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Fairy tales of the Viennese wood
I hear the roar of here drammotorzhestvenny Gluhoreva. The tragedy is played tone "death roll." What makes a great Semenova, surrounded as it is surrounded by? Lord, have mercy and protect - but I'm afraid ... "" Drammotorzhestvenny roar Gluhoreva "with a light hand and Schepkina Stanislavsky long been eradicated on our stage.However, one extreme spawned other extreme, generated and found a nest in the same theater, in which the struggle was waged with stilted declamation Sumarokova times, lived up to the end of the XIX century. Its guarded Ugine at the Maly Theater, the Moscow Art Theatre - Darski in Alexandria Theatre - Dalmatia, in the province - the brothers Adelgeim.This other extreme, by which gradually eliminate "drammotorzhestvenyaye Gluhorevyh Reva 'was a new simplicity, and plant those drama school, where classes used textbooks Korovyakova recitation.In pursuit of the detection point in monologues and dialogues dramas in verse recitation Korovyakovsky system required particular attention to so-called logical stress.But the pursuit of logical stress distract the actors from the elements in the verses, which are designed to ensure that the 432 do verses sound like poetry, that is, according to the laws of music.Pushkin fought "drammotorzhestvennym roar," we have to deal with those systems that are in pursuit of a musical sense to ignore the nature of verse.