He fought three o'clock with a fan, trying to direct the water in the right direction, after which China download the film Voyage
and announced that the result is no good, and went on to shoot the next scene;however, he never dreamed it was to shoot this fountain. Kitano recalls: "Foolishly, I wanted to make five different places the same camera, but, looking at the camera, I suddenly realized that camera is different from the TV cameras, I was used to!That is why the "police brutality" my first film, I was shooting everything and everyone frontally, without moving the camera. The group said: "This is his first film - he does not know how to handle a camera!" Other solutions I have not had, and I tried to use the crane, which was located there.Looking at the result, I download the film Voyage
and realized that the scene in which the camera moves, I do not like. This results in a very simple film, consisting of download the film Voyage
and fixed fixed plans. It makes no sense to create images, which he did not know. " Kitano laugh at themselves - but over the film, which traces the cornerstone of professionalism. Indeed, today the "police brutality" seems an aesthetic manifesto of China, and his flaws more to do with the fact that the director had to work with someone else's scenario material rather than the inability to make movies. China considers itself abroad, after which he turned from a student in a professional, "Sonatina."It was after her, he allowed himself to question the professionalism of the Japanese filmmakers - in caustic parody scenes of the film "took off kogonibud? '. Accidentally got on the set of an idiot is no different in the degree of competence of the director or operator. By the end of the film begins to seem that the movie shoot in Japan for two reasons:to make money, or that, like Asao, free to look at naked women on the set of pornography. In the " Removed kogonibud?" Is a very funny scene in which the gangster clan chief at his request show shadow play.When the camera shows scenes suddenly it turns out that perfect shade boar on the screen was not created by clever illusion - the actors just put against the light stuffed boar in full size. Kitano himself often uses similar technology: three-dimensional objects in his films and in his paintings become flat, two-dimensional.Rejection of the third dimension - only one of the "deny" methods Kitano, deducing from the game or that the traditional visual element of the series. When frozen, and the camera, and caught her object, external movement in cinema replaced the internal movement.And it is entirely dependent on the activity of the spectator, reluctant to try to guess what lies behind the "flat" picture.
WATCH THE FILM VOYAGE IN EXCELLENT QUALITY ONLINE
However, to STILL China never uses: as a straight accent he avoids.The camera can capture a frozen image, even if the image does not seem too bold and not play a decisive role in the resolution of intrigue at all, China is more interested in time than he got in the flow of the subject.Even movies that are on the move from the beginning to the end, Kitano resorted to the smooth operation of the camera, which moves in parallel with the actor.