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So it is in the accessories wanted to give as many of the "old England", and the ringing of glasses and glasses, traces certainly tasty and fun feasting.All this has brought in too dense jungle realism vseeto вЂ‹вЂ‹and forced to make a mistake against the "taste" in the understanding of Pushkin, once uttered this thought - that "the true taste is a sense of proportionality and in line." Yes, and we who watched "Feast or Famine", along with Benoit got stuck "in the dense jungle of realism."But why, when it comes to "The Stone Guest", we are invited to consider the black white and white black? After all, in "The Stone Guest" we, along with Benoit, download the film Hua Li De Tiao Zhan
and bogged down "in the dense jungle of realism." Benoit as he wants, but we see no difference whatever between the two ways drama, the difference of which he would have us believe.I think Benoit knocked kemto confused: it someone said, "The Stone Guest" "in public and in the press was a success." When Benoit was about to exposure plays, he understood: "The Stone Guest" in spite of his opera, no calls for a different attitude than the "Feast" and "Mozart".In the formulation of the three dramas really only difference was that in the "Feast" a lot of "realness" and many "traces ... life "in the buildings from the outside, but in" The Stone Guest "is not only in the buildings from the outside, but also inside the buildings.The "Feast" Benoit "download the film Hua Li De Tiao Zhan
and wanted to give as many of the" old England "," ringing glasses and glasses, "and in" The Stone Guest "clinking chains, flipping locks pereklikaniem night watchmen he wanted to give as much of old Spain. In "Mozart" is the same details of everyday life, no one needs, as in the "Symposium."Vain Benoit thinks that only in the "Feast" it "all this has brought in too dense jungle of realism." And the "Feast" and "The Stone Guest" and "Mozart and Salieri", all these productions are equally sinned against "taste" - of course, within the meaning of Pushkin, once uttered this thought:"True taste is the sense of proportion and according to" - but not in the sense Benoit, who believes that "in fact, the truth is always hidden authentic taste." 3 "A true taste is a sense of proportionality and in line." Why Benoit did not read it before setting?Would it then be made to the statue in the scene III was fake, and that the stage IV was not the very image that we saw in the previous scene, and that the size of the two figures were not agreed. And then this statue, which nods to the stage III ...Did Benoit did not feel like it is important that from the very beginning of the scene at the monument to Don Juan and Dona Anna led his dialogue in the presence of a third person, the same stone as the Commendatore and live? The statue of the Commendatore, as in stage IV, and here, in a scene III, intended to represent the actor.The immobility of the living body, depicting marble, called on the audience to make that spetsificheskiteatralny horror that was waiting on the magic of Pushkin Drama.