Eastern Accident Musical Sports Black comedy Detective Drama Anti-Utopia Animation Action Western Cyberpunk Tragicomedy Melodrama Mysticism Extreme Scientifically popular Comedy Documentary Military History Horror Performance Fantastic Erotica Fantasy Biography Fairy tales Suspense Parody Karate Crime Family, children's Tragedy Adventures Thriller
Fairy tales of the Viennese wood
LOOK ONLINE Then comes Wagner. He makes a further step in the reform of the opera business. He does this in such a way.At the time, like a glitch or in Italian opera orchestra is the only accompaniment - it only deals with those that accompanied and no special problems in the opera business for yourself does not take - Wagner succeeds in going on Gluck, the following reforms:he gets to the orchestra, reformed it and gives him a special task - the task, without which he does not think the merger of what is happening on stage, that is in the orchestra.Those individuals who would like to learn more about what made Wagner, we must pay attention to two major work on music that came out in Germany in recent years. This is the work of Berlin scientist Ernst Kurt "Fundamentals of linear counterpoint" and "Romantic harmony."In these two works have demonstrated the entire evolution, which takes place in the field of music in general, and as the saying about Wagner, the author says a lot about the "Tristan and Isolde", then one must assume that this is not just about the art of music, but also about opera. Wagner introduced two new elements - the leitmotif and the endless melody.Here are the two factors that are not known to Wagner.He said those in the orchestra of passion, which the audience will certainly need to take account of, and expresses them, not only in words - the words are pronounced in those dialogues which Wagner built - but in order to gain time, he is at the moment when a character says something, makes the orchestra sound such tunes as well as buildingharmony that makes the audience in the brain for thought, that is, to experience the association.Thus, if in the first act you have listened to the dialogue, which was followed here takimto melodic piece, then gde67 in the third act of this melodic piece occurs at a time when, perhaps, the dialogue is structured differently when there is a new dramaturgical situation, but as he arises is the tune that you have heard, and it has alreadyetched in your mind, so it makes you more depth data reveal dramatic situations, because here is a new moment pritek.As for the endless melody, this question I will not touch, this particular musical factor to us in this case nothing will help, though here I have to say that Wagner touches another feature - it seems that this issue still has not been touched when Wagner talked about - I just think a lot about this question -on the ability to act on the viewer by association. I am no expert in this area, but I watched the audience, I see that it is always the most effective response in terms of associations.By this we appeal play different sides and different playing techniques and methods of staging and production of shows designed for a person's ability to associations.
WATCH THE FILM THE NEW BOSS ONLINE This is the style of an American scientist, which I told you;he invented a machine, which he called a typewriter works, where it occurs in such a way that there is some piece wheel spinning, it touches with a rallying full of roller, the roller rotates, pronounced with a number of words, these words appear in front of the person who going to "create", and it, fueled bywords that evoke a number of associations, is building a parallel between this new material and his new creation.