harbinger of new forms of film," The Road "is like a strong whiff of fresh air and healing to the cinema in 1955. That's true progressive art. "A Sadoul in "Lettre Francaise", reviewing my film, expresses his opinion as follows: "... kindness, love for people, faith, and hope for justice dominate the work of Fellini. How can you believe interested slander those who want to distort the deeper meaning of the film for the benefit of obscurantism? "And concludes as follows:"As time passes after the" Roads ". And again we see the movie. And we'll see whether or not it is a success. But in any case, I again seek out his ... I'll be surprised if this film, its stunning new thing, after the first show will not remain long in everyone's memory and will be a milestone in the history of cinema.In any case, I'm sure Fellini - a master of his art - a new and very important stage in the middle of the XX century cinema. " Of course, I would not be so immodest, to quote you the estimates, if you would, citing some of the other published in Italy, did not try to expand the dialogue is not so, however, most ...collective discussion. And since you're quoting me written kemto concerning alleged literary artifice "The Road," which, they say, even ruining the film, let me reply, containing at least disagree with that. Here, for example, writes Jean de Baronselli3 in "Le Monde":"The Art of Fellini is in the fact that it strongly departs from any literary falsehood and from all cheap pathos. His poetry is natural, his secret artlessness. If Fellini owes Chaplin, it can be argued that the student is worthy of his teacher. Kayyata4 can repeat the phrase, uttered by him in Venice: "The Road" already.Now a classic.