I'll start with the latter.Refutes the statement Michalek history of "Man of Aran", where the main core of the dramatic film was catching huge fish, fat is necessary for allegedly islanders fixtures. But by the time these fish on the island had long been caught, simply because there was electricity.Flaherty even had to bring to the island consultant on catching these fishes. So that the conflict, if not invented, then, in any case, was restored, that is, it does not display the real world, and in the best museum restoration. And a few more examples.Richard Leacock, the operator of the film "Louisiana Story," says that the dialogues were written in advance and Flaherty "made to repeat them in the theater, before playing in front of my camera." Yes, and Flaherty in defining work on "Louisiana", which he download the film Duplicate
and described as visionary, was extremely honest. "Then began the difficulties with taking performer ...The secret of success in this type of film laid in the proper selection of artists "- he wrote. Captions "Louisiana History" frankly gives the names lead actors in history, download the film Duplicate
and invented Flaherty from beginning to end.That's only the "nearby" evidence about the method of Flaherty, but they negate the legend of Flaertidokumentaliste, leaving, however, in the strength that Flaherty acknowledged "father of documentary film." Paradox? Yes, again, one of the paradoxes Flaherty.In the work of Flaherty oddly download the film Duplicate
and aligned strictly documentary and dramatization kinonablyudeniya long as the result of his desire for artistic excellence, rigor, elegance, desire to exclude from his film "random features." And that - unlike their documentary.How would better define it, is the difference? If "eternal silence" - a film Ponting 1912 Scott's expedition to the South Pole - a document of the North, the "Nanook" - the feeling of the North.Without, however, a paper in the usual sense, the film nevertheless remains exact and profound study of man, nature and vzaimoborstva maybe even deeper and more generalized than the available footage, more complete, more condensed.Each film is preceded by a long study of Flaherty environment, the people he was going to shoot. "He lives of their characters as long as an objective observer of turns into a partner, while the story of their life becomes a sort of a story about myself ..." - says Grierson. And further on:"With Flaherty became clear that the plot in place to select and display that clearly characterizes the people and the nature of the area ..." In this method long kinonablyudeniya - basic discovery, most of the credit and the main gain for Flaherty documentary.Synthesizing their world of facts and images of the real world, designing his poetic imagination, Flaherty discovered the fundamental law of the documentary drama, "From analysis to synthesis, from the fact - to plot."In how Flaherty went to this or that decision, he sought and found that the screen turns to "the world of Robert Flaherty," was not inspired inspiration of the poet, and a painstaking search.