They appear in the episode, not associated with the development of the plot. Although shown in these episodes, the objects are far from the scene of action, they are not directly related to the narrative.The presence of these in the movie with nothing connected narrative frame makes it easier to see the lives of the characters with special limerick composition. Ward. Compose the shot, in the movies and on television and feel characteristics of the surrounding reality.As part of the "standard" Hollywood tradition of filmmaking such episodes would be considered superfluous, not related to the plot and cut out a picture of the final installation. The limitations of space and depth of perspective view in the viewfinder may have a limited list of indicators of deep space:objects overlap, changing the size of the object in motion, linear, spatial and aerial perspective. Binocular vision allows him to identify the human remoteness and size of objects through an own head and body.Perspective on the viewfinder may differ from the normal sense of spatial depth that will come from an observer located with a film camera. Personal view of the world view in the viewfinder - a bright rectangle, which covers only part of the visual field.The content of the image depends on the location of the imaging camera, lens and frame borders. No one can see the world as it is seen by the camera, unless the camera's video output is not connected to the monitor.Monochrome Seen in monochrome electronic viewfinder removable space seems much softer than it actually is.As a result, operators are guided by shooting only the tone, filled spaces and lines, regardless of the color contrasts and colors of the emotional component, which leads to a significant simplification of the image.As a rule, in two dimensions the viewfinder image structure is better visible than in the ordinary view of the world, unless the person specifically trained myself to "see" the surrounding area from the point of view of the camera.Looking at the image in the viewfinder, it is easier to build a track, as here largely reflect only the basic compositional elements. Include well-download the film Shakthi: The Power
and structured image, which not only includes certain information, but it does not download the film Shakthi: The Power
and contain too much.Limiting the display space, the frame is a kind of mechanism that controls the viewer's attention. The boundary of the frame - this is an important milestone, so one of the general advice to all novice operators is to check the impact of the boundary Ward.Picture Composition for Film and Television prostrate images on secondary elements. Watch the film Shakthi: The Power in excellent quality online
. After looking into the small viewfinder window is not always easy to catch the "frontier incidents" consisting in contact with the frame and the fall-out of some elements of others.For color projection on the big screen all this "frontier fuss" is obvious and distracting the viewer from the basic elements of an image.The boundaries of the frame as a reference frame borders impact on the image, among other things, is that they are clearly perceived as a reference to the horizontal and vertical pixels.Therefore, when taking the horizon or equivalent parts of the camera must be download the film Shakthi: The Power
and positioned so that the latter accounted parallel to the lower edge of the frame, the vertical elements, respectively, should be parallel to the lateral boundaries.