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Fairy tales of the Viennese wood
FILM SZPITAL PRZEMIENIENIA It can be used the same formula.In the foreground, a full frame from a diagonal to the left to the center and the right to cross the center of the frame. When they converge and obscured actor A, we break off the frame and give the average or approximate plan of actors. In out because of actor A and, finally, the actors stay in different parts of the frame.347 as a veiled actor in motion in the first case PLAN If the actor moves to the center of the image, we can easily dock the frame with an approximate plan for the same visual axis. If the actor is moving away from us, his silhouette is reduced.If at this point to give an approximate plan, the body plan of a man who stands with his back to us and looks in the direction of the lake, is visible on the right side of the frame. Powerboat appears to the right, turns and heads to the center of the screen. A man approaches us and obscures view of the lake with a boat. Plan approximate plan boats. The boat leaves.The solution is simple. Stir in an uncertain direction becomes secondary by distractions - a strong movement. This makes it possible to quickly and successfully dock frame. .8 When two actors are found in the center of the frame, docking frames can be made at the time of the meeting;There are two camera positions on a common visual axis. suddenly increase dramatically, and then sharply decreases. Of course, this technique is not visually coordinated. However, when it comes to moving across the screen, the effect is different. If we want to bring the character moving across the screen, we need to introduce full of distraction. 348.9 An object in the foreground moves in order to disguise the person who goes to the center of the frame. Once a character is hidden, we can pull the frame and give the approximate plan actor, achieving good visual alignment.349 USE sharp movement in the foreground Where excessive movement - is the other extreme, which is a download the film Szpital przemienienia and certain difficulty for the installation of two plans, one shot on the visual axis. Such movement is most often found in crowd scenes, usually conflicting nature.When shown an unorganized crowd, there are a number of different directions of motion. One or two central characters in motion, combined with an overloaded foreground can make the scene difficult to install and the perception of the viewer. There is also the risk of visual shock during installation.Principle shooting in this case is to use evasive movement, which at the time and made plans and then break their connection during installation. When placing the camera at a right angle with respect to the previous plan, does that successfully hide the main actor that overloads the background.And the actor is at the center of the crowd.
FILM SZPITAL PRZEMIENIENIA To link the two plans, we introduce another jump in the foreground, which occludes the second character actor at the forefront of moves in the same direction, and we see the actor A has an approximate plan. The case of two planes of the crowd can be removed and a visual axis, using the same principle.First, we give the average up a few couples dancing on the dance floor.