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Fairy tales of the Viennese wood
Film Skin and bones I Lumet plot is a system of listening, monitoring, telei radio, and all this makes the gang Anderson from the same film;in the movie "Network" the city is also duplicated variety telei broadcasts and listening to the network is held continuously, while the Prince of New York's from the same film records the entire city on tape.Altman film "Nashville" to fully grasp the operation, back-city variety of clichés that the city itself and produces, duplicating themselves cliche - both external and internal, optical or sound, as well as mental. These are the five external properties of a new image:dispersive situation, deliberately weakened communication formaprogulka, awareness cliché exposing conspiracies. Here it is, the crisis once and obrazadeystviya, and the American dream. Everywhere sensorimotor scheme again questioned; Actors Studio becomes the object of harsh criticism and at the same time undergoing evolution and internal discontinuities.So how can a movie to expose the grim organizations established cliché if it is itself involved in their manufacture and distribution, to the same extent as the press and television?Perhaps the special conditions under which produces and reproduces movie cliches, some allow filmmakers to reach a level of critical reflection, which they could not be located outside the cinema.And just cinema organization helps to ensure that no matter how painful was no control of the director, the creator has at least a little bit of time to "do" irreparable.He is given a chance to draw from all sorts of clichés image and send it to fight with them, unless, of course, aesthetic and political project would be capable of undertaking the positive ... But Tutto American cinema and encounters its own borders.All aesthetic and even political quality, however it may have to remain a purely critical, and thus less "dangerous" than if they were manifested in the project of positive creativity.And in these cases or criticism misses the mark, and if anything should and exposes, only ill-treatment technology and public institutions, thus trying to save the remnants of the American dream, as it does Lumet;or, like Altman, she continues, but occurs in vain and degenerates into acrimony, content parody of cliches instead of creating new images. Lawrence had already talked about the painting: rage against cliché does not lead to the creation of chegoto great because it is limited to parody cliché;like a bad cliche or accessed, disfigured and mutilated, it will not be slow to rise from the ashes 1 The importance of this topic for English Romanticism Wed .: Rozenberg Paul, «Le romantisme anglais». Larousse. 2 Wed .: Kane Pascal, «Mabuse et le pouvoir». «Cahiers du cinema», no. 309, mass Lawrence D. H., «Eros et les chiens». Bouigois, p.253284 Gilles Deleuze KinoObrazdvizhenie 285 In fact, that played into the hands of American cinema ,, - no stifling tradition - now turns nasty.