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I think, I repeat, that on their own movies before their time is rather insignificant impact on literature. Yet we see in "Orpheus" by Jean Cocteau traces of Charlie Chaplin. That German films "Caligari," " Tired Death," etc.) Have brought in a fantastic book by Pierre MakOrlana. Cendrars indebted to American film. Cinema - a universal language like Esperanto, and to an even greater extent, it is download the film Taxi No. 9 2 11: Nau Do Gyarah
and transferred across the borders of folk poetry of all countries, and writers of other nations take this course available international culture and use it.Should mention the names of other writers, no doubt, based their work on the film: Giraudoux, Moran, Pierre Benoit, etc.There is Max Jacob, I find it hard to analyze the role of cinema in his work, but I think I had a good feel it, and if, for example, "Sinematoma" and "New Black Cabinet" do not come from the cinema, then certainly at least from magic lantern, with all its extravaganza. ...Today cinema ranges which of several equally exciting destinations to choose him, and I would like him to have tired of forces to universality. Here and visual symphony and psychological stories, etc.However, the psychological movie and film zritelnosimfonicheskoe, would not they have deep roots in contemporary literature? It was followed in the psychological literature, the screen is trying to become a psychological means of expression. He's probably not reach this same ways as the book, but still sometimes it is perfectly possible:Some of the films, such as "The Last Man" - in this sense, the great achievement. In the same way, I believe, modern poetry has made possible the understanding of the visual symphony, which is fighting for some of our best directors.Literature help other arts soberly assess their capabilities, and often theoretical views of writers enrich art, music ... or movie. Directors, which, for some unknown reason, are considered "avant", associated with writers, award of the same title. One spirit and nourishes both.Craving for simplicity, to the rigor, the clearest distinction between the aesthetic and intellectual sphere: many young writers reach contempt for intelligence, be that as it may, the two sides have download the film Taxi No. 9 2 11: Nau Do Gyarah
and recognized that to understand and admire - have no correlated.In dealing with the "Interval" Rene Clair or the "magnetic fields" Breton and Soupault, not necessarily try to recover classical logic the story or poem, we must enjoy the experience in the form in which we get it, without our theorizing and rational consciousness must complete rehabilitation.I know of people who prefer to say: "This is absurd. Watch the film Taxi No. 9 2 11: Nau Do Gyarah in excellent quality online
. Nonsense. Mockery of the public "- rather than to review the opinion, the deterministic received education. Literature, like a movie, seeks, in the words of Delteya, "return to the person of his five senses."And we can not assume that the influence of cinema to literature was one-download the film Taxi No. 9 2 11: Nau Do Gyarah
and sided because all of the works on which we noticed the imprint of cinema, at the same time are subject to the literary tradition.