Actor, closest to the camera fades into the background, download the film Taxi No. 9 2 11: Nau Do Gyarah
and traced panoramic camera movement.The movement can be reversed in the same vein, if the actor download the film Taxi No. 9 2 11: Nau Do Gyarah
and returned to the fore. CASE 6 Camera move forward or backward relative to the actor in motion increases the number of possible visual combinations. Here are a few examples. Fixed actor stands between the camera and the other actor in the background.The actor with the background is moving towards a stationary actor, located midway from the camera. The actor is in motion between the camera and the fixed actor upstage. Actor with the foreground and the camera are sent along to the background, approaching the static actor.516517-44, b2 b4 bs A "s, 11 Pan combines two of range, located on a line tangent to the arc described by the camera during rotation. H '? . Fixed actor stands between the camera and the other actor in the depth of the frame. Actor from the depths of the frame is sent to someone who is closer to the camera this time closer to them. .13 actors in motion. Located between the camera and the actor in the depths of the fixed frame, the camera pans the actor at the forefront when it comes up to another actor. .14 вЂ‹вЂ‹The camera can be permanently motionless, except for one time when it needs to set aside a small part of some political plan.The camera can not move during the entire plan, except only one part to put the emphasis on the right time. The plan begins with the two actors, the average cropped up, they talk. In moving forward, and compose the shot is A - B 2;when the actor is set to to go back to A, the camera goes to him and stops, giving an approximate plan for both. In now goes deeper and compose the shot changes to A - Lateral movement of the camera can be download the film Taxi No. 9 2 11: Nau Do Gyarah
and excluded from a still picture actor. Other possibilities, of course, arise from the use of more than two actors:download the film Taxi No. 9 2 11: Nau Do Gyarah
and instead of having to track the actor in motion, the camera will choose a fixed group. The camera can detect the movement of all members of the group, approaching or moving away from them. 519,518 is more effective if it is accompanied by changes in body position actor. .15 Side trevelling than download the film Taxi No. 9 2 11: Nau Do Gyarah
and observed actor in motion, may be excluded from the frame stationary object, in this case, the car changing the body type of the human body in the front, facing the camera, is called an "open" position. Profile view, from the side, a "neutral" view.If the actor is back to the camera, it is called a " closed" position.
Open position, in the front, are more potent with a dramatic point of view, the position is closed, from the back, - weaker. Of course, this concept is subject to context scene:For example, if an actor in an episode of all time is back to us, it becomes the focus of the audience, because his identity is kept secret. The change in the context of the relationship to the actor 520 .16 The three main pillars of the human body, in camera. Changing the position of the body gives more, if it occurs during walking.A sense of naturalness is, and the viewer does not feel that the director deliberately manipulating the center of interest the viewer.