is perceived and being perceived lost their centers of gravity. Schaefer extracts from this strict consequence: aberration movement inherent cinematic image, frees up time from all circuits;it works through direct representation of time, turning the relationship of subordination, it supports a "normal" movement; "Cinema is the only experiment in which time was given to me as a perception."Sure, Schaefer remembers the original crime significantly associated with this kinosituatsiey - exactly the same as for any given situation remembered Pasolini original death. It felt tribute to psychoanalysis, always reserves the cinema odinedinstvenny object nipped chorus, the so-called primal scene.But there is no other crime than time itself. Aberrating movement finds time as a whole, as "infinite openness" as any normal precedence of motions determined motility:necessary that the time preceded the regular deployment of any action that had "birth of the world, which would not be properly connected with the experiences of our motor skills," and to "the most distant memory of the image was separated from any body movement" 'If' normal ' subjugates the movement time and gives us hisindirect representation, the motion aberrating indicates precedence and time presents us with it directly, against a background of disparities scale spillage centers and lzhesoglasovaniya own images.Put into question here is obvious, according to the way the cinematic image is in the present tense, and certainly only in it. Be so time could download movie Journey
and show only indirectly on the basis of obrazadvizheniya is present, and by means of installation.But is not the imaginary evidence, at least in two aspects? On the one hand, this does not happen, which would not pursue relentlessly the past and the future - the past, can not be reduced to the still present, and future, is not to "come" present.The usual time sequence affects the transient moment, but every now coexists with a certain kind of past and future, without which it would not be very transient. The objective of the movie is the setting of past and future co-exist with this manner. Shoot what's ahead and what's behind ...To get out of this series may be moved inside ,, movie that came before it and will come after. For example, characters: Godard argues that it is necessary to know who they were before they were placed in the frame, and by whom they will later.
"The essence of the movie is that this time it never happens - except in bad movies ''. And it is very difficult because not enough to eliminate fiction in favor of the harsh reality that the same would be a great success Watch Online
and send us to the transitory present.It should, on the contrary, tends to a limit:domestit in the film limit located before it starts, and limit who is after it - grab a character limit, through which he crosses to enter the film and leave it to enter into the realm of fiction, as at present, not separated from their own "before" and on his own "after."We will see that this is the aim of Kinopravda, or "direct" cinema: Travel movie watch online
and not to get in the way of reality as it exists independently of the image, but to achieve a kind of "before" and some "after" that coexist with the image and are inseparable from it.