In section films are grouped in camps. Here you not only will familiarize with the short help information on the country, but can fan the list of films and download films free of charge. The country in which the motion-picture has originated, France is. In 1895 brothers of Lui and Ogjust Lumiere have arranged the first public show of a film in a cellar of "Gran of Cafe» in parkway of Capuchins. Brothers of Lumiere showed short (50 seconds) rollers. The most favourite the audience had a film «train Arrival». Interest to a motion-picture was shown by influential people and heads of the states, therefore it began to be spread quickly worldwide. The director of one of the Parisian theaters Georges Melies has seen in a motion-picture excellent means for the extension of a scene and began to shoot films under scenarios and used tricks and special effects. To 1910 70 percent of films it was produced to France, however other countries start to influence cinema development. The film industry starts to develop in 1920th years in the USA when producers come to cinema, and films are put on a flow. Films with involvement Charlie Chaplin became the most successful American films of those times. Nevertheless, the European cinema advanced a motion-picture of the USA on innovation and avant-guard. Thus in cinema German the expressionism, and in French – avant-guard developed. The Russian cinema till 20th years of 20th century went on the blazed track, however then our directors find the indicative methods, the unique handwriting. The big merit in development of the Russian cinema of the early period belongs to Sergey Eisenstein.
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Not so wrong are those who see in the works of Bunuel domestic dispute with his own Christian impulses:pervert, and especially Christ, outline something otherworldly rather than lying on the other side, and clearly articulate the problem, which is expressed as a question of salvation, even if BuГ±uel strongly doubts that each of the means of salvation and in the revolution, and in love, and in faith.Evolution, which could undergo creativity Stroheim, now hardly even guess. " But in the existing set of his films fundamental movement - one that imposes the original world media, that is, the degradation, the fall or entropy.Consequently, the question of salvation can only be put in the form of a local address entropy, which indicates the ability of the original world more open kind of environment, rather than close it.Examples of this - the famous scene of pure love of apple trees in 1 After "Queen Kelly" Stroheim shot another movie, his only sound film, which was to be download films
and called "Walking on Broadway", but he appeared in a distorted form, titled "Hello, sister "and the name of another director. Based on evidence and documents, Michelle Seaman download films
and conducted a detailed analysis of scenes that can be atribuirovat it Stroheim. But the episodes whose attribution Stroheim plausible, as well as shtrogeymovsky scenario, in our view, remain in line with his prior work.More elements of the possible evolution is contained, perhaps, in "Medovoylune" continuation "Wedding March", a film which was not given Stroheim implement. Actually it it was supposed to go on spiritual treatment of the heroine, which certainly opened up new areas of Stroheim. Other elements of evolution can be easily found in his kinoromane:and "PotoPoto" with its African world and how the lovers escape love, and "Paprika" with the world and the death of gypsy lovers in the flower meadow. color in the "Wedding March", and the second part of the film, "Honey Moon", where apparently it was supposed to go on the occurrence of spiritual life.But we have seen Bunuel replacement cycle or entropy idea of вЂ‹вЂ‹eternal recurrence.And yet, despite the fact that the eternal return is as catastrophic as the entropy, and despite the fact that the cycle results in all its parts to the same degradation, they derive from repeating such spiritual power, which is a radically different way raises the question of a possible salvation.Good or holy man - prisoners cycle in the same way as the villain or a villain. But does the repetition can not go beyond its own cycles and "leap" beyond good and evil? After repetition kills us and contributes to our degradation, but it is and it can save us and give us a way out of a recurrence.Kierkegaard already contrasted repetition of the past, enslaved and promotes degradation facing the future repetition of faith, returns to us in potency is good, but the absurd.
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But he forgot that at this crossing, he was already a couple of times in different military branches and with different titles: a Major, Colonel. And beat him, so that he no longer was naughty.Brought him a cloak tent soldiers from another part and said: - It is we otvaltuzili to no longer vykobenivalsya: Oh, you have already become a special person to pose! Then suddenly Petrovich download films
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and splashed out yourself what is the memories of the war, which excites him, and calmed down, he fell asleep.And after a while Petrovich wrote to me that the old lady died. After this long time I met with Viktor. And then they download films
and called me and asked me to sign an open letter to a newspaper: the local authorities download films
and refused Astafyev in personal retirement! I was outraged: how could deny personal pension - to whom?The man who did so much for the country and the war, and in the literature and in public life! Writer who is recognized as a classic of Russian literature! I felt sad, the mood was just awful. Wondered what kind of people are we?Yulian Semyonov I do not remember, did Julian, author of the novel and screenplay for a film "Seventeen Moments of Spring" or he did not show up on the set. We met at the Central House of Writers, the All-Russian Theatrical Society, nodded to each other - and no more.Closer to know him when he came to the theater on Malaya Bronnaya the Munich festival. Then it was the Federal Republic of Germany. Julian was very happy meeting, grabbed me and Lenya Kanev and dragged to the Ambassadorial town. We sat at some large spacious apartment, recalled to Moscow, common friends and acquaintances.And then the window came a great voice. Julian ran to the window and yelling from the balcony: - Here it comes! Here she comes - Bronnaya! Here they are, the Jews with the Small Armor's and armor, and Efros! That is the only Russian people! - And pulled me to the balcony. And I, like a fool, stood and did not know where to go.And then he invited me to his Kanevsky. And off we went. It was a kind of bungalow - whether apartment, or office: Julian was then a correspondent for "Literary newspaper". I immediately called Julian Falstaff - he was all alive, wild, stormy lives every minute, having a drink - all making loud, loud.Immediately began what is roasting hot dogs in the fireplace, there were wine, whiskey and vodka. And all the walls of the bungalows were hung with pictures.
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It turned out to pictures of his daughter. And then he was so broke that he had become to praise those paintings to such an extent that it became embarrassing.He declared, in all seriousness, that all the Impressionists neither more nor less than the followers of his daughter.