Do not give up the film
In contrast to the truly cinematic script theatrical intrigue inseparable from expressive means of cinema; so the plastic film illustrate rather than pass it on. sense.When we look at the film theater, the physical reality of the content of the frame does not stimulate the imagination of the fact that, starting from her and prompted by her going by, we caught a considerable sense of plot situations;just the opposite is happening, our imagination draws primarily disclosure of 289 meaning of these situations, and then we notice the content of reinforcing their fine material. Integrally with the ideological center.With all the inherent theatrical subjects tortuosity of building, giving them almost epic character, they are compared with the movies seem to be modeled on the classic tragedy, which, according to Proust, down "all the images are not conducive to the development of actions, and saves only that facilitates understanding her ideas. "Proust is referring to the shape of the plot, is not just a complete tseloe- what is to a greater or lesser extent, every work of art - but with the whole idea; the sole purpose of each element of this story is to ensure that he helped uncover the ideas.However, the term "idea" Proust clearly has in mind the significance of the plot. Therefore, we can safely say that with a cinematic point of view of theatrical plot is centered around the ideological center, which converge all its semantic schemes. In other words, the composition of this story certainly is compact; it's basically a closed narrative.In the early thirties, when the Soviet cinema was the hero of the individual Do not give up the movie to watch online in excellent quality
and displace the heroic mass Eisenstein openly defended the theater scene type and the corresponding composite solutions of the film.He insisted that every part of the movie "would be particularly organic organically conceived of a" By the end of his life, he wrote: "For us, the installation became a means of ...achieve organic incarnation monolithic ideological concept that addresses all the elements particular details cinematographic "As a young Eisenstein views were different, less categorical and total.And he was right, as the film was built from the elements, raison d'etre of which is only to Do not give up the movie to watch online in excellent quality
and place in the center whole "ideological concept," contrary to the nature of the sole means of artistic expression, which is given to capture the "thrill leavesin the wind. " Interesting naZdes: Note .- appointment. per. 290 observation there Bela Balazs.
Do not give up the film
He noticed that the children's attention to detail is delayed, whereas adults tend to overlook details dimensional structures;times children see the world of close-ups, he says, so they feel familiar atmosphere in the movie than in the world of general plans for the theater leads to the conclusion to which he comes Balazs that theatrical film like the adults that are suppressed in all the children . Attempts to fit the story "The most wonderful things."Aphorism Fader.