Film Skin and bones
This project, like the majority of American films filmmaker reveals the primordial roots of creativity Fuller - director of instinctive leaning toward a return to the natural and spontaneous impulses, loving physical violence " . 198 Gilles Deleuze violence naturalistic).Obrazdeystvie displaces obrazimpuls here, because the latter is too indecent because of his rudeness, and even some dry and unrealistic.If, however, in American cinema is koekakie gusts to naturalism, it is possible that in certain women's roles, and some act in reality, naturalism - primarily amerikanskomulegche the rest grasp the idea of "pristine" woman.So, Nana Zola described his as "flesh primarily", "enzyme" and "golden fly," as in obschemto, good girl spoiling, however, to what she had not touched, and involve it in irrevocable degradation, which will turn against itself.Another type of woman "pristine", power and athletic often portrayed in their roles Ava Gardner: irresistible impulse thrice commanded her to connect with the dead or impotent.But the only American director who found themselves able to create a heroine around the world origin covered by fierce passions, became King Vidor, and it happened just after the war, when he distanced himself from Hollywood and realism.This is the film "Ruby Gentry", where the girl who grew up in the swamps, seeks download movie Skin and bones
and take revenge, and she manages to destroy the city have been exhausted and the human environment: it promotes return swamp into place; it is one of the best bogs kogdalibo built in the pavilion.The same applies to the naturalistic Western "Duel in the Sun" and the film "In the forest", where the characters as though obeying "the secret power that can not be recognized until" Obrazimpuls so hard to achieve and even defined and identified because he as if wedged between obrazomperezhivaniem and obrazomdeystviem.Very revealing is the evolution of Nicholas Ray. His inspiration for justice are often qualified as "lyrical": it belongs to the school of lyrical abstraction. His colourism, granting a maximum color absorbing force, like in the movies Minnelli, does not eliminate the white and black, but treats them as an already true colors.In this perspective, the darkness has not built in principle, but is a consequence of, vy'Viviani Christia n. «La garceoule cote pile». «Positif», no. 163, novembre In the same room there is an article by Michel Henry, which analyzed the reporting period of creativity Vidor, 1947-1953 .:the author demonstrates how the "excessive" Vidor changes meaning as the director refuses the inherent obrazudeystviyu American realism from the collectivism and rebirth.And horse Vidor, the opposition «country girl- city girl», takes on a new dimension when the first woman became frantic and insatiable, and the second - a weak and emaciated.
Film Skin and bones
199 KinoObrazdvizhenie follows from the relationship of light and white with color.