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Fairy tales of the Viennese wood
Artaud never perceived weakness of thought as merely inferior, means we are struck against the thought. Weakness is inseparable from the idea, so we have to build it into our way of thinking, no longer qualify for the "restoration of the" omnipotence of thought.Rather, we should take advantage of this weakness to believe in life and acquire the identity of thought and life: "I think about life, and all of which I could build, will never be equivalent to my screaming, yelling man is busy redesigning their lives .. . '. Can we say that Artaud was close Dreyer?Can we say that Dreyer - it's the same Artaud, but only this to which "returned" the mind, always thanks to the absurd? Friends noted the significant psychological crisis schizophrenic journey Dreyer But, in addition, Veronica Taken ably demonstrated that the mummy is an essential element of his recent films.This was already true about the "Vampire" where the mummy appears as diabolical beginning of the world, but also as an indecisive hero who does not know what to think, and dreams of their own petrification., In the "word" mummy became very thought, woman, who died in may 'lodom age kataleptichkoy:life and love returns to her ailments semey1 friends gives Dreyer uzkopsihoanaliticheskoe interpretation: «Carl Th. Dreyer ne Nilsson ». Ed. du Cerf, p. 266ny fool, just because of the fact that he has ceased to be mad, t. E. To consider themselves different world, because now he knows what to believe ...Finally, "Gertrude" developed all sorts of implications, and a new relationship with the idea of the movie "psychic" situation replaces all the different sensory-motor; constant breaking ties with the world, the eternal hole in the outside of the objects, as embodied in the wrong mounting harmonization; capture unbearable even commonplace and insignificant;meeting with the unthinkable, which is impossible to even say anything - until the disappearance of Gertrude; petrification, "mummification" of the heroine realizes that faith is the thought of the unthinkable. In all these senses, "Gertrude" is the herald of a new cinema and its continuation can be called Rossellini film "Europe 51".Rossellini has expressed its position on this issue as follows: the less the human world becomes, the greater the duty of the artist becomes a trust and download movie Return son, and to inspire faith in man's relationship with the world, for The heroine of the world created by people "in Europe-51" - a mummy, radiating tenderness.Of course, the movie with its very beginnings had a special relationship with religion. There is a certain concept of catholicity cinema. Is Catholicism is no scope of stage, on the other hand, is not in the film of the cult, who took in the words of Elie Faure, the baton from cathedrals?2 It seems that the entire movie fits into the formulation of Nietzsche: "Here we are even more pious." Or rather, from the beginning of Christianity and Revolution, the Christian faith and the revolutionary fanaticism we had two poles, attracts mass art. And this is due to the fact that cinematic images, as opposed to theater, shows us the link between man and the world.