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Fairy tales of the Viennese wood
WATCH THE FILM 1942 IN EXCELLENT QUALITY ONLINE In addition, the position of the two actors, one concerned with the problem in the frame is the same.163 So, welcome - to give the plan a static character between the two plans, to ease the transition from one direction of movement of the character, or the machine to the other direction - works well in the scene on the ground and in the scene in the car or train. .8 Shows a common example. In the first frame horseman galloping left.In the background, the observer turns his head from left to right, tracing the movement of the rider behind the scenes. In the third term, we see a horseman galloping right. We are not surprised change in direction, as the view of the observer has pointed it out. .8 Fixed actor can view indicate a change of direction the main actor on the horse when he crosses the screen. So, the different directions of motion can be clearly identified. Stationary observer can be a major foreground and background.You can also instead of one person, turn your head, use a group of people, turning heads in unison, or look for a tracking point, which is located outside of the frame. It is, at times, more expressive.Contrasting movement in one of the screen Now we come to the last possible variation when moving people all the time is one of the frame. The two halves of the frame are used for the two outer kontrplanov the ongoing movement. A CASE OF A Fixed actor seen in two ways, once in the left side of the frame.Along the way you can replace the subject, such as parked cars, trees, monuments and so on. The actress download the film 1942 and moved to the right edge of the frame in the center of the frame in the foreground. When it reaches the center, the frame is dropped, and provides the following, where we see her already moving from the center to the right end of the frame.So, we see it in the frame move left and right, I shot both objects, moving and stationary, are in their side of the screen in wallpaper plans. Case B movement in the previous example was long, but one that can be stopped, and its center can be represented by a visual formula.Figure 10 shows us that the visual formula. .9 Contrasting movement in one side of the frame to help keep the direction of motion perceived by the public, despite the movement of the camera. 164 165 .10 Contrasting movements of the actors on the spectator side of the screen seem continuous, despite the traffic stop in the middle of the stage.The actor is in the left side of the frame in the foreground and stopped to talk to actress We tore off the frame and give the plan a second, where the actor ends up in a conversation with the actress in and out of the frame to the left download the film 1942 and again.Despite the fact that the movement of the actor in a contrasting picture in one sector, the direction of motion is the same in relation to the actress CASE In In the two examples that we have just mentioned, the camera has a fixed position in the two outer kontrplanah.But it is possible to take pictures and moving the camera to one of these plans, constantly supporting the contrast of movements in the scene.