The section groups films in directors. Here you will familiarize with biographies and films of outstanding directors. The director – the principal person when shooting. Into the task of the director enters to turn the scenario into a film. And success or a film dip depends on the director. It is possible to tell still that the director is the artist who writes scenarios, plots, game of actors, operation of operators and a great number of other people which are anyway involved in process of creation of cinema. The section acquaints with outstanding directors of the USSR, Russia and everything which films make gold fund of cinema. Having selected the favourite director, you receive the list of its films and can watch movies online or download films. As it was already told, the kinomusorka in a bigger measure represents films of the USSR and the Russian films therefore the section on directors as focuses attention on Soviet, Russian and directors of CIS countries. In this section of a site you will meet Igor Zajtsev, Otar Ioseliani, Leonid Gajdaj, Grigory Kozintsev, Sergey Bondarchuk, Rashid Nugmanov, Sergey Snezhkin, Roman Kachanov, Alexander Proshkin, Leonid Pchelkin, Nikolay Dostalja, Tatyana Lioznova, Stanley Kubrick, Roman Polanski, James Cameron and other remarkable masters of the film.
СМОТРЕТЬ ФИЛЬМЫ ОНЛАЙН
We must, Andrew Arsenijevic, understand the situation, if the amendments have been made, the picture will not be accepted.It is necessary to bring the case to the end and to make those minimum requirements, which we are told. It is necessary that the end of the week, the arrival of fellow Ermash, make corrections and show the picture. If not, you have to provide it yourself. A Pavlenok footage? SIZOV How now? 3100? How about this? This question should be addressed in the Committee.We must, Andrew Arsen'evich at final assembly to think about the size, the fate of the paintings on the box office. If you fail, you have to talk about this with a friend Ermash. On one film we are not going to transfer. Andrew Arsenijevic, please get started and until 22 to do what we talked about.After adjusting the picture was to show to Comrade Ermash. On the position of the then Soviet cinema glavnachalnika depended, of course, not all, but many. Ermash himself in the years of perestroika has
and described his impressions with reverent enthusiasm: "At the end of July 1974 in the studio, the first view 'Mirrors'.This view was working on two more films. We saw an extraordinary sight, woven from almost imperceptible subtle nuances of emotional states against our heroes almost already a past life. All won Margarita Terekhova his tremulous penetration in fragile and courageous at the same time a mother figure.Hitherto unknown footage particularly exhausted by war, but does not stop the men who pull the raft with the gun in an endless mire estuary. It was a startling truth ... "Unfortunately, so tremulous words Philip T. some reason did not say out loud after watching, he made then quite different.At least, Tarkovsky on the same day made in his diary a remarkable entry: "July 29.
and Again, the play begins with the delivery of the film. On Thursday Ermash not given permission to release the film all in it he allegedly unclear. "Can you make a little explanation? "Some of the scenes he did not like:"Cut them prostonaprosto!
СМОТРЕТЬ ФИЛЬМЫ ОНЛАЙН
When taking a holistic single-chamber effect can be seen in the frame before the agreed upon location and movement of the camera, the lens position and the final form of the frame.It must correspond to the exact desired track, because the placement of the actor / speaker to the background necessary to accurately determine a location, and background. Essentially, all visible elements that form the frame can be
and placed so as to achieve the purpose of filming. Ward.Compose the shot, in the movies and on television is no different from the methods of creating the whole image used painters.Except for those few artists who strive for ultimate display of what they see, the implementation of design pattern is achieved by selecting the image components and placement of each element, where he is working on a complete composition.The question of what constitutes a good composition, has always been and remains the subject of debate. Composition of the painting from the artist depends to a greater extent than the operator, because the integrity of the image to achieve the artist can change each element.If only the style of painting requires accurate transmission of sight, artists can create and alter the image area, so to get a result that a composition that they
and needed.Although the image can be significantly
and changed by the lens and camera position, operators usually have to work with a 'found' visual situation, and to change the general form of the frame to change the lighting and the position of the actor.In the middle of the XIX century, the first photographers tried to control all elements of the photographic image, and spent a lot of time creating and copying academic tracks borrowed from painting. The results were inconclusive, the frames with static postures soon went out of fashion along with portraits, which they tried to copy.In film and television there is an additional element of the composition - the movement of the object, as well as the tradition of writing "real" world. With few exceptions, most of the narrative films and television shows filmed imagination, fantasies and desires of the main characters plays that unfolded against the backdrop of recognizable landscapes or scenery.Although the script could contain unusual and fantastic transformation, plays, usually played out on a stage consisting of real-known objects that are easily recognized audience.Therefore, to show the fictional stories requires careful design of the images obtained with different sets, costumes, makeup, staging, lighting and camera angles.