But perhaps these dangers can be avoided, if we content ourselves with finding scientific operators of a kontseptualiziruemogo character, which itself refers to the non-scientific areas and coincides with science in the application download the film The right to Sado Maso
and domain and not metaphorically.It is in this sense one can speak of Riemann spaces in Bresson, representatives of neo-realism, New York's schools, and the new wave - the quantum spaces at RobGriye about probability and topological spaces RenГ©, of download the film The right to Sado Maso
and crystallized spaces at Herzog and Tarkovsky.For example, we argue that the Riemannian space 'in connection with the film "Proshlymletom at Marienbad" Sylvia Boudreaux wrote the movie "entirely made up of false approvals ... there is only matching the senses." The same goes for the films "Muriel" and "War is over"? ""If a character in one plan goes" right to left, then the next plan, he always moves from left to right, or as close to the face, because it is impressive and creates a contrast. " 2Simondon Gilbe g t. В«L'individuetsagenusephysico-biologtqueВ». F. \ JF, p.'2 'I 438 Gilles Deleuze KinoObrazvremya 439 occurs in cases where coordination of its parts are not predetermined, but can be done in many ways: it is the space inconsistent, purely optical, acoustic or tactile. There are also empty and amorphous space lose their Euclidean coordinates. Crystallized same space occur when the hallucinatory landscapes are in an environment that preserves a crystalline nuclei and crystallized matter. It turns out that a common feature of all these spaces is the inability to explain them to a purely spatial contribute sobom. We have here a non-localizable relations.These are different types of direct images of time. We are confronted not with indirect time, stemming from the movement, but not a mediocre way of time, out of which follows the movement. We have not chronological time, which can be reversed with the help of necessary for this abnormal movements;we nehronologicheskoe time, producing movement, the need for the "anomalous" and especially "fake." One can also argue that the installation is a tendency to disappear in favor of planaepizoda, with or without depth.But it is wrong to build a principle, and installation is often the most important cinematographic graphically action. The action is just redirects: instead one hundred to assemble obrazydvizheniya so that one half chilsya indirect image of time, it corrupts relationships within the immediate obrazavremeni so that comes out of it all possible motions. These "chronic" relationship does not cause Xia memories and dreams.Obrazyvospominaniya and the razygrezy actualized in sensorimotor circuits and require their expansion or weakening, but not break through chegoto otherwise. If time is able to appear directly somewhere, it is in the tops of the dezaktualizovannyh, atakzhe in virtual canvases soup past.Indirectly, the time in the organic mode is constructed according to the sensorimotor situations, but two immedi rectly obrazavremeni look at each other in the crystal-optical mode: and sound situations.