Article he published in the newspapers "Link", "Days", "Latest News" and separately and cycles, such as the "Magic of the screen."It equally interested in the European and American films, directors and actors characters, the problems of the theory of cinema and some of his works. Levinson article about the Russian emigre film focused on the most significant phenomena: the roles Mozzhukhina, movies Volkov game Colin. He download the film Dragon Crusaders
and worked and general questions:existence of Russian cinema in a different culture, mechanisms of its adaptation, survival, and the formation of " mixed" 341 "frankorusskogo style." That Levinson brought convincing, transparent formula existence of art of the Russian Diaspora: reliance on living, developing national traditions, understanding in the European context;Openness to the world its artistic values. Attention to cinematography leading critics of literature, ballet, art, music, theater, such as Levinson, Vol. Volkonsky partly restored it clearly shaken prestige.However, one can not but agree with Mozzhukhin that leaving France, in a farewell interview wished his countrymen to love cinema "," treat the movie seriously. " He himself set an example of such love, such a serious attitude to cinema.Moreover, his "American history" Mozzhukhin inspired film, journalism and film criticism to action: after his departure for Hollywood, the nine-month stay there when he returned to Europe, printed a number of interviews, topical articles, and various of his texts.Creativity, destiny, identity Mozzhukhina download the film Dragon Crusaders
and interested, excited as filmmakers and audiences and so they were combined. Name Yermolyeva abroad is widely known not only in kinohudozhestvennoy world, but also in a variety of circles of all those who come into contact with modern cinema. Nicholas Castle. 1932Russian kinopredprinimateli almost all left Russia. Their businesses were first looted and then nationalized. Kinotsivilizatsiya collapsed, grown on private property, personal responsibility, and individual enterprise.As Western cinema firmly stood on this basis, the Russian gathered here to continue operations. Most had long-standing partnerships with many European companies, collaborating with whom to live his life comfortably.But I own, a large, reputable, profitable business to scale, scale, risk - all porusski. Yermolyeva shadow loomed over the French giant firm "Pate", with which he was associated various capacities for more than ten years.In February 1920 he moved the staff of his company directors, cameramen, actors, artists from Yalta to Constantinople, and two months later they download the film Dragon Crusaders
and arrived in Paris. Look online
. Here he created the company "Ermoleffsinema" branded depicting an elephant, energetic film unwinding in the circle, the edges of which were the names of cities:Moscow and Paris, Berlin and Munich - the geography of Europe-wide ongoing kinodela. He chose a model of filmmaking: the creative forces of the Russian Finance native of Russia, Boris Kamenka banker whose son Alexander led the Board of Directors' Ermoleffsinema.