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One of the characters may just in time to shake his head, indicating that he could hear music.Or in a sequence of frames scene includes shots of dancing couples. But even such a use of the music director will be understood as the music audience in the frame. In the same scene, "The Mousetrap" in "Hamlet" Kozintsev shows how trumpeters make entry to the play, calling everyone to view.In the frame of the trumpeters, and the audience can hear the sounds of their pipes. We conclude that we can use two varieties of music shows in the picture: a direct, like Kozintsev, and indirect, as in the scene in the restaurant.More music editing techniques during detailed design development director in your script thinks and registers, where it works, in what stages and pieces of the music should sound. From the beginning he sets the character of the entire movie or music transfer solutions in your mind and write it in words in the shooting script.But it is - not a dogma, but a guide to action. During the filming and editing can be born entirely new musical construction of the product, and there's nothing wrong. Composer's great film sometimes invited from the start, in predsemochnyi, the training period, he began to compose the main theme.It happens that the work of the composer entering the active phase in the midst of filming, and sometimes at the installation stage, Post Production. In the documentary is not always possible for economic reasons to access the original music, and therefore more likely to use ready-made music.Then the selection of music is download the film Jack and the Beanstalk: The Real Story
and invited to a compiler or a music editor, which has a fairly good skills in selecting music for the screen works and knows opportunities library.183 The real preparation for the selection and recording of any music begins with the director right on the mounted image will determine the final, where, and what the nature of the music should sound. And not least, where it should start and end in each piece.Director determines and sets the duration of the sound of each theme is timing. Reference document for the selection and recording is the conditional score, has the following form: Name of Director Conditional score Pendrikov 2001 в„– p / n Name Start End scene chrono. The nature of music 1 Credits 20 10 00 min. 50 seconds.Bravura march 2 Meeting Oleg and Zina 14 57 02 min. 43 seconds. Lyrical foretaste 3 Conspiracy parents 33 21 02 min. 12 sec. 4 Third grim threat - an extra 16 00.18 03 minutes. 02 sec.Subject dunce Table 3 To make such a score, to or download the film Jack and the Beanstalk: The Real Story
and disconnected from the hustle and bustle of the studio, sit at a desk or mounting to the monitor with pen and paper.
FILM JACK AND THE BEANSTALK: THE REAL STORY
The time has come for you when there is only the fruit of your creativity, your unborn child.Immerse themselves in the work, and leading the development of the mind and sense, viewing the work, to try to experience the feelings that you are going to bring in the audience during the show. From their own experiences and will be a creative solution that will form a task that should be raised by the compiler or composer.On the second run, the series of visual and verbal mode 184 sulfur to be determined to within kadrika the beginning and end of each piece of music, note them on film, record timecodes and consistently make a conditional score.