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Fairy tales of the Viennese wood
FILM ASK VE CEZA For example, a man sitting motionless against a moving space. In another case, the effect of motion occurs when we remove an approximate plan of the person looking for the shot, then give the following approximate plan of moving objects.It seems that a person is inside a moving car, but in deed a person immobile. Film as a medium of expression, has the unique ability to play a continuous movement, using his pieces download the film Ask ve ceza and captured from different angles.Complex movement by individual fragments are often more lively and interesting than one plan or download the film Ask ve ceza and imprinted continuous identical plans.But it is important in this case, to all the selected position of the camera during filming of this motion on the same side with respect to the line of motion if the camera was located on the other side of the movement while shooting, the story suddenly crossed to the screen, and ended up with the opposite point, and these plans could be agreed.155 1 вЂ‹вЂ‹Continuous motion, download the film Ask ve ceza and captured with multiple cameras, requires that they are all on one side of the line of motion. .2 According to the principle of the triangle, choose one of the sides of the line of movement of the camera and to stick to just this side.If you take the picture from the other side of the line of traffic, these two plans will not be able to fit in properly, because the reverse image of the movement is misunderstood audience.156 GAP Movement Movement, filmed in fragments, can be cropped by providing all the images depicting the stages of motion, or just the beginning and end of the movement. For example, it is shown as part aktbr, then immediately goes out of frame.When an actor turns, sits, stands, walks or runs - these types of movements, which can be removed only two positions the camera for one visual axis or dvumyatremya a triangle arrangement. Horizontal movement can cross the screen diagonally from the neutral position or in a circle.Any change in direction can be displayed on the screen, provided that the viewer is not distracted at a time when the actor suddenly changes position diametrically opposite the previous one. .All three changes of direction on the screen should be shown the viewer so that they are correctly oriented in any of the points. Plan 3, in this example, just shows the change. For example, if you move from the chair to the table to take the book, your movement can be captured with the camera position I;when you go in the direction of the table - from the perspective of two cameras, and when you come to the table - a position at this time you take a book and turn to go back to the chair and sit down.
FILM ASK VE CEZA We see how you leave and return to the position of two cameras, then back to the chair - the position of one camera.157 angle of vision WHEN DRIVING all the time to keep the position of the camera with one hand in relation to the line of motion - this is a very limiting factor. Often, you want to show the movement of the other side to show more dynamic moments, or from a different angle, where a winning look.You can do this by thrashing but neutral direction or where the actor himself explains the moment of change of motion.