movie Lady Terminator
This is another characteristic of creativity Kosmatova, already evident in his first films made in the late 20s. In 1928, in connection with the on-screen film "Servitude" in the magazine "Soviet Screen" was published a small article Kosmatova. Here is the complete text:"The young Soviet cinematography shows the importance of unconditional solidarity is all that makes the operator, with what the director wants. Light distribution. Tone images. Linking the overall composition of the frame with the composition of movement. All these factors are psychological impact on the viewer.Helping the action and, if necessary, and to characterize it, was my goal when I worked on the painting "Servitude". In a few sentences, written in the characteristic of the time "telegraphic" style, operator tasks formulated concisely and precisely. And it's not written veteran master and novice operators, who shot just two films.Characteristically, the first Kosmatov says the importance of "cohesion" director and cameraman. Absoluteness that he learned in practice, while working on his first, still silent movies that he shot with director Raizman Yermolinsky scenarios:domestic drama "The Circle", "Servitude" - a film about the horrors of the royal prison and resistance revolutionaries, semi-documentary film "Earth craves" dedicated to socialist reforms in Turkmenistan. All three films are marked by the search of his theme, his language.Demonstrating professionalism sure to show modern life in "Circle", they come in quite unlike him "hard labor."Having a "hard labor" great success in an intense, expressive visual solving complex tragic theme, again like they refuse to found and proven techniques and shoot a poetic film "Earth longs" in which a dying and tragic episodes of the desert without water and imbued with heroic pathos episodes struggle for waterserved in harsh documentary style. All these experiments gave a lot of young operator. Working on the "hard labor", he appreciated the expressive possibilities of light and, in particular, spot light, emphasizing the important thing in the frame, and kinokompozitsii, and field-aligned constructions.In the film "Earth craves" he learned the simple force and seemingly artless documentary footage that actually skillfully "organized" by the operator. This film helped Kosmatova learn rhythmic patterns cinema - he learned in a plastic rhythm of each frame in the tempo of the movement to take into account future mounting rhythm of the film.Even in the silent film version of many episodes impression, filmed and edited the music. Especially important were for Kosmatova joint with director search for the most complete and in-depth display on the screen rights. Movie Lady Terminator
.Uzho in "hard labor" began to emerge so characteristic of mature works Reisman love for psychological detail, to the nuances of acting.Kosmatov with all his enthusiasm for the effects of light and angles caught this, yet only "hatch" rayzmanovskoy directing feature in many "actors" frames refused any effects, focusing the viewer's attention on the actor's face.