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Fairy tales of the Viennese wood
FILM TIEMPO DE VALIENTES 1 Bresson, В«Notes sur le cinematographeВ». Gallimard, p. 95-96: "On the Fragmentation: can not be avoided if you do not want to fall into the Representative must see people and things in their separable parts. Isolate these parts.Demonstrate their independence in order to provide them with a new addiction. " 1 This is a lot of talk in Bonittsera: once overcome too simplistic distinctions and plans become a "dual" or even "controversial" movie gets a new system, and not only perceptive, but also emotional.170 Gilles pelez KinoObrazdvizhenie 171 young heroine of "Diary of a schizophrenic" feels "the first feeling of unreality" when meeting with two images:approaching friend, whose face is increased to the size of a lion's muzzle, and fields of wheat, which is infinite, "shiny yellow immensity" If we use the terms Pierce, the two characters that characterize obrazemotsiyu may be described as follows: 1) the icon, expressing some kachestvovozmozhnost by the person;2) kvalisignum representing that kachestvovozmozhnost in "kakomugodnoprostranstve." Joris Ivens some movies give us the opportunity to present what kvalisignum "" Rain "1 - it is not deterministic, concrete, rain poured down somewhere.These visual impressions are not combined into one spatial or temporal representations.With the finest sensitivity podsmotrena here is not that a real rain, and the way in which rain appears when - silent and continuous - it flows from one sheet to another when the mirror pond is gray, like chicken skin, when a lone drop hesitantly slides on the windowpane, when life of the big cityreflected on the asphalt ... And even if it is the only facility of its kind, such as Rotterdam steel bridge, the steel structure is divided into intangible images, crop a thousand different ways. The fact that this bridge can be seen differently, making it, so to say, unreal.It appears to us not as a creation of engineering, created for a purpose, but as a curious series of optical effects. This visual variation, which would be difficult to pass freight train ..."This is not a concept of the bridge, but it is not individuated things, determined by its shape, material in metal, methods of use and functions. This potentiality.With faster installation than seven hundred different types of plans, the bridge can be download the film Tiempo de valientes and coordinated in various ways, and when some of them do not focus on the other, they form a set of singularities, mating with each other in "kakomugodnoprostranstve" where the bridge that appears as a pure quality, the metal - as pure potentiality, andRotterdam himself - as an affect. And the rain is not a concept nor rain nor download the film Tiempo de valientes and certain weather conditions in some rainy place.This set of singularities representing rain as such, the possibility of a clean or pure quality, without any abstraction conjugating all possible rain and an adequate "kakoeugodnoprostranstvo."This rain as affect, and nothing is more opposed to the idea of вЂ‹вЂ‹an abstract or generalized, although individual state of affairs is not download the film Tiempo de valientes and actualized.