FILM HUA LI DE TIAO ZHAN
Then he began to put himself, often in scenarios Anatoly Kamensky, a writer with a dubious reputation. So the big names in Russia Turzhansky itself did not.His directorial career of the really began to take shape in exile. Flexibility, efficiency, hvatkost, professionalism - these are the basic dignity. Saw that Protazanov turned remake and also " remembered" his 1918 film "Ball of the Lord." Introduced into the history of European koekakie amendments and released under the title "The fifteenth prelude by Chopin." Felt the fashion for exotic themes and successfully mastered in "The Tales of the Arabian Nights," "A charming prince" - a fairy tale for adults with a mysterious oriental prince, beauty languishing in a harem, and a happy ending.I photographed it on Maupassant, Pushkin, Turgenev Turzhansky felt himself master of the plot: where would halt, as would finishing. Diversity of style does not trouble himself, worked with a permanent cast:Natalia Kovanko necessarily desirable Colin Nicholas, ideally, if starring Mozzhukhin and next kakoynibud French singer. Mass audience liked his film adaptation.And he could consider himself a promoter of Russian classics, holding up publication of "Song of Triumphant Love" with the French and the Russian text and frames his film as illustrations. 349 Best Tourjansky silent films, shot in France, was "Michel Strogoff" based on the novel by Jules Verne, which can be called "Russian":by nature, fate, nationality of the hero and the place of action. Heroism, romance, color, adventure motifs, exotic Russian life - it was exactly dosed and timed. The film brought Turzhansky pan-European success. He could shoot in France and then in Germany.He was invited to America, but did not stay there. In Hollywood, there was a meeting, which certainly brought this vain man pleasure, he was able to give a lesson "Western filmmaking," his teacher, the most Vl. NemirovichuDanchenko.The most curious of these teachers claim was that the staging scenario NemirovichaDanchenko "The Tempest" at Tourjansky took and passed the American director. Another film was stopped, and the only one he completed "The Adventurer" viewers had no success.Turzhansky could not, or would not adapt to the prevailing system of filmmaking here: the omnipotence of the producers, whom he called "a real evil of the American Film" and the specific situation of highly paid movie stars who could afford not to be a director.In 1935 Turzhansky finally moved to Nazi Germany, which then tried to leave the good people, not just Jews. This period of his life little is known. Watch the film Hua Li De Tiao Zhan online
. But one is enough eloquent fact: forgetting his roots, Turzhansky directed the movie "enemy" of the defeat of Poland in the autumn of 1939.Fedor Otsep was a very famous cinema director, who lived in France before the war of 1939. Yuri Annenkov Fedor Otsep belonged to those who are in Soviet Russia was called "defectors". He fled the country in the early 20's, is actively and successfully worked at the studio "Rus" as the head of the literary section and screenwriter.It was an experience critic, who wrote under the pseudonym of "Theodore Mashkov." His name had been signed scripts best Russian films of the Silver Age - "The Queen of Spades", "Father Sergius", "Nikolay Stavrogin," "Polikushka" and a number of Soviet - "Cigarette Girl of Mosselproma", "Aelita".Otsep then as a director to make a film, which enjoyed success with the Soviet viewer - "Miss Mend," "Land of a prisoner." The secret of success lies in the fact that the new material does solve the laws of American genre cinema, did not contain the Bolshevik ideology, or any story based on Russian classics led away into the past.350 to remain in Germany in the summer of 1928, began working Otsep targeted audience for the average German.