In this method, the cinema has a new light, perfect form showing the actor.Do not forget that before Volchek technique lighting close-ups was in an extremely chaotic state, dominated by the spectacular light, and those who could not or was afraid to use it - boring sploshnyakom. But spectacular light - too sharp tool, not all operators received a real effect.Often a 'kter and lptso download the film Pane
and sacrificed "effect". Nobody worked systematically on methods of illumination face of the actor. Volchek first download the film Pane
and started this work. " TAKING PICTURES, Volchek has set two main goals:maximize the portrait likeness download the film Pane
and Shchukin with download the film Pane
and Lenin and operator to find resources that would bring the film to the fabric of the iconic historical chronicle. "We were lucky - told this writer Boris Izrailevich.- In the early days of the film we were able to see the unique photographs of Lenin - a collection of a young man, a student at Moscow State University, to read in the "Evening Moscow" note that at "Mosfilm" began work on a painting of Lenin, he joined Romm group with a large sack on his back.This bag was full of photo albums, newspaper clippings, personnel, download the film Pane
and increased from a screen. The study of this unique collection has given us - Romm, Shchukin and me - a lot, and I personally helped to create your view on the download the film Pane
and illuminated interior and feel the atmosphere of the time.And most importantly - I figured, what the nature of light do I need in order to achieve a portrait likeness Shchukin Vladimir Ilyich. " Lighting portrait was one of the strengths of art Volchek. Identifying patterns, tipazhnosti, creating a psychological portrait he subordinates all available means.Each lighting effect at Volchek exactly thought out, logical, verified, based on the dramatic scenes and out of her. Tone scales are composed in a white and a wide and rich range of colors, to acquire a depth and softness, as in "The Dream" and many episodes of "Man в„– 217", the dryness, stiffness, and contrast, as in "secret mission."However, in any key operator Volchek with fine work with modeling light achieves nuances, the sculpture and working off those eyes actor. In the manner of Volchek perfectly match such polar concepts as energetic, thick chiaroscuro tonal transitions softness and lightness of the light pattern.Frame, built and lit Volchek always sculpture. The figures cast relief, voluminous, they are clearly drawn on the background, whatever complex architectural building he was neither.
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This background is always present in the paintings Romm - Volchek not as an independent, samoigralny element, namely, as a background of the situation.More accurately call it an element of psychological atmosphere of the film. Appointment background is often functional. Hence the iconic muted it, which in the pictures 30's expressed in the optical blur, and in 40-50's - in pritemnennoy tone.However, despite this "secondary" background, it is realistic.Wednesday at Volchek there with full of architectonic forms, reliefs and optical ratio of the first plan and the background, the real, reliable, efficient, in particular the ability to light "sculpt" frame and create a sculpture and media figures on the screen to create a three-dimensional effect of the flat screen.Search for the three-dimensional frame, transmission depth of its space was successfully engaged Andrei Moskvin, however, in contrast to Volchek, he broke ground to a depth of individual zones and covered them in a different tone, achieving the effect of three-dimensional space due to the "rocker", area lighting, "shine "environment.That Moskvina Volchek considered his teacher, and a lot of "donuts" - from early moskvinskih paintings.