on his shoulders thrown over lamb skin. Poetic monologue lasts forever. But I suffer. There are other scenes. And here begins the third act. Washerwomen wash clothes near the painted stream. Hearing the ringing of bells, they say, "Herd!'s Flock!" In the back of the hall are two ticket collector also rings the bell.All Madrid is staging this very original, very modern. She brought me into a rage, arm in arm with her sister, I left the room. My coming to the Surrealists alienated me - and for a long time - from the so-called avant-garde.Ever since I saw the broken windows "Klozri des Lilas", I became more and more attract irrational form of expression that suggested surrealism - the same surrealism, against which I vainly warned Jean Epstein.I remember the impression made on me in the publication of "Revolucion surrealist" photo with the caption "Benjamin Perret abusive priest." I was literally stunned by the questionnaire in the same journal on sexual topics. All members of the group absolutely freely and candidly answered questions, which today look absolutely trivial:"Where do you like to make love? With whom?" T. d. This profile was probably the first of its kind.In 1928, at the initiative of the Lecture Society Residences I came to Madrid to talk about the avant-garde cinema and show some films - "Intermission" Rene Clair, stage of sleep from the movie "The daughter of the water" by Renoir, "Just watch," Cavalcanti - and several plans to demonstrate examples of highly slow motion - say, a bullet leaves the barrel weapons.Best of Madrid society, as they say, was present at the lecture, which had great success. After showing the film OrtegaiGaset admitted that if he were younger, turned to the cinema. At that time I was probably the only Spaniard left the country of who possessed kakimito knowledge of cinema.Probably for this reason, to the centennial anniversary of the death of Goya Zaragoza committee for the anniversary of the Goya suggested that I write a script and make a film about the Aragonese painter - from birth to death. With the help of Sister Jean Marie Epstein, I wrote the script.And then went to ValeInklanu in Circle of Fine Arts and then found out that he too is going to make a film about the life of Goya. I was ready to give up, bowing to his skill, but he abandoned his venture, giving me some useful tips. In the end, due to the lack of money to carry out this plan failed.Fortunately, I want to say today. I felt a keen admiration for Ramon Gomez de la Serna. The film Pan
. My second scenario was. written by seven or eight of his short stories. To somehow connect them, I decided to first show with the help chronicles as preparing the publication of the newspaper.Then, full of people on the street to buy a newspaper and sat down on a bench to read it. Then there were the various characters of Gomez de la Serna, as if tied to a different section of the newspaper: accident, a political event, sports display, and so on. D. Eventually, it seems, the man got up and smashed the paper, threw it.A few months later I started to shoot his first film "Andalusian Dog", Gomez de la Serna was disappointed that the film based on his stories was not raised.