The section groups films in directors. Here you will familiarize with biographies and films of outstanding directors. The director – the principal person when shooting. Into the task of the director enters to turn the scenario into a film. And success or a film dip depends on the director. It is possible to tell still that the director is the artist who writes scenarios, plots, game of actors, operation of operators and a great number of other people which are anyway involved in process of creation of cinema. The section acquaints with outstanding directors of the USSR, Russia and everything which films make gold fund of cinema. Having selected the favourite director, you receive the list of its films and can watch movies online or download films. As it was already told, the kinomusorka in a bigger measure represents films of the USSR and the Russian films therefore the section on directors as focuses attention on Soviet, Russian and directors of CIS countries. In this section of a site you will meet Igor Zajtsev, Otar Ioseliani, Leonid Gajdaj, Grigory Kozintsev, Sergey Bondarchuk, Rashid Nugmanov, Sergey Snezhkin, Roman Kachanov, Alexander Proshkin, Leonid Pchelkin, Nikolay Dostalja, Tatyana Lioznova, Stanley Kubrick, Roman Polanski, James Cameron and other remarkable masters of the film.
- Do you understand? - I do not know ... - Volik returned to the table, looked at Abel. - Can I have a sandwich? - Eat, of course, eat! - Doctor
and moved closer to him a plate.- Do you think I will not drive to work? After so much time would not come. The postmaster is very strict uncle. - And you and do not go there - the doctor said firmly. - I have to work, and it will be no money to buy bread - Volik said. - And I also have no place to live. - Will you have another job, Volik. And while you live with me.Do you like it here? They sat in a doctor's office. Volik scanned the shelves with lots of books, photographs and small bronze and plaster statues, wide leather sofa, a spacious desk on two pillars, beautiful table lamp on a bronze stand, antique clock, made of mahogany, hung on the wall.- Like ... - That's live - Dr. Abel smiled and lit a cigarette, pyhnuv smoke. - But what I will have a job? - You will be in a coffin! In a crystal! - Said the doctor, laughing. Volik
and looked at him and asked: - How much I would pay for it? - Good will pay pan Messing!- Said Dr. conspiratorial tone, and even winked Volikov. - We're rich people become, Mr. Messing! - I know, - said Volik. - How long have you thought about it. Look, you're a dangerous man, Mr. Messing with you keep an ear open! - Dr. Abel was dumbfounded. And
and recited:- "Shut up, hide, and Thai and feelings, and your dreams ..." - he stopped laughing, again seriously
and looked at Volik. - I say to you quite like an adult business man. You'll be able to help his family - father, mother, brothers and sisters. You want to help them? - Of course. Really want. - That's going to help them.And you have enough for a decent life. You can learn more ... - Doctor suddenly thought, he added sadly: - Of course, if something terrible will happen ... - There will be war ... - Volik said. - What did you say? War? - Abel's head snapped up. - Damn it, I also thought about this now. And when potvoemu happen war?- In August the fourteenth year the big war will begin ... - Volik and calmly took the last sandwich plates, bitten and chewed ... - Look, you're a terrible person ... - shook his head, Dr. Abel.
СКАЧАТЬ ФИЛЬМЫ БЕСПЛАТНО
The main advantage of TV before the movie was that it looked at the same time a lot of people. In addition, it was cheaper.In order for two or three days to rehearse studio and broadcast devyanostominutnuyu play, required only particle expenditure
and required to create a feature film. You could not even compare film and television, it was a completely different animal.Life devyanostominutnoy those pieces lasted half an hour, while she was on the air, while the film was a long commercial life, you return to financial and creative investment. Live broadcasts of television plays were tied to time. If the actor had ten steps to cross the scenery, P. Ward.Picture Composition for Film and Television this time had to be taken into account and somehow closed kakimilibo staff - we could cut the six steps and does not include the time to play. Time and space were the major factors in the formulation and shooting television plays. Many staff had to pass from various compromise positions.Time to create a frame, the time frame for the transfer, it is moved to the next frame was set in the timetable of the continuous action that unfolded before the cameras. Because of the constant pressure of time and space factors, many of the shots in the live broadcast of poor quality trade-off between the desirable and the possible.Operator, building a frame every ten or twenty seconds, using a rotating Tireli with lenses at the scenery from the microphone stand to the left of him, another camera on the right and six feet floor studio at his disposal, had very little opportunity to avoid the sudden appearance of the "close-up on face misty background, "or did not have them at all.Inconsistent background and bad elements of the composition are almost inevitable at some point multi shooting. Position of the actor could be perfect for a camera, but
and created an uncomfortable situation for the other. Slight movement - and the third episode
and spoiled. The final decision could be satisfactory, if not ideal.Although many projects were a great success, in the worst case TVpesa could degenerate into an exercise of moving goods and artists, Triumph reflex skills and experience in coordinating, but not in the creation of the image as the main components of TV production.Camera often just watching the action, which is unfolding in front of her lens without changing the frame and without making it something new.