"Perpendicular movie" J. Jarmusch peculiar figure postmodern cinema is Jim Jarmusch. American by birth, originally a European J.Jarmusch in his films balances spiritual multi-vector of the New and Old World. Its way into the movie, he pioneered in the 80 years of XX century. Cinema at the time sought in fatal trap of general crisis. Moved forward decisively "class producers," and the reign of free avtorarezhissera over, including in the European film industry.What a move in this situation made neophyte Jarmusch, whose worldview was formed under the influence of European and Japanese masters of the screen, not Hollywood compatriots? He declared independence and Jim Jarmusch built a new "perpendicular" movie.The young director together with his supporters Rudolph and Lee began to "evert" the mythology of the American screen position ... neorealism, to be exact - the "gray realism." Their view of America was consciously opposed to traditionally popular "pink" Hollywood stereotypes."My family is from the Czech Republic, Germany, Ireland. This vinaigrette is chemto distinctly American, "- said in an interview with the director. Since his youth attracted music and literature. However, the trip to Paris took him to the Museum of Cinema and - to a new hobby. Back home, Jarmusch began seriously studying screenplay and directing.First, shoot a video, and then - four years working with Ray in "cinema" and, finally, the first independent feature film "Endless Vacation". In this film, the most notable artistic element is ... character.It is, in fact, the forerunner of a new type of hero - the flaneur - the "little man" era of globalization, wandering in rhizomatic space metropolis and experiencing its extraterritoriality as a privilege, as a sign of independence. Allie Parker - American boy with no home, no matter, no kakogolibo permanent employment."In a sense, I - a tourist ... Do not dream about work, home, or on how to pay taxes. " Allie is traveling without a purpose, without the desire to explore the world and gain fresh experience. He does not know where to sleep and how long delayed in their temporary shelter. Moving from place to place, Allie is not looking for the meaning of existence and happiness.He did not even wait for change, but only trying to realize their inner necessity: to escape from loneliness. "Going into the next room, wondering what there light or television. But very quickly the charm of novelty disappears. Envelops us then fear, panic ... In the end, something tells us: in the road ..."Allie is download the film Tiempo de valientes
and convinced that it is best to loneliness as a result of their own choice, not a fatality alienatsii awareness. Film Tiempo de valientes
. Intending to leave and go to the New World to the Old, the hero encounters a port of its European alter ego - the young Frenchman. Learning that Allie goes to the city he left, the Frenchman says:"Paris will be your Babylon." Dialogue with European American, Jarmusch has shown in the first film, then it becomes a semantic axis of artistic creativity.