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Fairy tales of the Viennese wood
WATCH THE FILM INDECENT PROPOSAL ONLINE "The purpose of this assembly is quite obvious.People with their ideas, their faith, their hope is only a function of the surrounding material world; doctrine of historical materialism is in the Soviet cinema principle forms. "In any case, do not forget, he adds, as the film is closely connected with this teaching, especially with a close-up technique, which clearly show popomogaet material needs, giving them a value call-to-action causes.Is not a mere coincidence, and the fact that the movie - a product of the same historical era in which people discover the ideological foundations of social thought, and the fact that it was the Soviet filmmakers created the first classics of the art form.Call Krakauer preached to them "return to material reality," rather, is the point of contact with the "school of sight," the French "new novel." Phenomenological philosophy in many cases, only points to the connection between the subject and others, rather than to explain this relationship, as did the classics.This philosophy is based on a confusion of consciousness with the outside world, the embodiment of consciousness in a certain physical body, its coexistence with other people's minds. All this, says MerloPonti is "absolutely cinematic" theme.If we ask ourselves why the phenomenological philosophy was developed in the era of the movie, he says, then, obviously, would not have to answer that cinema is a product of that era. Movie primarily a tech-part for the whole. Approx. per. canonical invention to which philosophy has absolutely nothing to do.But we should not feel as if this philosophy arose out of a movie and moved it to the realm of ideas. In fact, because you can use a bad movie, and in this case one has invented a technical tool to be invented as it were a second before learn how to do "movies in the true and full sense of the word.""So, if philosophy and film developed in concert, if thinking and technical work is headed in the same direction, which means that the philosopher and the movie have in common - a certain way of being, a certain world view, which is the ideology of the generation.This is further evidence the relationship, the correspondence between thought and technology and confirm the words of Goethe, who said, "what's inside, then outside."Movie adds MerloPonti, does not show how long did it a novel, a person's thoughts, but it shows his actions or his "behavior" just shows us that special way to live, relate to others and to other people, which we read in the movements of gaze, facial expression, and which definitely characterizes each friendus human. If you want a movie, for example, show us the person with vertigo, it should not seek to pass landscape as it is seen by the man when he was dizzy, open it from the "inside";We feel it is much better to see him dizzy from the outside, from the side, watching as he loses his balance and squirming on the edge of a precipice, or wanders wobbly gait and trying in vain to find a foothold.