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But is not the history of literature is replete with examples of the perfect and finished products, the creation of which we are obliged to the cooperation of two or more authors? Full merger between the composer and the librettist is possible:composer might accidentally read the libretto and feel as the libretto, like a skeleton, will grow into the flesh of his music, or it can sketch out the main lines of libretto in the future to follow the libretto and its creation, and perhaps infinite number of other cases. "Arnheim admitted that sometimes the complete fusion between words and music, it is certainly achieved - for example, in Wagner. This is sufficient for our thesis. "Problematic benefits" of the sound film, download the film Man-bot
and denied Arnheim, in fact, do exist;zritelnozvukovogo of counterpoint to the inner monologue that was so convincingly defended Eisenstein. The coming of sound really download the film Man-bot
and retarded the development of expressive means the movie, but did not stop him. Brilliantly confirmed by theoretical studies of Eisenstein, BalГЎzs, and Pudovkin.144 On the authority of the latter refers Arnheim, trying to deny the creative role of the actor. The claim that "the actor itself is not enough rich tool to create a work of art" and therefore its use should be " complemented kakimnibud other means", is quite fair.Arnheim less convincing attempt to bring down an actor to the position of an ordinary element kinozrelischa. Arnheim recalls article Pudovkin "Work with" neakterom ", the provisions of which, as we have seen above, were later revised by Russian theorist, advocated, in particular, the close collaboration between the director and actor."Talkies - says Arnheim, - develops type of hybrid actor: with too wordy role, to be able to discreetly convey dialogue, with too limited, only gestures accompanying speech to be able to play dumb scene.And since we do not go back to the silent cinema, the actor will gain a firm footing only when download the film Man-bot
and animated image transmitted to the TV screen, reaches the purpose to which it is approaching - the theater. " This conclusion - a worthy result of the above basic principles."New Laocoon" and "Actor and bone" - the last of Arnheim, written in Italy, where he was using his god 'tye knowledge and experience, has worked in the magazine "Chinema" and "The Encyclopedia of Film." Around 1939 Arnheim emigrated to America.From then until now, he has taught at "Sarah Lawrence College", engaged mainly in studying the problems download the film Man-bot
and associated with the radio and the general problems of aesthetics.Among other things, he has published a book on "visual phenomena in three dimensions and sensory perception in space," about "the evolution of form in sculpture," and "the role of emotion in art." In a letter dated February 1, 1946, he wrote Renato Mayu "...by one the names of these works, dear May, you will see that I do not do a movie, first of all because of this too narrow and too well explored by me in five years for the "Encyclopedia" area, I could not go to a wider the arts in general.Also, I'm more than ever before, I am sure that the coming of sound film ruined cinema as a form of artistic expression, as a result, and due to the full industrialization of this art, I very rarely go to the movies, and when I watch movies, I have them call interest only in terms of their ideological content.In "College" sometimes show old classic bands, and yesterday I was horrified when "Metropolis" has seemed to me in the cinema for almost worthwhile film ... "In the" Letter from the United States, "Arnheim said:"The most important and serious work, I think the book" From Caligari to Hitler, "Krakauer, a former film critic of the newspaper" Franfurter Zeitung.