The section groups films in directors. Here you will familiarize with biographies and films of outstanding directors. The director – the principal person when shooting. Into the task of the director enters to turn the scenario into a film. And success or a film dip depends on the director. It is possible to tell still that the director is the artist who writes scenarios, plots, game of actors, operation of operators and a great number of other people which are anyway involved in process of creation of cinema. The section acquaints with outstanding directors of the USSR, Russia and everything which films make gold fund of cinema. Having selected the favourite director, you receive the list of its films and can watch movies online or download films. As it was already told, the kinomusorka in a bigger measure represents films of the USSR and the Russian films therefore the section on directors as focuses attention on Soviet, Russian and directors of CIS countries. In this section of a site you will meet Igor Zajtsev, Otar Ioseliani, Leonid Gajdaj, Grigory Kozintsev, Sergey Bondarchuk, Rashid Nugmanov, Sergey Snezhkin, Roman Kachanov, Alexander Proshkin, Leonid Pchelkin, Nikolay Dostalja, Tatyana Lioznova, Stanley Kubrick, Roman Polanski, James Cameron and other remarkable masters of the film.
СМОТРЕТЬ ФИЛЬМЫ ОНЛАЙН
Kakayato fool! I dropped the tray, not seeing anything in front of him. Tosya ran: - I beg you to bear with me. Who will be
and removed, and it's over. I told you that all of them - louts, then I will kill this old geezer, but if you go, be a big scandal. And most importantly - the penalty.This means that you not only do not get paid, but still got to pay the cost of shooting. Do it for me, for myself. It's the only chance to escape, if you are in the Architectural Institute will not get! I just
and realized that I could not bring home the first
and earned money, and I went back into place. Shooting took place.Only now I cried so that I could not calm ... We went out on the empty street. It was night. - You do not understand.You do not know that all the incompetent directors, incapable, and which can not, like making these things, he deliberately
and insulted you, that you cry and you do not worry, you saw how all of you kindly
and treated, as you calmed ... My tears flowed all the way home. Seven calls. I ran down the hallway,
and opened. Are a man and a woman.After a conversation with the Pope strangers on the threshold alarming. - We are a studio, we would like to talk to you. Elegant invite to the bench. -
and Directed Macheret is asking you to play in his film an episode. Sitting primly inside all singing, talking to me like a real actress. Excitement Tosya nothing really can not tell.She goes with me to the studio, she was delighted, not depart from me. - Episode uninteresting! But you can see how people come to the pavilion to look at you? You'll see, you are
and invited kudanibud! This means, on the shooting you have someone noticed! In fact, soon I was
and called to the test in the film "Fathers" by Sadkovich.Heroine - shahterka, otkatchitsa coal. I did everything as told me Tosya. Mitya did not go to trial, saying it was uncomfortable, and for some reason, was angry and annoyed and scolded for something Tosya. And my whole family headed Tosya going to the studio to watch me on the screen. Mitya was almost another Sadkovich.They studied together, only Sadkovich graduated before Mitya.
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Line up after which the final image by using the zoom. P. Ward.Picture Composition for Film and Television and Figure 7) Illustration to serve the background when shooting, and its output instead hromakeya. b) A boy going against hromakeya through the studio, which corresponds to the painted road. c) combined image. 185 Ward.Compose the shot, in the movies and on television calculation of height and tilt of the lens Figure 8 Fragment: "A scene from the legend of the desecration of the guest," Paolo Uccello. The film PaoloUchchello "Scenes from the legend of the desecration guest" you can see the point of extinction lines tiled stoves, converging toward the horizon, behind the last wall.The only vertical line between the tiles, which is in the center of the field of view of the artist, and therefore displayed in the center of the canvas. This painting has a widescreen 16:9 format, rather than the usual 4: If we perform a standard survey format 4x3, edges disappear.If the frame is cut symmetrically, the vertical line between the plates is at the center of the frame. However, if you try to cut off the right of the canvas, which is the background, and then display it instead hromakeya, removing the artist passing through the door, the camera foreground never provide matches with the prospect of the background.If the center point of the vertical joint is aligned with the point of extinction in the center line of the horizon, it would seem that the horizontal lines are not parallel plates bottom of the frame. Is not possible to combine the door in the foreground with a doorway in the back and still provide reliable movement of the actors in the foreground.In this example, it is important to note the need for symmetrical sections photographs or illustrations in the background, because otherwise it is possible to create an image, a linear perspective which can not be played in the studio.Setting the target point to the camera and providing such a situation, when each side of the picture are cut off equal, you can shoot the background, while maintaining linear perspective. 186 P. Ward.Picture Composition for Film and Television masking and masks to hide unnecessary detail when creating a very wide shot you can do without too much hromakeya the background.