The section groups films in directors. Here you will familiarize with biographies and films of outstanding directors. The director – the principal person when shooting. Into the task of the director enters to turn the scenario into a film. And success or a film dip depends on the director. It is possible to tell still that the director is the artist who writes scenarios, plots, game of actors, operation of operators and a great number of other people which are anyway involved in process of creation of cinema. The section acquaints with outstanding directors of the USSR, Russia and everything which films make gold fund of cinema. Having selected the favourite director, you receive the list of its films and can watch movies online or download films. As it was already told, the kinomusorka in a bigger measure represents films of the USSR and the Russian films therefore the section on directors as focuses attention on Soviet, Russian and directors of CIS countries. In this section of a site you will meet Igor Zajtsev, Otar Ioseliani, Leonid Gajdaj, Grigory Kozintsev, Sergey Bondarchuk, Rashid Nugmanov, Sergey Snezhkin, Roman Kachanov, Alexander Proshkin, Leonid Pchelkin, Nikolay Dostalja, Tatyana Lioznova, Stanley Kubrick, Roman Polanski, James Cameron and other remarkable masters of the film.
СКАЧАТЬ ФИЛЬМЫ БЕСПЛАТНО
"Antonioni reminds intricacies consequences, effects and resulting in time result of events occurring behind the scenes. Already in the "Chronicle of a Love" is a consequence of the investigation is that it is the continuation of a first love, and its result - two echo the desire to kill in the future and the past.Hronosignumov is a whole world, and it alone is sufficient to instill doubt those who are sure of this, that the cinematic image is certainly present. If we are sick Eros said Antonioni, it is because he is sick Eros;he is sick and not just because of the fact that he had become an old man, or out of date in terms of content, but because it is perceived in the pure form of time, torn between past and already an hopeless future. According to Antonioni, there are other diseases, except chronic and Chronos is the disease itself.That's why hronosignumy lektosignumov inseparable from that force us to read in the image corresponding to the number of symptoms, that is, to perceive visual and sound image as something else and read.Not only the optical and sound, but also the present and the past, the "here" and "elsewhere", form the internal elements and relationships that should be decrypted and can be understood only in the progressive movement, similar to reading:from "The Chronicles of a Love",
and undefined space lose their measurements, and return them only later, that Burch calls "agreement with the displaced perception", closer to reading than to the perception subsequently Antonionikolorist also good with color variations as with symptoms, but with mono - bothsigns of the times, to conquer the whole world, and all this through the interaction between randomly chosen modifications.But in the "Chronicle of a Love" declared "autonomy camera" when she refused to follow the movement of the characters, or assign them the proper motion to continually work with rekadrirovaniem as a function of thought when noosignumy express the logical consequence of the conjunction, sequence, or even intentions.1 Noel Burch one of the first to demonstrate that the cinematic image should not only see and hear, and read.
СМОТРЕТЬ ФИЛЬМЫ ОНЛАЙН
Hero photographed couple in love in the romantic landscape. We can see only their silhouettes of old trees. However, the figure of the photographer are also often represented as an element of long-range plans of the overall environment.The screen reigns idyllic setting, balance and naturalness. With increasing dramatic tension scenes directed accordingly resorted to zoom. The girl, seeing an unwelcome observer, rushes to the photographer in order to require a negative.Her image as it approaches successively "manifest", becoming more clear and precise: from vague shapes in the background of a full-length portrait of the general, and then to further refinement in the middle, and finally, in the climax, we can make out her features person in close-up.The climax scene is replaced by a surge voltage reduction in the frame by the serial transfer zoom to the general and long-range plans: figure of a girl is removed, dissolved in a calm, majestic scenery of the old English park.Example of a different property - a scene in a hairdressing salon from the film "Death in Venice", the decision solely on the change of large and super-large plans. The entire assembly sequence is the process of converting obliging barber person of Professor von Ashenbaha:from fatigue, a little confused to artificially "vzbodrennogo"
and uncomplicated makeup. In this case, the director begins and closes the close-up of the head of the hero extended legato plastic that covers a series of parts - chin, eyebrows, eyes, lips Ashenbaha background.The combination of visual pattern creates complex melodic ornament contradictory character of the internal sense, woven out of temptation, hope, curiosity, self-irony, fatigue, humility.Its true living face, softly "of fragmented" by mega-plans and consistently vualiruemoe layers of paint to symbolize the complete helplessness, emotional fragility Ashenbaha background. One more example - the scene in Alexandrova Sloboda from the film "Ivan the Terrible"
and Eisenstein.The episode begins in the imperial palace, where ripped apart on the throne of Ivan the Terrible in anticipation messengers from Moscow.