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"These" writers "who do not have even a remote idea of" plagiarism ", borrowing and alterations not considered a sin ... Kakoynibud Misha Evstigneev quite simply say:- Gogol's story was written, except that it came out awkwardly, should perefasonit. And "perefasonival." Shortened, changed, changed the name of " Sytin Life for the book. -, 1960, p. Often writers "Append" classics.Primitive to the level, the game tape of pre-revolutionary Russian cinema were not yet cosmopolitan, and emphasize national, often ethnographic in nature. Have been filmed many events of the Russian and Ukrainian history and folklore products.Viewers saw a series of illustrations of the conquest of Siberia by Yermak, the reign of Ivan the Terrible, Peter I, on russkoshvedskoy War and the War of 1812, the defense of Sevastopol. Directors simply " revived" famous paintings by Vereshchagin Kivshenko and other artists.Choosing for theatrical adaptation, the author turns to only a few major, from their point of view, scenes and filmed them as a theatrical performance, relentlessly reducing the dramatic work. For example, "Crime and Punishment", "fit" in the seven-minute tape, "The Power of Darkness" - a 18-minute, 12-min.To "facilitate" dialogue with the classics, some authors have shifted to the language of the script is not even own plots of literature, and started him on the opera libretto. So were filmed "Mazeppa," "Queen of Spades", "Eugene Onegin", "Mermaid", "Demon", "May Night" and othersIn a lot of drama produced salonnopsihologicheskie the plots of which were drawn from the decadent and comics. Defending bourgeois morality, the authors show and attraction "revolt of the flesh", "free love." In the final, vice punished, virtue triumphant.In the 20 years of the scenario from a technical writing is becoming a separate literary genre, the specificity of which at this point is largely determined by the characteristics of silent movies. In parallel with the "technical" and "numernym" scenario there are scenarios in which artistic expression delineated imagery and conflict work.The original script for the movie directors write download the film Monkey and the Tortoise
and Eisenstein, Pudovkin, Dovzhenko, writers Bajan, Kaverin, Lunacharsky, Nikulin, Tynyanov, Chukovsky, Shklovsky, Erdman. Appear professional Zarchi, Vinogradskaya, Leonid, Leonids, Kapler, Yermolinsky Filimonov, etc.Yet for a long time has passed, yet the really recognized profession as a writer in translating literary image in the movie is created similar in structure and at the same time, a new, independent way. "People at the swamp" masters of literature and film, while no longer relate to the script only as a tool for allegedly genuine filmmaking.In 1926, the work was published Pudovkin "screenplay", in which he drew attention to the fact that the writer should have to conceive of shooting and editing techniques, "says novelist their strongholds descriptive passages playwright - sketches dialogue writer must think plastic image.He must cultivate your imagination, it must absorb the habit imagine every thought that comes to mind, as full of a sequence of screen images.Moreover, he must learn to use these images and many of which are in the mind to choose those that are most vivid and expressive, he should be able to own them as a writer and playwright owns the word - dialogue "questions of the theory involved in the scenario directors Eisenstein, Pudovkin, screenwriter download the film Monkey and the Tortoise
and Turkin and Zarchi.They were interested in communication scenarios with theatrical drama and prose.