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The section groups films in directors. Here you will familiarize with biographies and films of outstanding directors. The director – the principal person when shooting. Into the task of the director enters to turn the scenario into a film. And success or a film dip depends on the director. It is possible to tell still that the director is the artist who writes scenarios, plots, game of actors, operation of operators and a great number of other people which are anyway involved in process of creation of cinema. The section acquaints with outstanding directors of the USSR, Russia and everything which films make gold fund of cinema. Having selected the favourite director, you receive the list of its films and can watch movies online or download films. As it was already told, the kinomusorka in a bigger measure represents films of the USSR and the Russian films therefore the section on directors as focuses attention on Soviet, Russian and directors of CIS countries. In this section of a site you will meet Igor Zajtsev, Otar Ioseliani, Leonid Gajdaj, Grigory Kozintsev, Sergey Bondarchuk, Rashid Nugmanov, Sergey Snezhkin, Roman Kachanov, Alexander Proshkin, Leonid Pchelkin, Nikolay Dostalja, Tatyana Lioznova, Stanley Kubrick, Roman Polanski, James Cameron and other remarkable masters of the film.
Fairy tales of the Viennese wood
СМОТРЕТЬ ФИЛЬМЫ ОНЛАЙН Both actors retain their place in the frame in both plans. .14 вЂ‹вЂ‹To shoot down movement of the actors use a common visual axis. .15 Position the camera on the back to show the point of the actor at the time, when he sits down. So we will have the opposite direction. .16 The actor, leaning to the right in the picture, change the direction of tilt in the transition from plan to plan. In the foreground, he leans to the left to the center, and in the second he leans away from the center to the right.195 194 CASE 17 Alternating internal and external kontrplanov shooting actor at the time of inclination can contribute to the appearance of the opposite direction in different parts of the frame. Figure 17 shows that the actor, tilted to the left, we see it in terms I moved from the center to the left.But he ends his movement in terms of 2, is moving from the center to the right. The plan I face it to us, but in terms of 2, he turns his back to the camera, which explains the opposite direction. Stopping the movement of the fall, using the internal arrangement of the camera. .17 In this example, you see a continuous movement in opposite directions, and they are stressed, because in the foreground actor leans away from the center to the left, in the second - from the center to the right. Case 18 in the previous two examples, we passed on the kind of actor from the front of his mind from the back.You can do the opposite, respectively, moving the inner and outer plane of the camera. You can get a contrasting direction in one sector of the frame. In Figure 18, you can see the actor pushes another, and he falls through the screen, which gives the appearance kontrplanom.196 18 opposite direction of continuous movement through the use of internal and external kontrplanov. CASE 19 Chance of such an option, the two actors move together, leaning to one side. This movement is and decomposed into two phases, the actors will have the opposite direction of the slope in the outer kontrplane.They could move as one.
СМОТРЕТЬ ФИЛЬМЫ ОНЛАЙН A bourgeois trick. - A TV? Because it is also the image and sound.It also invented the bourgeoisie, and yet there is a TV in China. - It is necessary for the proletarian propaganda. However, we will study it in books. - A book for? - Only a few. I got up to stop the conversation, which lasted for almost half an hour.- Mr. Godard, do not you think that the world is very complicated and very dangerous, and if you throw fuel on the embers, it can ignite a fire, and not be good for anyone ... - Our children will see happiness, - continued solemnly Godard. And suddenly said with a strange smile: - You know, the hardest part? Make babies.- Well, judging by the way the growing population of the world, to cope with this many. In this conversation is over. I went to see a picture of Godard. I then told employees of the crew, it's unbearably boring alternation barely connected simple plan and persistent repetition of primitive declarations. Something like this.The woman says, "You have to combine theory with practice." The man replies, "But the theory first." Woman: "No, you have to combine theory with practice." Several times repeated this kind of discovery, then there is a black sizing. Then she eats the soup and said, "No, it is certainly necessary to combine theory with practice."Wasting film to film discussion was pointless. - Maybe it's a personal crisis of the artist? - Rather, it is evidence of a loss.People nervous, too politically literate, faced with the complexities of the modern world, found no choice but to appeal to a new, simple as moo, faith, naive and crude dogmatism, the open demagogy. I would say - shameless demagoguery.Of course, Godard does not represent the whole of French cinema - art in France, including the French cinema does not need compliments. However conversation with Godard seemed remarkable. But I am an optimist, and if I did not believe in progress, would have been unnecessary hands on an empty chest and shot a musical comedy.Why music? In the usual comedy certainly present the idea. The music is not required. - You want to make a movie in the main from the documentary material?