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It is clear that the further development of this technology in the limit should lead to the possibilities of each to see everyone, every contact with each.And in such a situation radically changes its state of art consumer products, when anyone looking something feels, understands that it can be seen by others.In addition, the abundance of information and hypertext, are increasingly encroaching into the culture as a kind of ambivalent everyday information product, encourage some to seek new forms of concentrated, " compressed" information, what has become, for example, mosaic screens, which is at the same time the most diverse musical information. Global surveillance, which used to be a function of law enforcement agencies, has now become a kind of manifestation of democracy and rehabilitation of voyeurism on the planet.Along with livecam - Network Cameras - cultural goods consumer goods are becoming more tiny cell phones and handheld computers with built-in photo cameras.This situation, of course, can not affect the visual perception and artistic production, as basic components vary zvukozritelnyh contact, not limited only to their physiological parameters.And the transformation is ethical qualities when evolving the concept of "intimacy" in various fields of human activity.Virilio writes about the need for a rapid transition from the old "perspective of real space" for the participation at the international level "prospects for real-time", "the instantaneous flow of all places, the digitized pixel imazherii.And this space / time we will not be download films
and presented in a more or less distorted form based on analog technology, but in a clear and simple digitization of appropriate places, objects, people, when initially removed the opposition of the original and copies of his imperfect. "A sharp increase in the value of procedural communication components in the system of artistic production often creates a sense of loss of the familiar artistic product.Priority in modern culture subektnosubektnyh relations, interactive, lively cultural digitization of information leads to the fact that in general there is no interactive art works, but only "system development and production of culture in real time."The changing characteristics of the conditions, materials and agents hudozhestvennoesteticheskoy culture system prompts me to our - seemingly the most familiar of ustoychivyepredstavleniya participating in this sphere, "artifact", "artist", "author", "recipient", "work".The desire to "raspredmetit" his creation, give it a new, unusual prostranstvennovremennye characteristics observed in the history of screen arts in the past.