...I have noticed that in our theater to the doctrine of Stanislavski, his "system" there is no such relationship. Always say, if there were four columns, and let them stand, these four. Four, not six. Four, not eight. Four, not twelve. Is it the ability to understand the meaning of the "system" Stanislavsky? I think not.Here manage to keep the spirit of his teachings, the grain of his doctrine, that is download the film A Gentleman’s Dignity
and embedded in the depth of this teaching. Then allow yourself to keep this depth, the grain, instead of four, put six columns. And then you will not be pedants and do not keep on the freezing point of such a large event, like Stanislavski.I purposely throw this idea in today's meeting, because we have this agreement. It seemed to me when I worked on "Rigoletto", although I have changed a lot of staging, data Stanislavski - the spirit embedded in the piece, I kept it. I have not seen any objections from those artists with whom I worked.When I showed anything should Orfenovu, Bushuyeva Borisoglebskaya I have not download the film A Gentleman’s Dignity
and encountered objections. And I understand that they feel comfortable in the saddle. I felt that they were not contradictory, but go easy on these corrections and proofreading. Because they realize that the grain is the same.Some impose me in this work the scene that do not belong to me, and I say, guilty, I in this scene did not do anything, it has remained intact. Of course I am pleased that my work is credited, I have not done that. But I'm here, do not apply hand. That is the extent to which there is a merger. What is the repertoire plan?So you heard it. Well, good. But that's what we forget - this should say at once. When you hear repertoire plan that you caught my eye? And that's what. Giving program for two to three years, I have no classical opera did not name. I did it on purpose. That's why.This theater is a sinner before the country that he has not made a major installation on Soviet opera. And that's why the 474 is a great sin:As so, we passed by, while the Maly Opera Theater in Leningrad seamlessly switched from the repertoire of modern and began working with new young inexperienced writers because they brought the Soviet theme. And look - in the short time that the theater was the laboratory of Soviet opera repertoire.Why should those who led the Stanislavsky Theater in 1937 - 1938 years, have not done the work that did Malegot your neighbor, you pave the road?
Ahnite so, do this: Involve young energetic librettists. We worked on it a little bit and have koechto received.Pavlenko interested, Rod took up the libretto for an opera, and before the same was not interested. Previously, none of this has been done. So, there was a dead sleep. Theater workers that they did - I would ask the other living creature. How - what? They download the film A Gentleman’s Dignity
and protected the "system" of Stanislavsky. I myself have toured.I was the theater, and six months of the year we were touring. I'm not talking about the period of the decline of the theater. But at a time when it download the film A Gentleman’s Dignity
and worked well, we engaged Wisniewski - showed "Last Decisive" - вЂ‹вЂ‹Selvinokogo and others.