Here the information
The section groups films in directors. Here you will familiarize with biographies and films of outstanding directors. The director – the principal person when shooting. Into the task of the director enters to turn the scenario into a film. And success or a film dip depends on the director. It is possible to tell still that the director is the artist who writes scenarios, plots, game of actors, operation of operators and a great number of other people which are anyway involved in process of creation of cinema. The section acquaints with outstanding directors of the USSR, Russia and everything which films make gold fund of cinema. Having selected the favourite director, you receive the list of its films and can watch movies online or download films. As it was already told, the kinomusorka in a bigger measure represents films of the USSR and the Russian films therefore the section on directors as focuses attention on Soviet, Russian and directors of CIS countries. In this section of a site you will meet Igor Zajtsev, Otar Ioseliani, Leonid Gajdaj, Grigory Kozintsev, Sergey Bondarchuk, Rashid Nugmanov, Sergey Snezhkin, Roman Kachanov, Alexander Proshkin, Leonid Pchelkin, Nikolay Dostalja, Tatyana Lioznova, Stanley Kubrick, Roman Polanski, James Cameron and other remarkable masters of the film.
Fairy tales of the Viennese wood
by stirring the shadow wall or ceiling. Suddenly a sharp opening the front door with a noisy unit, strong squeak heck ... sharp, shrill voice which went down a beggar, which fancies us with a strong heat from kakogoto internal shock: "That's frost in the yard!"Screamed the voice, just heartache, penetrating man through and through. All of a sudden started and as dramatically swept out in all directions. The shadows ran, all mixed up, as if dizzy. And again all gradually calms down, froze, stopped, staggering, and there comes a long agonizing pause ...And then cheyto soft half-whisper moaned with tears: "Gannele! Gaa-Anneli!" Strong chromatic raised kakogoto breath, and then a sharp drop in the chromatic tone down hopeless whisper: "Gannele dead! .." The crowd stirred shadows, heard the gentle maiden and senile sobs and moans ...At this time in the most remote restroom pevetstenor, at the very tall note, bright voice shouted: "Stee-eklyaya-yannyy Groo the first-of-its-suu t .." His voice wavered, as shouting shaking shoulders small quakes .After a few minutes distant, barely audible in the hall screaming mystic messenger shadows darted around the room, repeating the same phrase in a whisper, but with the release of all whistling, hissing, and sonorous consonants: "Sssteklllyannny grrrob nnnesssut!" This whistle and tenon, which began quietly, intensified and concentrated at random motion of the crowd.Then he approached, t. E. Passed from remote restroom on stage, backstage, where the same spike and whistles started talking all the extras. When they brought the whistle and spike up to the fort, to enter the whole choir. For all workers joined the chorus and some of the orchestra, who have kindly wanted to help us.Resulting in a tremendous spike in conjunction with kakimto nightmare, dizzying movement of shadows. At this time in the middle of the scene appeared brightly lit glass coffin lying in it Gannele dressed as a fairy princess. Other Gannele remained in the foreground in a suit and impoverished as a corpse, lying motionless. It penetrated the criticism is not without difficulty - because Brooke was so depressingly young when achieved initial success. It did not develop as the sum of the values, and emerged immediately as a kind of integrity and to be analyzed and decoded. It was not easy.Each performance Brooke made it possible to see the newer author, whom he raised, but did not help to see the "most Brooke." No, Brooke did not hide the author. From the outset, very definitely declared himself as a supporter of the omnipotent "director's theater." Thought each performance was his, Brooke thought.Mood - it Brooke mood. Form - they Brooke given. To a greater extent even than many other directors; because Brooke and often acts as an artist of their own performances, and sometimes also as the author of "musique concrete", accompanies them. But the difficulty was that the performances he put a very different and unlike.They, of course, was something in common. But what? What determines the membership of a particular performance is Brooke? Is only required dissimilarity with his previous performance? The book "empty space", published in 1968, was intended to, everyone seemed to make it clear in the literature its merits could be no doubt:among the many talents and Brooke have literary. The young director has repeatedly acted as interesting theater and ballet critic. In addition, this book was born gradually, it could not be traces of haste.Her head to the four parts of a short course of lectures on contemporary theater, reading Brooke in 1965 by agreement with the television company "Granada" at the University of Hull, Kiel, Manchester and Sheffield, all in her pre-tested on a live listener. This book is really done much clearer.Of course, not the first time Brook expressed his views on the theater. He'd made no secret of their. But he brought together a lot of things that previously had to seek out bit by bit. This he certainly helped deeper insight into their work. And himself. Brooke - a man without a pose. Their success does not emphasize. Failure does not hide. Says what he thinks.Concerns itself with the calm sense of humor, which holds accepted Download and considered a sign of inner intelligence, this man works with a monstrous exertion - he made dozens of plays, films and operas wrote many articles - and thus does not internally tense, on the contrary,enviably relaxed.