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Fairy tales of the Viennese wood
LOOK ONLINE Unfortunately, barely fledgling studio was then so poor that the opera "Werther" was not even filmed.And the only memory of the first gift of the Stanislavski Opera, about his great and unselfish work on the opera "Werther" in her first statement is reproduced here in recording his conversations. FIRST TALKING Tomorrow we will allocate new roles.In today's talk talk about, as you already know what is meant by "Stanislavski system", having a range of exercises will prepare your entire machine to the initial analysis of the role. It is important that the approaches to creativity in the role, only to see her alone, to be possessed by it and realize all your most important thing now is only there.Then the whole life and his anxiety, that is, all private relegated to the background, is formed around you like an empty circle, which you can now fill their imagination with the magic word, "if" - those new circumstances that offers them a role. Notice now, that between the creative imagination, that is,fruitful activity of attention, and between delusional, futile dreams, which is building castles in the air impossible dreams - a huge difference. First, that is, the creative imagination, is always subject to logic, common sense ground. It employs very specific tasks.Attention concentrated, expanding its range with the "if" is always according to the role. The creative imagination of the artist should get to the point of force, to the eye of artist saw appropriate visual images. Then his imagination to create what we call the inner visions of view. Pp.155 out of a string of such continuous visions formed a continuous line is not easy, and only illustrated the given circumstances. At every moment of stay on the stage actor should see or what is going on outside, on the stage, or what is going on inside him, in his mind, that is,any of their vision, which illustrate the given circumstances. Of all these factors form what the outside, inside the infinite, continuous string of visions, a kind of film. Until last works, it stretches to reflect circumstances as illustrated offered, including live stage actor - who plays.When creating movies visions are important, but "if" more questions: when, where, why, why, how. They help to distinguish the artist outlines of a new, unknown still life and putting it into action in the exciting new inventions of the imagination.Now, you have forgotten about yourself personally, as NN, and so climbed in all new developments as so easy that they themselves did not notice that was not the role and "I", and it became: "I - the role" . All exercises the imagination to show the artist how to create stuff themselves inner vision for a film, and not daydreaming "in general."We make a conclusion from this: every movement on stage, every word must be the result of true life of the imagination.
WATCH THE FILM EGRI CSILLAGOK IN EXCELLENT QUALITY ONLINE And the second conclusion: the stage can not do anything mechanically, technically, no life of the imagination. Such actions, without life of the imagination, do not lead to the truth, but only to automatism.When the artist came to the well established life of the imagination, there is nothing he does not interfere.