FILM TIEMPO DE VALIENTES
Of course, I understand the intention of the poet. And here he is looking for a primitive children's imagination. But it certainly is wrong. On stage, in front of the illuminated ramp suits Pasha, the eunuch, light and so on.become vulgar and offensive instead of wandering souls are obtained costumed visitors masquerades and again serious and graceful performance becomes a fairy. Is not it better if the stage of the soul will fly, like a constellation surrounding the errant children?This can be achieved in the simplest way, and the illusion brought to Iola th deception. In this case, the human figure can be given the most intricate shapes. Actor full light will be lit and walk on my own feet, but no legs or torso up to his chest will not be seen publicly. It will be the soul in the form of flying through the air head with his hands.Any surprises on stage, applied on time and to the point, makes the audience familiar with her position and gives the illusion of deception. To avoid the theatrics and unexpected needs in the scenery and all the so- called stage tricks luxurious setting extravaganza is its diverse and complexity.Chegonibud look for less motley and more simple, but interesting for artistic imagination. For example, one of our artists are interested in children's creativity in the field of painting. He assembled a collection of such pictures. How simply and brilliantly portrayed children clouds, nature, buildings and surrounding objects.Let these images serve as the material for the sketches of scenery. I think that from our imagination grow young children's creativity. Decorations must be naive, simple, easy and unexpected, like a child's fantasy. Less suited to this fantasy theatricality. Do without music to Maeterlinck's play impossible.But it imposed unusual demands, otherwise the music will disharmony in a collective whole. Experience of using music to drama have often tried in our theater. In this area, there is a pattern, its theatricality. I can not say about the music in its other areas, but in our case the experiments were quite convincing.Symphonic music with wonderful orchestra, in which the usual ear distinguishes the familiar sounds of violin, oboe and so on. Rather weakens rather than enhances the illusion of the drama. She pulls the drama to the opera or concert recitations to music. Our musician and composer, came up with new combinations of sounds, beautiful and surprising to the ear.In "The Blue Bird" space for his boundless imagination. It is a pity that we are forced to delay its definite indication of the places the play, which will require the accompaniment of music.
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They found out from the very essence of the work. To do this, we need to first get used to it. So get to work!VISITING Maeterlinck Maeterlinck has entrusted us with his play on the recommendation of the French, I did not recognize who saw our theater productions. Other theaters, the home of the poet, download the film Tiempo de valientes
and considered posing for myself too expensive.When we met with the play, we saw that in order to put its not as simple extravaganza, but as something more serious, that is, so that the tricks, download the film Tiempo de valientes
and scattered in the play, did not suppress his tawdry theatrics, and would take place gracefully and gently for this we have to be authorized by the author to alleviate what might seemroughly theatrical.