He said that if the camera was set to inch to the left, to the attention of the plant was to "Sony", and an inch to the right - would have seen the airport: no one any other object did not fit into the atmosphere of the XVI century, recreated in the film. This is a book about how movies are made.Kurosawa's words - an example of a simple and frank answer, and in the book I'm basically going to talk about the pictures, which put itself. At least in every case I know exactly what was behind this or that decision. There is no right or wrong way to make a film. I write only about how I work personally. Directed by:best job in the world's first choice, which is to do the director - is to decide Watch Online
, and to remove or not to remove. There are many reasons that we agree on a particular picture. I do not believe in waiting "great" material capable of creating a "masterpiece."It is important that the raw material for me personally - to one degree or another. And in one sense or another. "Long Day's Journey Into Night" - all the things you can only dream of. With only four characters made a thorough study of the life as a whole. However, I also removed the film "Destination".There were excellent dialogues, written by James Salter, and a monstrous plot, imposed on him by the Italian producer. I think that Jim needed the money. Filming had to be in Rome. And by the time I had problems with color. I was brought up in the Black and white film, and many of my paintings were Black and white.Two colored ribbons, "Teatral" and "Group" disappointed me. The color seemed to me chemto artificial. It is like making films even more unreal. Why Black and white movies look natural and color - no? I guess I used the wrong color, or - even worse - not used at all. I saw Antonioni's film "Red Desert".His shot Carlo Di Palma operator. At last I saw as the color is used as a dramatic tool, it serves development activities deeper disclosure of the characters. I called Di Palma to Rome, he was free and agreed to remove the "Assignment". Then I, too, gladly agreed.I knew that Carlo will rid me of "color blindness". And he could not. It was quite a reasonable excuse for shooting pictures. Two films I shot for a living. Three - because I love to work and could no longer tolerate downtime. As a professional, on these tapes, I worked with the same dedication as the others.Two of them turned out and enjoyed success. The truth is that no one knows the magic formula for success. I'm not being modest. Some filmmakers shoot first-class movies, while others - not. It depends on us one thing: to prepare a "lucky break" as a result of which will be a first-class movie.
Or, you see - you never know. Too many unexpected, as I'll discuss in the following chapters. But for someone who has not removed a single film and wants to become a director, the problem of choice does not exist. Whatever the film, the project, forecast, if there is a chance to make a picture - agree!