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Fairy tales of the Viennese wood
WATCH THE FILM NAUGHTY KISS IN EXCELLENT QUALITY ONLINE After the shot was heard and Dolokhov shouted "by" Pierre was not happy, not flinch in relief.He " grabbed his head and turned back, and went into the woods, walking entirely on snow and muttering unintelligible words aloud:" Stupid ... stupid! .. Death ... lie ... "-he repeated, frowning," and discovering the meaning of those things which he thought the most important thing in this episode for Tolstoy.Therefore, for Tolstoy when a shot Nesvitski, Denisov, Pierre is more important Dolokhov. Dolokhov for him exhausted when wounded, he sat down in the snow and wiped his bloody hand, eagerly biting snow, approved, and found the center of gravity began to raise the gun to the forehead or to the heart of Pierre.By the way, in terms of not only ideological, but also of artistic expression, from the point of view, so to speak, "strashnosti" episode, this method is also much stronger than if the shot was shown Dolokhov.In this case, the ideological and formal tasks are the same, they are allowed Tolstoy extremely expressive with frequent cinematic installation stages: the cash in the main action by wagering that action on the parallel input elements.From this point of view, both scenes of Pierre and Dolokhov solved about one method of direct relevance to the film editing. The stronger and more dynamic development of the internal conflict that is embedded in the episode, the usually advantageous to use such devices away from the central action, to fulfill this action on its perception.When the internal conflict poorly download the film Naughty Kiss and defined, unfortunately, we usually have to watch him constantly. Poorly defined conflict dangerous to banknotes, it will not develop in the minds of the audience. Sharply download the film Naughty Kiss and pronounced the same conflict that once lead the audience along, lets move away from it as they want.This davnymdavno openly in the film, but before that, you see, has already been used in the literature. That it is important to note in these passages besides peculiar method viewing events that showed up today, it is important for us, the filmmakers, working with actors, and for the actors?Think of the intermittent nature of the performance in the film, which has considerable advantages, but also their very great difficulties. In both read excerpts behavior of actors outlined dotted, sketchy. The scene as a whole is made up of the interaction of actors passages that support each other.But if we follow the line of, say, Denisova, Nesvitski, Pierre and Dolokhov, shows that Denisov appears and seems to disappear, reappear when the shouting "Close" again disappears reappears when zazhmurivaetsya when a shot Dolokhov, etc.For these separate fragments can identify a whole line of conduct Denisov during the match, but it does take a lot to guess dofantazirovat.To this line Denisov was solid and those individual pieces, in which Denis appears then to have developed into an integrated developing behavior, you need to restore bills regardless of the character appears in only a few pieces.Sometimes this line is compared with the actual, realistic portrayal of life will be difficult-to-image, for the purpose of occurrences of, say, Denisov is not so much in the development of his character, but rather for the climactic moments of the episode.For Tolstoy, in this case the emotional structure of the episode, its semantic structure, blows that he does in the episode are the main goal, and only a subordinate task is to develop the character of the secondary characters that illustrate the main action.Typically, Tolstoy throws action is in its culmination, for example, in the episode on the windowsill, not when Dolokhov just drank, and when he stumbled and crawled down.