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Fairy tales of the Viennese wood
WATCH THE FILM EGRI CSILLAGOK IN EXCELLENT QUALITY ONLINE Usually they say that the plot is not compatible with cinematic storytelling.232 Before turning to the subject of rebellion artists "vanguard" against feature films, should perhaps give two statements in the same direction, taken from other, completely unrelated sources. The first belongs to Andre Maurois, is particularly interesting in that it expresses the personal feeling talented writer:"In the theater, which I attended, announced the film" Tears of a clown "and posted some fairly good pictures circus arena, clowns, and ride a big ball, and the lion dancers scary, all that was beautiful, clear and full of allusions, some Persian poetry SentDzhona . The next week I went to see this movie.He was unpretentious, completely connected, sentimental and banal story. The entire poetic charm promotional shots of the film came from that chosen by chance, they made an arbitrary interpretation.Event shown without too rational motivations, does not require the viewer's sound judgment about it, and thus brings it to the poetic perception. In the film there is a conflict between intrigue and poetry. If the affair is very interesting, it is the same as the reading of the novel: we tend to skip the description.If the film has a plan to teach some didactic truth, it will be as bad as a didactic poem. " Next Maurois admits that can be given a feature film, "poetic" if his fable will precede action footage, creating the necessary atmosphere, as in the works of Balzac and the "Parisian" Chaplin.Another more radical solution to the conflict Maurois imagines as cinema pur, that is, movies, built "in a rhythmic combination of personnel, without any intrigue." The fact that he sees the opportunity in "pure cinema", it is not surprising;in 1927, when they were opublikopachy these comments, the French film "vanguard" experienced full bloom. Second - this is the theory of Lucien Showa, developed twenty years later. In his view, the incompatibility of "poetry" and "intrigue", which meant Maurois, it is a conflict between the properties of a single frame, and a succession of frames."Cinema is twofold, - Net movie. - Comm. per. 233 North wrote. - It is based on the frame, tending toward independence, which draws our attention to the research element, and the sequential combination of pictures created between them a certain unity of meaning, which makes us want to quickly find out what happens next.From the perspective of the viewer, it can be download the film Egri csillagok and defined as "the law of double interest";Movie viewers usually seems too long, and the frames are too short, as they hold simultaneously two opposite desires, the viewer wants to frame paused on the screen and he had run out of 'the richness of its content, and that the frame was gone as soon as he has time enough to satisfy his interest in the drama.
WATCH THE FILM EGRI CSILLAGOK ONLINE "(I hardly need to explain to the reader that the terminology Seva brings confusion. What he calls the "frame", may well be the installation of several short shots, as in classic films of Eisenstein;and what he calls "a sequence of frames," may just be an episode of the film, mounted in such a way that the general sense of the episode drowns multiple values вЂ‹вЂ‹of the included mounting frames or phrases.) His thesis that the interest in the serial number of frames reduces the expressive power of a single frame, and that the plot of the movie will automatically lose the opportunity to speak to their specific language, North illustrative example.