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Fairy tales of the Viennese wood
LOOK ONLINE 48 49 .8 Two possibilities to move around the axis of the chamber. An approximation of the plan of one of the actors.CAST is located one behind the other, This situation is in special cases: two people riding a horse but on one motorcycle, scooter or canoe, and they are talking on the basis of their position. A character who is facing us, usually turns his head to look at the other corner of the eye.The most common cinematic techniques used to film the dialogue in such scenes - is to place the camera on the basis of the external triangle or parallel. These situations include the application of a moving car, moving with the same speed.Such situational plans usually are removed from the mobile platform, but plans to shoot more close actors in a moving car more difficult in terms of accuracy and safety. Therefore, for the filming of the approximate plans in motion using a studio with a stationary vehicle with the projection of a moving background.Illusion complement several obstacles in the foreground in front of the actors. With this the visual sorcery, we are able to shoot what they want. Car 50 is placed on a rotating platform in front of the screen on which the image or use a blue background to create the appearance of movement. .9 Actors do not look at each other, but in opposite directions. Are at an angle. There are three possible options for placing the camera, all the right angles. 51 .10 Location actors, as in the previous case. The camera is now behind. .11 The external location of the camera. Actors in a straight line. .12 Parallel to film cameras and actors, placed one after the other. Thus, removing the cast, approaching the camera or away from it, points 1 and 3 placing cameras on the triangle to make it possible to cover the entire scene. Points 1 and 3 are located on the .11 in the position of an external conflict.The second approach involves parallel placement of cameras. From a position of 1 and 3 can be taken each of the actors individually, position 7 - both actors at once. For visual forward to a common axis, you can use the camera but the points 1 and 2 or 3 and 2, download the film Taxi No. 9 2 11: Nau Do Gyarah and placed in parallel.When installing these plans not only provide a contrast of, but, by the way, let one of the actors stand out better. In other cases, such dialogue scenes shot at a time with one camera. 52 53 That's why in the second case, the viewer perceives a natural actor, looking directly into the camera lens.A few tips when taking the individual plans of two or more actors can be made some mistakes.
FILM TAXI NO. 9 2 11: NAU DO GYARAH When the camera changes its position on the plane, or the need to replace and adjust the lens and the light of the case that is often forgotten about the direction of view of actors, especially if the new plans take, front and approximate.When the actor, who was looking to the left, suddenly unconsciously translates look right, it can lubricate the episode. When you remove one actor, leading the conversation, it will be better if the second actor will download the film Taxi No. 9 2 11: Nau Do Gyarah and remain in the same place, but out of sight for two reasons: We wake sure that the camera has moved in the direction of the line of interest.Acting, standing against the camera will be more natural if there is someone to whom you can see, than to look into the void.