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Fairy tales of the Viennese wood
film Boa vs. Python When you read Griboedov "Woe from Wit," in every page if the notes reflect our time, and it makes a play for the modern audience is particularly significant.When you read a long monologue in the first act, Elvira or long monologue of Don Juan in the fifth act, bichuyuschy hypocrisy - you start to get bored.To a modern viewer is not bored listen to these monologues, to a number of dialogues did not seem alien to him, you must persistently throughout the performance somehow reminds the viewer of all these thousands of machines Lyons manufactories, who prepares for monstrous silk numerous court of Louis XIV, the " Hotel tapestries "the city of painters, sculptors, jewelers and turners of furniture, manufacturing under the guidance of an outstanding artist Lebrun, about all these artists who produced mirrors and lace for the Venetian model of English stockings, cloth by the Dutch, tin and copper on the German.Hundreds of candles in three chandeliers on top and the two candlesticks on the proscenium, arapchata, smoking on stage intoxicating perfume dripping from their crystal bottle on a hot platinum arapchata, prowling the stage, picking up the fallen from the hands of Don Juan lace handkerchief, substituting chairs weary actors arapchata, fastening tapes for shoesDon Juan, as he is disputing with Sganarelle, arapchata submitting actors lights when the scene is immersed in the twilight, arapchata, removed from the scene cape and sword after a fierce battle with the robbers Don Juan, arapchata, climbing, when a statue of the Commander, under the table, arapchata convening public strum silver bell andno curtain announcing an intermission - all these tricks are not created for the entertainment snobs, all in the name of the principal: all the action show a veiled mist of perfumed, gilded Versailles kingdom.And the richer forward splendor and colorful costumes and accessories, the more farcical temperament Moliere fought against the Versailles stiffness. Or the wanderings of the province gave the character of Moliere's such a sharp imprint of integrity? Living in a hastily knocked together "booths"? Perhaps the fight against hunger?Or is this provocative tone appeared in Moliere among aktrislyubovnits, Throws' poet in a despondent disappointment? Apparently, Louis XIV was the foundation after a short period of gentle to Moliere relationships grow cold to him.This discord between KorolemSolntsem, which prompts the viewer to look magnificently retracted by the atmosphere of the proscenium, the rift between the king and poet who in this brilliant atmosphere makes Sganarelle talk about indigestion - in contrast between the delicacy of the situation and the sharpness of Moliere's grotesque, this disorder will not sound ifnow so harmoniously that the audience will inevitably give himself entirely to the power of Molière Theatre.
film Boa vs. Python and lost there is now at least one part of the genius of the creator ?! "Don Juan" by Moliere played without curtain. It was not in the Theatre du Palais-Royal, any Theatre du Petit-Bourbon. Why removed the curtain?